Ulrike Königshofer Art

RISAKU SUZUKI (*1963, Japan) SAKURA 13,4-152 2013 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed The Sakura (Japanese term for ‘cherry bloss...

SLAVES WE WERE, 1982, color photograph, signed and dated and titled in ink, numbered 3/50, sheet 12 x 16”. Hand signed, titled and has the edition number on the recto. Gerard Allon, photographer, born 1949, Casablanca, Morocco. Immigrated to Israel in 1974. In 1985 Allon left Israel and established himself in Canada. He became interested in holography and developed a patent for the "holoposter" .Gérard Allon (Moroccan, Israeli) was born in 1949 in Morocco, grew up in Algiers, then in France. He learned French literature at the Lille University and worked as director assistant for the cinema and the French television. At age 24 he went to Israel and made a movie on the first Jewish settlement on the Golan Heights. From 1975 he has developed an Artist photographer career. The transformation of the camera arts in Israel began in the summer of 1975 with a juried exhibition in Tel Aviv entitled Through the Lens of Immigrant Photographers. Held under the auspices of the Ministry Of Education and Culture, the exhibition included six artists selected by a jury: one of them, the then-unknown Gérard Allon. To include him was an act of almost prophetic clairvoyance, since both as an artist and a photographer, Allon was destined to play a most important role in the renewal of the art in Israel, above all in the field of commercial and fashion photography. Together with a handful of other young photographers active at the time (among them the immigrants Yosaif Cohain and Neil Folberg, and Israelis educated abroad, such as Hanan Laskin, Avi Ganor, and Micha Kirshner), Allon was instrumental in bringing much-needed foreign influences into the insular bubble of local photography. He belongs to the younger generation of camera artists who have established new standards and have brought Israel Photography...

large scale monochromatic abstract observation of mesmerizing atmospheric color palette, from Raymond Meier's series Renderings Sky (Rendings 04) by Ray...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-707 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 124 x 159 x 5 cm (48 7/8 x 62 5/8 x...

Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibrant colours. Their black backgrounds give them the appearance of neon signs l...

RISAKU SUZUKI (*1963, Japan) SAKURA 16,4-19 2016 Chromogenic print Sheet 120 x 154 cm (47 1/4 x 60 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry blosso...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-739 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water ...

Nan Goldin Pink sky from airplane 2000 Cibachrome 30 x 40 inches; 76 x 102 cm Edition of 15 Signed, titled, dated, and numbered in ink (verso) Available f...

Darren Almond Fullmoon@Beacon 1999-2004 C-print mounted on aluminum in artist’s frame 48 x 48 inches; 122 x 122 cm Edition of 5 Signed in ink (verso) Available from Matthew Marks G...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-66 2010 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 2/5 Framed The Sakura (Japanese term for ‘cherry blosso...

RISAKU SUZUKI (*1963, Japan) WHITE 07,H-122 2007 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Snowflakes are letters sent from heaven.’ ...

Jung LEE (*1972, South Korea) QUIET, 2017 C-Type Print, Diasec 148 x 185 cm (58 1/4 x 72 7/8 in.) Edition of 5, plus 2 AP Print only – Biography Jung Lee is a Korean artist born i...