Unknown Centerpieces

RL 04 Centerpiece & Cake Stand in Silver Plated Brushed Brass by CASPAL Dimensions: Ø 20 x H 13 cm. Materials: Silver plated brushed brass. Available in brushed brass, varnished al...

This wonderful sculptural vintage centerpiece serving or display piece for any dining table or buffet is two-tiered. The solid brass pegs or legs attach each piece of glass. Pieces o...

American Sterling Silver Candlestick 1907-1938, Tiffany & Co. Of classical tapering hexagonal form, cement-filled base. Height 9 in. (22.86 cm.) Weighing approximately 14.2 oz t.

Renaissance Goblet by Vetralia Designed by Leo De Carlo Dimensions: D 60 x H 38 cm Materials: Crystal, silver coated brass. VETRALIA Functional Art based in Venice Active in the co...

This antique centerpiece pedestal bowl is signed by an unidentified maker, but believed to have originated from the United States and date to appr...

RL 04 Centerpiece & Cake Stand in Brushed Brass by CASPAL Dimensions: Ø 20 x H 13 cm. Materials: Brushed brass. Available in brushed brass, varnished aluminum, or silver-plated bru...

Corrugated cardboard decorative bowl with colored camo design, signed by artist and dated 1994.

This Queen Anne style mafazine rack-frame is composed of embossed, chiseled and gold-plated silver. It has additional valuable wooden panels, at the centre of which there are two silver escutcheons on which to engrave family crests, initials or shield of arms...

Pair of Neoclassical Centerpieces with Cherubs, 1900, England Description: Magnificent pair of centerpieces of English origin, made circa 1900 in the Neoclassical style. Each piece ...

Black Stained Ash Drift Sculpture No 2 Hand-Carved and Signed by Maxime Goléo Unique Piece. Dimensions: W 60 x D 60 x H 158 cm. Materials: Wood Each piece is unique, handmade, signe...

Bowl, large quartz points by Aver Dimensions: D 25 x W 25 x H 14 cm Materials: Quartz, steel, polyvinyl chloride, resin.  

Silver 800 vase Empire revival on foot. The body and the foot are cheased and ambossed Three leaves rims determine the typical Empire style 1,080 grams. By Arval Argenti Valenza .-...

Bunker Tray by Eingang Studio Limited Edition. Dimensions: D 20 x W 32 x H 5 cm. Materials: Concrete. Weight: 1 kg. Available in Grey (concrete), White (concrete + marble powder), o...

Pink murano glass vase, circa 1970 Manufactured in Italy. In original condition, with minor wear consistent of age and use, preserving a bea...

Espacio bronze centerpiece by Jean-Baptiste Van den Heede Unique piece signed and numbered Dimensions: D 41 x 8 cm Materials: bronze Other sizes and materials available. Ea...

Sculpture form No_005 by AOAO Dimensions: W 27 x D 12 x H 48 cm Materials: Ceramic bisque Color options available upon request. The idea was born after deciding to reconnect with my...

Renaissance Goblet by Vetralia Designed by Leo De Carlo Dimensions: D 60 x H 38 cm Materials: Crystal, silver coated brass. VETRALIA Functional Art based in Venice Active in the co...

Bowl, large quartz points by Aver Dimensions: D 23 x H 10 cm. Materials: quartz, steel, polyvinyl chloride, resin.  

Made circa 1880, this attractive, Victorian, antique silver plated centrepiece, features a central glass bowl, and three smaller side bowls. The centrepiece is naturalistic in style,...

Hallmarks: S.A. Calderoni, Milano, 800. Weight: 160.14 troy ounces (5 kg 794 g), including non-silver material. DIMENSIONS: Overall height: 12inches Bottom vessel dimensions: Length: 21 inches Depth: 18.5 inches Height: 7.5 inches Top vessel dimensions: Length: 12 inches Depth: 9.5 inches Height: 9.7 inches This magnificent formal centerpiece was created around 1940 in Milan, Italy by S.A. Calderoni, a famous Italian firm of fine jewelers and silversmiths that was established in 1898 and achieved its greatest fame during Italian Art Nouveau and Novecento periods. The company also manufactured items by special private orders and commissions, and was a supplier to the court of the last Italian King, Victor Emmanuel III. The outstanding artistic design in the style of Novecento and its generous proportions combined with a remarkable handmade rendering make this magnificent centerpiece not simply a functional object but a true masterpiece of applied arts. This luxurious hand-hammered silver centerpiece consists of two parts: - The smaller footed bowl...

Black Yugen stonewares No 4 bowl by Yusuke´ Y. Offhause One of a Kind, the work is in two parts. Dimensions: D 24 x W 24 x H 8.8 cm. Materials: polished stoneware, polished porcel...

Unique II Stoneware sculpture by Lisa Geue Dimensions: D 11 x W 12 x H 18.5 cm Materials: Stoneware with Chamotte, Porcelain Slip, Kaolin, multiple firings Non-functional. Lisa...

Made circa 1880, this striking, Victorian, antique silver plated centrepiece, stands on Ram horn legs, and features a varicoloured glass dish and trumpet vase. The centrepiece measur...

Moon vase by Jung Hong Unique Piece Dimensions: W 43 x D 43 x H 34 cm Materials: Porcelain Dyed porcelain, inlay, high temparature fired, polished silky fine surface (the moon map...

Alexia bar tray by Fakasaka Design Dimensions: W 42.5 cm D 29 cm H 4 cm Materials: polished bronze. Alexia tray / bar tray / centerpiece / candle tray...

Mirage Contenitore Alto by Studio Intervallo Dimensions: D 30 x H 6.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the mono...

Carrying import marks for London in 1966, this charming pair of Sterling Silver Snipe Models, are realistically cast. Each snipe model measures 3.5"(9cm) tall, by 4.25"(11cm) fro...

Chloe Centerpiece by Marioni Dimensions: W 33 x D 22 x H 39 cm. Materials: Ceramic. Product code: 02510A Chloe ceramic sculpture available in different finishes. Each object of th...

Mirage Contenitore Alto by Studio Intervallo Dimensions: D 30 x H 6.2 cm Materials: white Arabescato marble. Available in other stones. The Mirage collection comes from the mon...

Pair of German continental silver and vermeil vases with gorgeous bows and flowers decorating the surface, three tri-dimensional ram heads by each leg, hooved feet. Measuring approxi...

Large alice tray by Slow Design Dimensions: W 26 x H 34 cm Materials: Glass. Technique: Grisaille. Available in colors: Gray and gold, and in size small. Heavy aged mirrored tray with oxidized details. Each piece is unique. Heavy aged mirrored tray with oxidized details. Slow Design is an Italian based company...

Teresa bowl by Fakasaka Design. Dimensions: W 32.5 cm D 25.5 cm H 6 cm. Materials: polished bronze. FAKASAKA is a design company focused on production of high-end furniture, li...

Untitled 56 by Laura Pasquino One of a kind Dimensions: D 42 cm x H 40 cm Material: Stoneware. Laura Pasquino Incorporating references from ancient Korean ceramics as well as...

Boule En Travertin 20 Round Decorative Object And Centerpiece by Beije Avenue Dimensions: Ø 20 x H 20 cm. Materials: Travertine. Available in different size options. Please contact...

Copalera No. 4 Incense Burner by Acoocooro Dimensions: Ø 16 x H 9.5 cm. Materials: Crema maya (Yucatán peninsula marble) incense burner and lid. Veining and mineral composition ma...

Sabbia Solid Wood And Lime Cement Mixture Incense Holder by Dennis Kaiser Dimensions: D 30 x W 34 x H 12 cm. Materials: Solid wood and lime cement mixture. Handcrafted in Tuscany, ...

No.101 stoneware sculpture, Tonfisk by Ciona Lee One of a kind Dimensions: Ø 11 x H 28 cm Materials: black stoneware, frost white glaze Variations of size and colour available Tonf...

Block Rosso Lepanto High Candle Holder by Studionudo Unique Piece. Dimensions: D 9 x W 9 x H 12 cm. Materials: Rosso Lepanto marble. Different materials and sizes are available. Pri...

Block Stand High Travertine Centerpiece by Studionudo Unique Piece. Dimensions: Ø 26 x H 16 cm. Materials: Travertine and Rosso Lepanto marble. Different materials and sizes are ava...

Half half vase by Jung Hong Unique piece Dimensions: W 32 x D 32 x H 34 cm Materials: Porcelain I use the technique of 'sang-gam' (=inlay work) with my special tool, which I made myself, and create delicate and exact lines, which are all handmade, although they are often mistakenly considered manufactured. In the notched hollow lines, I delicately place the subtle different colors one by one, just as hyperrealist painters do. It took me about a year to get a detailed "moon" pattern on the porcelain "moon jar". I am a Berlin-based ceramic artist from Korea and these are very early works made in Berlin, Moon jar is a type of traditional Korean white porcelain...

Red white Yugen stonewares No 4 bowl by Yusuke´ Y. Offhause One of a Kind, the work is in two parts. Dimensions: D 24 x W 24 x H 8.8 cm. Materials: polished stoneware, polished po...

Block Travertine Low Candle Holder by Studionudo Unique Piece. Dimensions: D 4 x W 11 x H 8 cm. Materials: Travertine. Different materials and sizes are available. Prices may vary. ...

No.18 stoneware sculpture, tonfisk by Ciona Lee One of a kind Dimensions: W 12 x D 7 x H 10 cm Materials: speckled stoneware, shiny white glaze Variations of size and colour avai...

No.84 stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: Ø 24 x H 34 cm Materials: Speckled stoneware, Matte White Glaze Variations of ...

Low game of stone center piece, blue by Josefina Munoz Game of Stone Collection. Dimensions: H 8 x Ø 24 cm. Material: Marble Palissandro Blu Nuvolato. Also available in tall cent...

Tall game of stone marble center piece by Josefina Munoz Game of Stone Collection. Dimensions: H 12 x Ø 20cm. Material: marble Palissandro Blu Nuvolato. Also available in low cen...

Half half vase by Jung Hong Unique Piece Dimensions: W 28 x D 28 x H 31 cm Materials: Porcelain I use the technique of 'sang-gam' (=inlay work) with my special tool, which I made myself, and create delicate and exact lines, which are all handmade, although they are often mistakenly considered manufactured. In the notched hollow lines, I delicately place the subtle different colors one by one, just as hyperrealist painters do. It took me about a year to get a detailed "moon" pattern on the porcelain "moon jar". I am a Berlin-based ceramic artist from Korea and these are very early works made in Berlin, Moon jar is a type of traditional Korean white porcelain...

No.99 stoneware sculpture, tonfisk by Ciona Lee One of a kind Dimensions: W 9 x H 12 cm Materials: black stoneware, frost white exterior. Variations of ...

No.83 Stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: Ø 14 x H 16 cm Materials: Speckled stoneware, shiny white glaze Variations of size and colour available...

Small Mirage Iris oval tray by Radar. Design: Bastien Taillard. Materials: glass. Dimensions: D 17 x W 28 x H 3 cm Available in silver, gold or Iris finish. Elegant, timeles...

Candle holder, Large Quartz Points by Aver Dimensions: D 14 x H 28 cm Materials: Quartz, Steel, Polyvinyl chloride, Resin.  

Bronze magazine rack by Tipstudio Numbered Edition Dimensions: Ø 50 x 10 cm Materials: Slags, Satin, Statuario Bronze Weight: 18 kg Tipstudio, Imma Matera and Tommaso Lucarin...

Small Mirage Iris round tray by Radar Design: Bastien Taillard Materials: glass. Dimensions: D 35 x W 35 x H 3 cm Available in silver, gold or Iris finish. Elegant, timeless...

Handmade topos ribbon by Le Meduse Unique piece Dimensions: W 40, D 25, H 22 cm Materials: painted wood. Each model is unique because it is handmade, it can be reproduced in a ...

Earth Mother Stoneware by Eguzkiñe Egaña Unique Dimensions: W 24.5 x L 24.5 x H 36 cm Materials: Black stoneware, Slip. Eguzkiñe Egaña Corta is a Basque artist and maker working at ...

Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Mirage Contenitore basso by Studio Intervallo Dimensions: D 30 x H 3.2 cm Materials: green Guatemala marble. Available in other stones. The Mirage collection comes from the mon...

Mohs large tabernacle by Studio Intervallo. Dimensions: W 30 x D 53 x H 145 cm. Materials: Wooden structure, covered with marbled cotton paper. Mohs is a special element, which ...

Mirage Iris Round Tray by Radar Design: Bastien Taillard Materials: glass. Dimensions: D 50 x W 50 x H 3 cm Available in silver, gold or Iris finish. Elegant, timeless, unders...

Half Half Vase by Jung Hong Unique Piece Dimensions: W 31 x D 31 x H 37 cm Materials: Porcelain Dyed porcelain, high temparature fired, polished silky fine surface. I use the technique of 'sang-gam' (=inlay work) with my special tool, which I made myself, and create delicate and exact lines, which are all handmade, although they are often mistakenly considered manufactured. In the notched hollow lines, I delicately place the subtle different colors one by one, just as hyperrealist painters do. It took me about a year to get a detailed "moon" pattern on the porcelain "moon jar". I am a Berlin-based ceramic artist from Korea and these are very early works made in Berlin, Moon jar is a type of traditional Korean white porcelain...