Skip to main content

Utagawa Hiroshige II Prints and Multiples

to
3
4
1
Overall Width
to
Overall Height
to
2
5
1,613
1,144
882
787
1
4
1
3
2
5
2
2
1
1
1
1
1
5
4
1
1
1
1
1
Artist: Utagawa Hiroshige II
Utagawa Hiroshige II -- The Beach at Takanawa
By Utagawa Hiroshige II
Located in BRUCE, ACT
Utagawa Hiroshige II The Beach at Takanawa from Toto sanjurokkei 東都三十六景 (Thirty-six Views of the Eastern Capital), 1862 Woodblock Oban Signed Hiroshige ga and published by Sagamiya ...
Category

18th Century Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

Kiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on Paper
By Utagawa Hiroshige II
Located in Soquel, CA
Kiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on Paper Full Title: Kyoto: Kiyomizu Temple (Kyô Kiyomizudera), from the series Scenes of Famous Places along...
Category

1860s Edo Utagawa Hiroshige II Prints and Multiples

Materials

Ink, Rice Paper, Woodcut

Wandering Monks in the Courtyard of Konoura - Woodcut by U. Hiroshige II - 1840s
By Utagawa Hiroshige II
Located in Roma, IT
Wandering monks in the courtyard of Konoura is an original modern artwork realized by Utagawa Hiroshige II (1826 – 1869) in the 1840s. Good impression with reduced palette mainly in...
Category

1840s Modern Utagawa Hiroshige II Prints and Multiples

Materials

Paper, Woodcut

Tsukuda Sumiyoshi no Yashiro - Woodcut by Hiroshige II - 1853
By Utagawa Hiroshige II
Located in Roma, IT
Tsukuda Sumiyoshi no yashiro (Sumiyoshi Shrine on Tsukuda Island) is the original title of this superb ten colour woodblock print on paper, by the Japanese master, Utagawa Hiroshige ...
Category

1850s Utagawa Hiroshige II Prints and Multiples

Materials

Paper, Woodcut

Bamboo Rooms in Iwahisa - Woodcut by Utagawa Hiroshige II - 1840s
By Utagawa Hiroshige II
Located in Roma, IT
Bamboo Rooms in Iwahisa is an original modern artwork realized by Utagawa Hiroshige II (1826 – 1869) in the 1840s. Very good impression with reduced palette mainly in blue, green an...
Category

1840s Modern Utagawa Hiroshige II Prints and Multiples

Materials

Paper, Woodcut

Related Items
3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Three surfers carving up the Hawaiian waves, having a blast in the tropical surf. 3 Turns - Surfing Art - Figurative Print - Woodcut Print By Marc Zimmerman Limited Edition 01/05 ...
Category

2010s American Modern Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

The Bathers
By Winslow Homer
Located in Fairlawn, OH
The Bathers Woodengraving, 1873 As published in Harper's Weekly, August 2, 1873 (p. 668) Provenance: Wunderlich & Co., Inc., New York, NY (Their stock no. 84.003.8 in pencil recto a...
Category

1870s American Realist Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

The Bathers
The Bathers
$350
H 15.875 in W 11 in
Wolfdietrich - Original leaflet from Johann Prüss' Das Heldenbuch
Located in Soquel, CA
Original leaflet from Johann Prüss' 1479 printing of "Das Heldenbuch." The Heldenbücher is the title given to a group of late medieval/early renaissance Germanic manuscripts primari...
Category

15th Century and Earlier Medieval Utagawa Hiroshige II Prints and Multiples

Materials

Paint, Laid Paper, Woodcut

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
By Carol Summers
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category

1980s Contemporary Utagawa Hiroshige II Prints and Multiples

Materials

Ink, Handmade Paper, Woodcut

Edo Landscape Japanese Woodblock Print
By Utagawa Hiroshige (Ando Hiroshige)
Located in Houston, TX
Edo Meisho woodblock print of a famous Japanese coastal dock. This woodblock is most likely apart of the series "One Hundred Famous Views of Edo." The woodblock print is printed on r...
Category

1850s Edo Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper Woodblock print of travelers on a bridge by Utagawa Hiroshige (Japanese, 1797-185...
Category

1850s Impressionist Utagawa Hiroshige II Prints and Multiples

Materials

Rice Paper, Woodcut

Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category

Early 19th Century Edo Utagawa Hiroshige II Prints and Multiples

Materials

Ink, Rice Paper, Woodcut

3 Jewish Men Judaica Woodblock Woodcut Engraving Print Chicago 1930s WPA Artist
By Todros Geller
Located in Surfside, FL
Todros Geller (1889 – 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago’s art community.Geller was born in Vinnytsia, the Russian Empire (now Ukraine) in 1889.[2] He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923. Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass window for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books. In addition to conducting classes in his studio, Geller was head of art at the Jewish People’s Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin...
Category

Early 20th Century Modern Utagawa Hiroshige II Prints and Multiples

Materials

Paper, Woodcut

"Nara" Japanese Townscape
By Kiyoshi Saitō
Located in Houston, TX
Landscape print of small Japanese city, Nara (A). Signature and seal lower right. Mat board covers the margins which may have date, title and edition. Non-glare glass makes inspection and photography difficult. Visible Area: H 15 in. x W 20.5 in. Artist Biography: Kiyoshi Saito was born in Fukushima prefecture in 1907. At the age of five he moved to Otaru in Hokkaido, where he would come to serve as an apprentice to a sign painter. Saito became infatuated with art after studying drawing with Gyokusen Narita and moved to Tokyo in 1932 to study Western-style painting at the Hongo Painting Institute. He began experimenting with woodblock prints and exhibiting his works with Nihon Hanga Kyokai in 1936. Saito mainly worked in oil painting until his invitation from Tadashige Ono...
Category

20th Century Modern Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

"Nara" Japanese Townscape
"Nara" Japanese Townscape
$1,600
H 22 in W 27.5 in D 1.5 in
Joseph Zirker, Playhouse
By Joseph Zirker
Located in New York, NY
In the 1950s woodcuts started to get bigger and bigger as they competed with paintings for a space on the wall. This California print by Joseph Zirke...
Category

1950s American Modern Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

Composition (Duthuit N° 17), Pierre à feu, Les Miroirs profonds, Henri Matisse
By Henri Matisse
Located in Auburn Hills, MI
Woodcut on vélin supérieur paper. Unsigned and unnumbered, as issued. Good condition. Published by Maeght, éditeur, Paris; printed by Mourlot Frères, Paris, January 17, 1947. Notes: ...
Category

1940s Modern Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

Stevan Dohanos, Backyard
By Stevan Dohanos
Located in New York, NY
Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...
Category

1930s American Modern Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

Previously Available Items
Dragon Room in Iwahisa - Original Woodcut by Utagawa Hiroshige II - 1840s
By Utagawa Hiroshige II
Located in Roma, IT
Dragon Room in Iwahisa is an original modern artwork realized by Utagawa Hiroshige II (1826 – 1869) in the 1840s. Good impression with reduced palette mainly in blue, green and yell...
Category

1840s Modern Utagawa Hiroshige II Prints and Multiples

Materials

Paper, Woodcut

Meishoe - Original Woodcut by Utagawa Hiroshige II - 1830s
By Utagawa Hiroshige II
Located in Roma, IT
Meishoe is an original modern artwork realized by Utagawa Hiroshige II (1826 – 1869) in the 1830s.. Oban Yoko-e. From the famous Tokaido series of 1833, the most famous print of th...
Category

1830s Modern Utagawa Hiroshige II Prints and Multiples

Materials

Paper, Woodcut

Catching Fireflies by the Uji River in Yamashiro Province
By Utagawa Hiroshige II
Located in Fairlawn, OH
Hiroshige ga, Toyokuni ga in toshidama cartouche; Censor's seal: Chicken 8 aratame; Blockcutter's mark: Horikô Mino, center sheet only, (Japanese, 1833-1906) and Utagawa Ku...
Category

Mid-19th Century Utagawa Hiroshige II Prints and Multiples

Materials

Woodcut

Utagawa Hiroshige Ii prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Utagawa Hiroshige II prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Utagawa Hiroshige II in paper, woodcut print and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the modern style. Not every interior allows for large Utagawa Hiroshige II prints and multiples, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Kaoru Kawano, Keisei Eisen, and Yasuo Kuniyoshi. Utagawa Hiroshige II prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $334 and tops out at $1,563, while the average work can sell for $718.

Recently Viewed

View All