William Hogarth Art

After William Hogarth (English, 1697-1764), originally done circa 1750 - this is likely done in the mid 1800's. "The March of the Guards to Finchley, also known as The March to Finc...

WILLIAM HOGARTH (BRITISH 1675 – 1764) BEER STREET 1751(Paulson 185 iii/iii) Etching and engraving Design’d by W, Hogarth lower left, Publish’d according to act of Parliament...

WILLIAM HOGRTH (1697 - 1764) MR. GARRICK IN THE CHARACTER OF RICHARD THE 3RD (Shakespear Act 5 Scene 7) (Paulson 1970.165 ii/ii; Paulson 1989.165 ii/ii;, Dobson and Armstrong p. 20...

This is a framed original satirical etching/engraving by William Hogarth, entitled "Some Principal Inhabitants of ye Moon: Royalty, Episcopacy and Law", originally published in London in 1760.The inscription reads: ""Some of the principal inhabitants of [the] moon as they were perfectly discover'd by a telescope brought to [the] greatest perfection since [the] last eclipse; exactly engraved from the objects whereby [the] curious may guess at their religion, manners, &c.". Although this may be an original life-time printing, it may have been published by Baldwin Craddock and Joy in London in 1822 from Hogarth's original copper plate that was reworked where needed by Heath, referred to as the Heath edition. This publication was the last time that Hogarth's plates were used for a printing. Most were subsequently destroyed and those remaining are primarily held by institutions. The scene is presented within a circle, as if seen through a telescope viewing the moon, surrounded by a square border, under which is engraved the title. The figures, who are satirically supposed to be the inhabitants of the moon, sit on a wooden platform suspended above the clouds. Three seated figures are supposed to represent the "Monarchy, Episcopacy, and Law". "Monarchy", representing royalty, sits on a throne wears a crown and he holds a globe and a sceptre. His face is a gold coin. The symbol of perpetuity, is embroidered on the cloth under his throne. "Episcopacy", representing the church, is operating a pump by pulling on a bell-rope fastened around a bible attached to the pump handle. The pump pours out money into a chest representing the church coffers and wealth. The chest is decorated with an armorial escutcheon, containing a knife and fork, topped by a church leader's mitre. Episcopacy's face is a Jew’s Harp and his right foot rests on a pile of three cushions. A cloven foot is seen protruding from under his religious robe. "Law" wears the type of wig worn by 18th century English judges. He holds a large sword on the right, but he does not appear to have a left arm. His face is a hammer resembling that of the Viking god Thor. Behind him a dagger appears to be thrust through the bottom of a sieve. The bodies of the attendants on Monarchy are composed of circular fire-screens, resembling shields. The trunks of the Courtiers are large looking-glasses, the sconces, with candles in them serving for hands and arms. The face of the chief of these is the reverse of a sixpence; and a key significantly appended to his sash at once denotes his sex and office. Under the figure of Law are a male and female modishly dressed. Her head is a tea-pot, her neck is a drinking-glass and her body is a half open fan. The male figure's face is a coat of arms and his legs are fan sticks. He appears to be courting the female. There is a great deal of satirical symbolism in this print and their meaning is not always obvious. Hogarth may have planned to include an explanation since there are letters a, b, c, d, e, f and g placed over or under some of the figures and objects. The reference books by Ronald Paulson, such as "Hogarth's Graphic Works, provide some possible interpretations. The print is presented in an ornate glossy black wood frame with beaded gold-colored outer and inner trim, a beaded gold-colored fillet and a cream-colored silk mat. There is a small defect in the frame's right upper edge. The print was not examined out of the frame, but the visible portions of the print are in excellent condition. The frame and mat style are identical to another old master print listed on 1stdibs, a 17th century portrait of the old master artist Petrus de Jode by Anthony van Dyck. This print can be viewed by placing the 1stdibs reference # LU117327129592 in the search field. These two framed prints would make a striking display grouping. A discount is available for purchase of the pair. Artist: William Hogarth (1697-1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. Hogarth's work was extremely diverse, ranging from serious realistic paintings and portraits to satire and moralistic pieces filled with symbolism. He often communicated his moral message in a series of paintings and engravings, such as: A Rake's Progress, Marriage A...

The print was published as a companion to the ‘Distressed Poet’, the original of which is in the City Museum and Art Gallery, Birmingham. When advertising its publication in the pres...

William Hogarth's illustration of John Gay's "The Begger's Opera". In this plate, the character of Macheath stands in the center shackled. On either side of him is his lover and wife...

A very fine 18th century copper plate engraving from William Hogarth and Charles Grignion (1721–1810). Hogarth depicts his close friend, the actor David Garrick, as Richard III wakin...

An Election Entertainment is an original etching realized by William Hogarth in 1755. The etching was engraved also by Francois Morellon de la Cave. Original title: An Election Entertainment, Plate I: Four Prints of an Election. Signature on plate: "Painted and the Whole Engraved by Wm. Hogarth. / Published 24th Febry. 1755, as the Act directs". Inscription on plate: "To the Right Honourable Henry Fox, &c. &c. &c. This plate is humbly Inscrib'd by his most Obedient Humble Servt. Wm. Hogarth". Includes passepartout and frame (62 x 2 x 74 cm). Good conditions, except for a browning of paper due to the signs of aging. The print is from the series The Humours of an Election (1754-58), the artist's last painted cycle regarding contemporary affairs. The paintings are now in Sir John Soane's Museum, London. Unlike the other three engravings in the series, An Election Entertainment does not reverse the original painting, as in the case of when Hogarth made engravings...

The Polling is an original etching realized by William Hogarth in 1758. The etching was engraved also by Francois Morellon de la Cave. Original title: The Polling, Plate III: Four Prints of an Election. Signature on plate: "Engrav'd by W. Hogarth & Le Cave...

Big In-folio Volume Baldwin and Cradock, London Majestic work collection most of Hogarth’s graphic production, printed from the original plates. Restored by James Heath. The Volume ...

Works of Hogarth, complete folio dating from 1822, printed from the original plates by John Nichols of London for Baldwin, Cradock and Joy, 1822. The Works of William Hogarth from the original plates restored by James Heath. Bound in contemporary leather and marbled paper, spine tooled in gilt and blind. Inner hinges broken and marbled fly-leaves loose. Biographical essay and description of plated by John Nichols followed by 120 leaves printed with 156 plates, and including Beer Street /Gin Lane...

1736 (Heath Edition 1822). Etching and engraving. Paulson 140 iv/iv; British Museum Satires 2285. 10 1/2 x 8 3/16 (sheet: 12 7/8 x 9 3/4). Inscription: in plate below image, lower le...