ASGrond - Art & Antiques

KAJ-FICAJA French, Artist Couple: Chantal Ficaja-Lindström (1959) & Alexander Kaj Lindström (1959), Sans titre • Pop/ Street Art • Coloured felt pens on paper ca. 40 x 50 cm • Si...

Alois Müller (Prob. Swiss, active in the mid 60’s) Die Saat kommt - Wer segnet (The seed is coming – Who does the blessing) • Pop art / anti-war art from the wild 60s • Most likely...

Gaétan Montagney (French, 20th Century) Route de campagne bordée d'arbres • Oil on canvas on panel ca. 20 x 26 cm • Frame ca. 28 x 33 cm • Signed lower right Delightful little lan...

Anthony Walker (British, 1726–1765) The Mowhawk Indian Warrior with his Tomax, scalping Knive &c. • Mid 18th Century copper plate engraving on laid pa...

Jan Pieterszoon Saenredam (Dutch, 1565 - 1607) Taste - "Dulcia sepe nocent avido gustata palato, Votaq damnose luxurosa gule." (Translation...

Gerhard Cohn Roemers (German, 1900 - 1965) Ponte Del Rialto in Venice • Oil on canvas, ca. 40 x 65 cm • Frame, ca. 57 x 82 cm • Signed and titled lower right corner Gerhard Cohn Ro...

Thomas Ranft (German, 1945) Hier und dort, I , 1984 • Coloured Etching • Sheet ca. 55 x 42 cm • Titled & signed in pencil • EA ( Artist proof) Worldwide shipping is complimentary ...

Thomas Ranft (1945) - Hier und dort II, 1984 - Abstract Etching - Edition 3 / 15 Thomas Ranft (German, 1945) Hier und dort, II , 1984 • Coloured Etching • Sheet ca. 55 x 42 cm • T...

Thomas Ranft (1945) Hinter dem Zwölften Berg • Aquatint Etching • Sheet ca. 55 x 42 cm • Titled & signed in pencil • EA (Artist proof) Worldwide shipping is complimentary - There ...

Thomas Ranft (1945) Nacht der tausend Träume, 1986 • Coloured etching on three separate plates • Sheet ca. 55 x 42 cm • Titled, signed and dedicated Worldwide shipping is complime...

Thomas Ranft (1945) Spuren, ca. 1977 • Heavy, tooled leather portfolio, ca. 56 x 43 cm • Sheets (3) measure each ca. 52.5 x 39.5 cm • The leather folder originally held 10 etchings...

Charles George Nicholls (English, flourished 1792 - 1818) Picturesque Gangetic Landscape in India • Circa 1805 • Watercolour on thick paper, ca. 20 x 49.5 cm • Mounted behind a modern passpartout, visible image ca. 19 x 49 cm • Original Georgian frame (newly glassed) , ca. 39 x 70 cm • Signed lower left corner Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Very detailed watercolor painting - note how light reflecting off the water surface was skillfully created by scratching the paper surface. Charles G(J)eorge Nicholls, originally a merchant seaman, was a contemporary of Thomas and William Daniell, and like them, he made several sketching trips whilst in India, including up the Dohab, which is from where this drawing appears to be of. He worked as draughtsman for the East India Company based in Calcutta and was also employed by the Office of the Surveyor-General, where he was involved in the Survey of Orissa, South Bengal. Unfortunately bad eyesight truncated his career and he returned to England in 1815. Nicholls signed his middle name’George’ using a ‘G’, aswell as a ‘J.’ Nicholl’s work surfaces from time to time and can command high prices at auction – especially for his Indian landscapes. For example, a drawing by Nicholls ( a page of an album) was auctioned by Sotheby's (Valuable Printed Books, June 1997, Lot 407), or a series of water coulours were auctioned by Christie's (Visions of India, June 1998) and in September 2000 two small drawings were auctioned again by Christie's (Exploration & Travel with Visions of India). Also, I know there is a unsigned water colour titled 'Bridge over the River Bama by Benares' in the collection of the Oriental & India Office Collections (OICO) at the British Library. Here is a rare opportunity, to acquire a large format watercolor (double album page), featuring a very impressive view of what India looked like over 200 years ago - seen through the eyes of a skilled artist, in employment by the famous East India Company. I also think that as India opens up more and more rapidly to the world and enjoys increasing prosperity, the interest in cultural heritage, trophy objects like the one I am offering here today, will find their way back to India, into a collection or onto a wall in a chic office or luxurious apartment. The water colour drawing...