Darnley Fine Art

Philip Campbell Curtis American 1907 - 2000 Reflections Oil on board, signed and dated 1960 Image size: 12 ½ x 5 ½ inches Original frame

Frank Henry Mason 1875 – 1965 Steamship in Asia Gouache on paper Image size: 8 x 15 inches Acid free mount and hand made gilt frame Original artwork for a carriage print for steam...

C.M. European 1946 Nestlé Gouache on paper Image size: 38 x 24 inches £300

CARL FRIEDRICH HEINRICH WERNER 1808 - 1894 Street Tailors in Cairo Graphite on Paper Image Size: 13 ¾ x 19 ¾ inches Acid free mount SKETCHES OF CARL WERNER EXHIBITION AT OUR G...

Charles Paine 1895 - 1967 Sunset Gouache, signed lower right with monogram Image size: 2 ¾ × 2 ¾ inches Acid free mount and black frame £350

Keith Holmes Contemporary Walmer Oil on board, signed Image size: 15 ¼ x 9 ¾ inches Framed Born in Richmond, North Yorkshire, Keith studied fine art at West Surrey College of Art and Design before qualifying as a paper conservator at Camberwell School of Art and Crafts. In 1977 he was visiting professor on the conservation programme run by New York State University, where he taught conservation studies at postgraduate level. He is a fellow of the International Institute of Conservation and Fellow of the Royal Society of Arts. He divides his time between work as a practising artist, a freelance conservator and the renovation of a disused chapel/boathouse where he lives with two Bengal cats...

Gordon Scott 1914 - 2016 Crescent Grove, Clapham Oil on canvas Image size: 18 x 24 inches Contemporary style frame GORDON SCOTT EXHIBITION AT DARNLEY F...

Harold Yates 1916 - 2001 Camouflage Pencil and watercolour, signed and dated "42" lower right Image size: 6 ¾ x 9 ¾ inches Framed Acid free mount As a soldier in the Army during World War II, Yates did documentary work which was purchased by the War Artists...

Rowland Hilder 1905 - 1993 Kent Landscape Watercolour, signed lower right Image size: 23 x 34 cm Framed Though of staunch English stock, Hilder chanced to be born in Long Island, New York, where as a child he caught his first glimpse of pictures hanging on walls when his father took him to the mansions of the resident millionaires. When war broke out the family sailed back to England; and when it was over a perceptive schoolmaster, recognising a natural talent for drawing, set him on the road to Goldsmiths' College, in London. There he joined the etching class, but soon transferred to drawing under the noted illustrator Edmund J. Sullivan, to which Hilder acknowledged a lifelong debt. He developed into a versatile illustrator and draughtsman, with commissions that ranged from a 1930 edition of Mary Webb...