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White Roses and Red Berries, Signed 20th Century American Female Artist
By Emma Fordyce MacRae
Located in London, GB
Oil on board, signed top left
Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm)
Bespoke gilt cased frame
Provenance
By descent from the estate of the artist
Emma Fordyce MacRae
Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat.
MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses.
MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists.
Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums.
MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...
Category
20th Century American Modern Still-life Paintings
Materials
Oil, Board
Yellow Roses in Hopi Pot, American 20th Century Female Artist
By Emma Fordyce MacRae
Located in London, GB
Oil on board
Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm)
Framed
Provenance
By descent from the estate of the artist
Emma Fordyce MacRae
Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat.
MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses.
MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists.
Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums.
MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...
Category
20th Century American Modern Still-life Paintings
Materials
Oil, Board
Landscape, Oil on Oak Panel, 17th Century
Located in London, GB
Oil on oak panel
Image size: 24 1/2 x 41 1/4 inches (62.25 x 104.75 cm)
19th Century Handmade frame
POA
Jan Brueghel the Younger
Jan Brueg...
Category
Mid-17th Century Landscape Paintings
Materials
Oak, Oil
Parish Church, Barnstaple, 1930s Ink Print, 20th Century English Artist
Located in London, GB
Ink print on tracing paper, signed bottom right and entitled bottom left
Image size: 6 x 8 inches (15.25 x 20.25 cm)
Mounted
Barnstaple is a river port town in North Devon. The ancient town lies to the north of Dartmoor and to the west of the beautiful Exmoor National Park. The church that Hendy has depicted here is the town centre Parish Church of St Peter's. Parts of the church date to the 13th-century with much restoration being done during the Victorian era by George Gilbert Scott...
Category
1930s English School Landscape Prints
Materials
Paper, Ink
On the Beach, Post-Impressionist Oil Painting, English School
Located in London, GB
Oil on board
Image size: 11 1/2 x 8 3/4 inches (29 x 22.25 cm)
Contemporary style hand made frame
Alike many painters at the start of the 20th century, this artist has recorded a s...
Category
Early 20th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Oil, Board
Portrait of a Young Male, Graphite on paper sketch, 20th Century English Artist
By John Sergeant
Located in London, GB
Graphite on paper
Image size: 10 1/4 x 8 1/2 (26 x 22 cm)
Mounted
Drawing was at the heart of all of his artistic practice. A friend once recalled an anecdote that out on a walk he ...
Category
20th Century English School Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of a Boy, Pastel Drawing, 20th Century English
By William Dring
Located in London, GB
Pastel and graphite on paper
Image size: 11 x 8 1/2 inches (28 x 21.5 cm)
Mounted
William Dring
Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth Rothwell...
Category
Mid-20th Century Portrait Drawings and Watercolors
Materials
Paper, Pastel, Graphite
View of Cornwall, Graphite Sketch, 20th Century English Female Artist
Located in London, GB
Graphite on paper
Image size: 5 1/4 x 8 inches (13 x 20.25 cm)
Mounted
Jane Ross
Little is known about Jane Ross apart from that she attended Heatherley's Art School. Here she met...
Category
20th Century English School Landscape Drawings and Watercolors
Materials
Paper, Graphite
Sir Rowland Cotton (1581 – 1634), Tudor Oil on Canvas, Life Size Painting
Located in London, GB
Oil on original canvas
Image size: 78 1/4 x 44 inches (199 x 112 cm)
Contemporary style frame
Provenance
Sir Rowland Cotton, 1608
Family Descent
Private Collection
Sir Rowland Cot...
Category
17th Century English School Figurative Paintings
Materials
Canvas, Oil
The Cemetery, Graphite Sketch, 20th Century English Female Artist
Located in London, GB
Graphite on paper
Image size: 7 x 5 inches (17.75 x 12.75 cm)
Mounted
Jane Ross
Little is known about Jane Ross apart from that she attended Heatherley's Art School. Here she met ...
Category
20th Century English School Landscape Drawings and Watercolors
Materials
Paper, Graphite
Salamander, 20th Century British Artist, Abstract Painting
By Kenneth W. Hough
Located in London, GB
KENNETH W HOUGH
SALAMANDER
Watercolour
Image size: 10 ¾ x 14 inches
Category
20th Century Abstract Abstract Drawings and Watercolors
Materials
Watercolor
A Triptych: The Olympic Games, Modern British Drawing, Ancient Greek, Nude
By James Stroudley
Located in London, GB
Graphite on paper
Image size of rectangular works: 33 x 43 inches (84 x 109 cm)
Image size of arched central work: 38 1/4 x 29 inches (97 x 73.5 cm)
Provenance
Private Collection of Seymour Stein, Vice President of Warner Bros Records
Sotheby's 'Modern British and Irish Art,' London, 19 May 2004, lot 92
The three impressive drawings are studies for Stroudley’s ‘Olympic Games in a Demi-Lune’. From left to right the studies depict groups of athletes practicing diving, a conversing crowd of oarsmen, hurdlers mid jump and a collection of javelin throwers. This study was created in 1930 when Stroudley practiced in the British School in Rome. There are few surviving works from Stroudley’s short stay in Rome, with the compositions from his Rome period being among the last wholly successful decorative cycles produced by a Rome Scholar prior to World War II. Indeed, as can be seen here, his drawings from this period are technically brilliant and even bear comparison with those of Eric Kennington.
James Stroudley
Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk.
Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...
Category
1930s Modern Figurative Drawings and Watercolors
Materials
Paper, Graphite
18th Century English Delftware Pottery, Glazed Bowl Inscribed 'Success to Trade'
Located in London, GB
Glazed Delft Pottery
Diameter: 8 1/2 inches (22cm)
Height: 3 3/4 inches 9.5cm
A small delftware bowl from 18th century England, painted in blue on the...
Category
18th Century English School More Art
Materials
Delft, Glaze
Portrait of a Young Woman with Vase, Oil on canvas, Early Dutch Genre Painting
Located in London, GB
Oil on canvas
Image size: 12 x 10 inches (30.5 x 25.5 cm)
Period hand carved gilt frame
This 17th century Dutch genre painting depicts a young woman holding a jug with a landscape l...
Category
17th Century Dutch School Figurative Paintings
Materials
Canvas, Oil
Still Life with Fish and Large Copper Pot, Late 18th Century Spanish Painting
Located in London, GB
Oil on canvas
Image size: 24 x 28 1/2 inches (61 x 73 cm)
Contemporary style hand made frame
This is an incredibly carefully executed work. On what appears to be a wooden ledge we see a plate of freshwater fish, possibly a roach, a copper pot, a larger terracota pot...
Category
Late 18th Century Realist Still-life Paintings
Materials
Canvas, Oil
Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian
Located in London, GB
James Fellowes
Flourished 1719 - 1750
Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian
Oil on canvas, signed & dated 1747
Image size: 29 1/2 x 24 1/2 inches (75 x 62 cm)
Original gilt wood frame
William Henry Kerr was born a member of the Scottish peerage to William, third Marquess of Lothian, and his first wife Margaret, daughter of Sir Thomas Nicholson of Kemnay, first Baronet. William was styled Master Jedburgh until 1722, when his father was elevated to a Marquessate, after which he was referred to as Lord Jedburgh until 1735. Following his father’s military footsteps, on 20 June 1735 Ancram was commissioned as a cornet to the regiment (11th Dragoons) of his grand-uncle, Lord Mark Kerr. Ancram married Lady Caroline...
Category
1740s Old Masters Portrait Paintings
Materials
Oil
A Summer Shower, Oil on Canvas, English School, Signed Landscape
By Robert Gemmell Hutchison
Located in London, GB
Oil on canvas, signed bottom left
Image size: 11 x 9 1/2 inches (28 x 24 cm)
Gilt frame
Provenance
Thos. Agnew & Sons
Pyms Gallery
Robert Gemmell Hutchinson
A native of Edinburgh, R. Gemmell Hutchison was born in 1855, and died on 22nd August 1936. After his school days he began work as a seal engraver, but soon left that occupation for painting and studied at the Art School of the Board of Manufactures.
He exhibited for the first time in the Royal Scottish Academy in 1878 and in the Royal Academy in 1881. A very early work was acquired by the Royal Association for the Promotion of the Fine Arts in Scotland. An assiduous and prolific worker, Hutchison painted in oil, water, and pastel, and with varied subjects—figures, landscapes, the seashore, domestic interiors and occasionally portraits.
As indicated, his works from the first found a ready sale, and he is represented in the permanent collections of Oldham - Glasgow, Kelvingrove Gallery; Modern Arts Association, Edinburgh; Liverpool, Walker Art Gallery ; Bolton; Toronto, Canada; Fine Art Association, Canada ; Blackpool; Hamilton Trustees, Glasgow; Paisley...
Category
Late 19th Century Landscape Paintings
Materials
Canvas, Oil, Board
Self Portrait in a Mirror with Artist's Tools, Oil on canvas, Signed, Polish
By Joseph Biel
Located in London, GB
Oil on canvas, signed bottom left
Image size: 24 x 20 inches (61 x 51 cm)
Contemporary style hand made frame
Joseph Biel
Joseph Biel was a painter and photographer who was born in ...
Category
20th Century Modern Portrait Paintings
Materials
Canvas, Oil
Portrait of King Edward VI, Oil on panel with Gold Leaf, 18th Century English
Located in London, GB
Oil on oak panel
Image size: 25 1/2 x 19 inches (37.5 x 27 inches)
18th Century Auricular gilt frame
Provenance
New York private collection
This portrait of the King Edward VI depicts the boy-king standing in a black and gold embroidered doublet, wearing a jewelled cap. King Edward holds a staff with a globus cruciger set on the table beside him. No expense has been spared in the making of this piece, with gold leaf being applied in many areas to give the effect of the costume's gold embroidery, chain of office and other metal accessories.
As the precious male heir to the Tudor dynasty...
Category
Early 18th Century English School Portrait Paintings
Materials
Gold Leaf
Kimmeridge Bay, 20th Century English School Oil Landscape, Monogrammed
Located in London, GB
Oil on canvas, monogrammed bottom right, inscription and artist label on stretcher
Image size: 12 x 24 inches (30.5 x 61 cm)
Original frame
Provenance
Collection of Mrs Fairchild, L...
Category
20th Century Modern Landscape Paintings
Materials
Canvas, Oil
Portrait of a Young Boy Carrying a Fruit Basket, 18th Century Oil on Canvas
By Sir William Beechey
Located in London, GB
Oil on canvas
Image size: 30 x 25 inches (76 x 63.5 cm)
Hand carved gilt frame
This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece with a fl...
Category
18th Century English School Portrait Paintings
Materials
Canvas, Oil
Portrait of a Lady, Oil on canvas, 18th English Century Painting
By George Romney
Located in London, GB
Oil on canvas
Image size: 22 x 20 inches (22.75 x 51 cm)
Pierced gilt frame
This half-length portrait shows the sitter with her head and eyes looking over her shoulder, to the right. She is dressed in a delicate blue dress and blue shawl with her hair tied up away from her face. The composition of the painting is simple but effective; the woman stands out and is the undeniable focus of the viewer's attention.
George Romney's artistic style is characterised by its focus on the beauty and elegance of human forms. Here, one can appreciate his ability to capture the delicacy of facial features and the soft textures of clothing. In addition, Romney has used a soft and diffuse brushstroke technique that creates a light and soft effect in the work. The dark and diffused background highlights the young woman's figure even more, creating an effect of depth and realism.
It is possible that this sitter is Miss Anne Dutton.
George Romney
Romney was a fashionable portrait painter of late 18th-century English society. In his portraits Romney avoided delving into the character or sensibilities of the sitter. His great success with his society patrons depended largely on just this ability for dispassionate flattery. Line rather than colour dominates; the flowing rhythms and easy poses of Roman classical sculpture underlie the smooth patterns of his compositions.
From 1755 to 1757 Romney was the pupil of Christopher Steele, an itinerant portrait and genre painter. Romney’s career began when he toured the northern English counties painting portraits for a few guineas each. In 1762 he went to London. His history painting The Death of General Wolfe won him an award from the Society of Arts; nonetheless he turned almost immediately to portrait painting. In 1764 he paid his first visit to Paris, where he was befriended by Joseph Vernet. Romney especially admired the work of Nicolas Le Sueur, whose use of the antique strongly appealed to him. In 1773 he went to Italy for two years, where he studied Raphael’s Stanze frescoes in Rome, Titian’s paintings...
Category
18th Century Portrait Paintings
Materials
Canvas, Oil
The Ladder, 20th Century British Artist, Handmade White Gold Frame
By Gordon Scott
Located in London, GB
Graphite on paper
Image size: 9 3/4 x 8 inches (24.75 x 20.25 cm)
Hand made white gold frame
Gordon Scott
Gordon Scott was trained at the Royal College of Art (1934-38) under Gilb...
Category
Mid-20th Century Modern Interior Drawings and Watercolors
Materials
Paper, Graphite
Oak and Marble 18th Century French Commode Jean Pierre Latz
Located in London, GB
Oak then lacquered with marble top
Carved/Stamped with the name "Latz" in the wood under the marble
Height: 55 inches (86.25 cm)
Width: 55 inches (140 cm)
Provenance
Château de Mareil Le Guyon
This commode is available to view at our gallery on Cecil Court.
Jean-Pierre Latz
Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers working in Paris in the mid 18th-century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of Stavros Niarchos...
Category
18th Century French School More Art
Materials
Marble
Nude Study, Graphite on Paper, 20th Century British Artwork
By William Dring
Located in London, GB
Graphite on paper
Image size: 22 x 26 inches (56 x 66 cm)
Mounted and framed
William Dring
Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth Rothwell...
Category
20th Century Nude Drawings and Watercolors
Materials
Paper, Graphite
Paysage du Vivarais avec une Ferme, French Post-Impressionist, Signed Painting
Located in London, GB
Oil on canvas, signed bottom right
Image size: 26 1/4 x 19 3/4 inches (41.5 x 50 cm)
Hand made gilt frame
Provenance
Artist's Estate
This work is sold with a certificate of authe...
Category
Early 20th Century Post-Impressionist Landscape Paintings
Materials
Canvas, Oil
The Bathers, Woodcut on paper, Signed and dated 1912, Italian Artist
Located in London, GB
Woodcut on paper, signed and dated '1912' bottom right
Image size: 5 x 5 1/4 (12.75 x 13.5 cm)
Mounted
Here the artist's bold gouging of the material has created an evocative scene ...
Category
1910s Italian School Figurative Prints
Materials
Woodcut
Colliery Scene, Lancashire, 20th Century British Artist, Wood Engraving
Located in London, GB
Wood Engraving on paper, signed and entitled below artwork
Image size: 6 1/4 x 4 1/2 inches (16 x 11.5 cm)
Mounted and framed
This print depicts a scene of a colliery, that is of a ...
Category
20th Century Modern Figurative Prints
Materials
Engraving
A Fine and Rare Early Barbers Pole, Early 18th Century, English School
Located in London, GB
A fine and rare early barbers pole in original polychrome paint finish. Turned in one piece.
A decorative and original piece of folk art. The white was for bandages, red for blood an...
Category
Mid-18th Century English School Sculptures
Materials
Wood
Les Cypres, French Post-Impressionist Landscape Painting, Signed
Located in London, GB
Oil on canvas, signed bottom right
Image size: 29 x 40 inches (74 x 101 cm)
Contemporary style handmade frame
Provenance
Artist's Estate
Robert Deborne
Robert Deborne was born in...
Category
Early 20th Century Post-Impressionist Landscape Paintings
Materials
Canvas, Oil
Portrait of Rebecca Octavia Dorothy Nash, Victorian Graphite Drawings
By Joseph Nash
Located in London, GB
Graphite on paper, inscribed on original backing
Image size: 6 1/2 x 5 1/2 inches (16.5 x 14 cm)
Mounted
This is a delightful graphite drawing by the artist Joseph Nash that depict...
Category
Mid-19th Century Victorian Portrait Drawings and Watercolors
Materials
Paper, Graphite
Portrait of Geoffrey Chaucer, Oil on Oak Panel Portrait, 16th Century
Located in London, GB
Oil on oak panel
Image size: 14 1/4 x 11 3/4 inches (36 x 30 cm)
Period style frame
This portrait shows Chaucer with a string of beads in one hand and a writing implement in the other. The Arms in the top left of the picture are the Arms of Chaucer, featuring a per pale argent and gules, a bend counterchanged.
This painting appears to derive, like all other portraits of Chaucer, from an illustration in an early fifteenth-century manuscript, Hoccleve's De Regimine Principum. Here Hoccleve included one portrait of Chaucer, showing him with an inkhorn around his neck and holding a rosary in one hand. Since it is likely that Hoccleve had met Chaucer, many scholars believe this could be the most genuine representation of the English writer with all other depictions being seemingly based on it.
In almost all portraits of Chaucer, including this one, the poet is shown wearing a pendant attached to his vest. This item is often considered to be a penner, included in the artworks as a sign of the general occupation of a writer. Whilst the pendant is generally accepted as a case for a writing instrument, possibly with equal plausibility, it has also been suggested that the item is an ampulla, a small lead vial containing water and the blood of St. Thomas Becket...
Category
16th Century Portrait Paintings
Materials
Oil, Panel
Flower Gardens at Generalife, Granada
By Ernest Arthur Rowe
Located in London, GB
Watercolour on paper, signed bottom left
Image size: 13 3/4 x 9 1/2 inches (35 x 24 cm)
Mounted and framed
The Generalife was a summer palace and country estate of the Nasrid rulers...
Category
Late 19th Century Victorian Landscape Drawings and Watercolors
Materials
Paper, Watercolor
The Pale Green Gavotte, 20th Century
Located in London, GB
Oil on canvas
Image size: 35 3/4 x 35 3/4 inches (91 x 91 cm)
Entitled, monogrammed, dated 'November 1974' and inscribed on reverse
Category
1970s Abstract Paintings
Materials
Canvas, Oil
Portrait of a German Airman, Graphite on paper, 1919, Air Park Document Verso
Located in London, GB
Graphite on paper, signed and dated '13 Feb (19)19' bottom left
Image size: 13 x 8 1/4 inches (33 x 21 cm)
This is a portrait of a German airman that was done by the artist at the start of 1919. The artwork has been created on the reverse of a document from Adlershof, a German Air Park. This exact document is from the 'Airman Replacement Department' and is a request form for replacement parts for aircrafts - it asks the writer to specify the type and number of aircrafts, the type of engine and details of its propellers.
Adlershof is a place with a long and famous history. Germany's first motorised aircraft took off from here at the beginning of the 20th century and the Wright brothers moved their company to the airfield in 1909 shortly after it was opened. In 1912 German Experimental Institute for Aviation was established and made the location it's headquarters. Indeed, pre-war it was often known as 'The cradle of German Aviation'.
During the war the War ministry used the site for extensive military production and it is particularly well known for a series of competitions between various aviation firms' fighter aircraft designs that were held in 1918 and 1919. Even after the War had ended, work continued at Adlershof with the final flight competition being held between February and May 1919 (when this portrait was created). Eventually, the signing of the Versailles Treaty ended all military aircraft work for Germany and led to the dissolution of the Luffstreikrafte in May 1920.
Karl Ludwig Nagel...
Category
Early 20th Century Portrait Drawings and Watercolors
Materials
Mixed Media, Graphite
Portrait of a German Airman, Graphite on paper, 1919, Air Park Document Verso
Located in London, GB
Graphite on paper, signed and dated '13 Feb (19)19' bottom left
Image size: 13 x 8 1/4 inches (33 x 21 cm)
This is a portrait of a German airman that was done by the artist at the start of 1919. The artwork has been created on the reverse of a document from Adlershof, a German Air Park. This exact document is from the 'Airman Replacement Department' and is a request form for replacement parts for aircrafts - it asks the writer to specify the type and number of aircrafts, the type of engine and details of its propellers.
Adlershof is a place with a long and famous history. Germany's first motorised aircraft took off from here at the beginning of the 20th century and the Wright brothers moved their company to the airfield in 1909 shortly after it was opened. In 1912 German Experimental Institute for Aviation was established and made the location it's headquarters. Indeed, pre-war it was often known as 'The cradle of German Aviation'.
During the war the War ministry used the site for extensive military production and it is particularly well known for a series of competitions between various aviation firms' fighter aircraft designs that were held in 1918 and 1919. Even after the War had ended, work continued at Adlershof with the final flight competition being held between February and May 1919 (when this portrait was created). Eventually, the signing of the Versailles Treaty ended all military aircraft work for Germany and led to the dissolution of the Luffstreikrafte in May 1920.
Karl Ludwig Nagel...
Category
Early 20th Century Portrait Drawings and Watercolors
Materials
Mixed Media, Graphite
View of a Cathedral, 17th Century Dutch Ink and Wash Artwork, Mounted
Located in London, GB
Ink and wash on paper
Image size: 7 1/2 x 6 inches (19 x 15.25 cm)
Mounted
This drawing is of a Gothic style church in the Netherlands that is likely to have been built in the 15th ...
Category
17th Century Landscape Drawings and Watercolors
Materials
Paper, Ink
The Boat Yard, 20th Century English Watercolour and Graphite Artwork
By William Dring
Located in London, GB
Watercolour and graphite on paper
Image size: 15 1/4 x 11 1/4 inches (38.75 x 28.5 cm)
This wonderful 20th century watercolour painting depicts a small boat yard that is filled with fishing and pleasure vessels. It is possible that this work was created by Dring just after World War Two, when he travelled extensively around Britain and spent some time painting subjects in Portsmouth and the surrounding area.
William Dring
Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth...
Category
20th Century Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Graphite
Self Portrait, Charcoal on Paper, 20th Century British Drawing
By William Dring
Located in London, GB
Charcoal on paper
Image size: 4 1/2 x 4 1/4 inches (11.5 x 10.75 cm)
Mounted with a contemporary style frame
This is a somewhat haunting self-portrait by William Dring, crafted in charcoal. Here, Dring presents himself through dark shadow and bright highlights, looking out directly at the viewer with a serious gaze.
Although the Dring has been economical in the use of his marks we are still given plenty of information and can identify the energy in which the strokes of charcoal must have been placed onto the surface.
William Dring
Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth...
Category
20th Century Modern Portrait Drawings and Watercolors
Materials
Paper, Charcoal
Return from the Hunt, Pen and Ink 17th Century Artwork, Handmade Gilt Frame
Located in London, GB
Pen and ink, brown wash, heightened with white bodycolour
Image size: 9 x 10 1/2 inches (22.75 x 26.75 cm)
Mounted with hand made gilt frame
Lingelbach presents a scene from the end...
Category
17th Century Landscape Drawings and Watercolors
Materials
Paper, Ink
Portrait of a Young Man, 19th Century English, Charcoal, Signed and Dated '1888'
Located in London, GB
Charcoal on paper, signed and dated '1888' bottom right
Image size: 9 x 7 1/2 inches (22.75 x 19 cm)
Period frame
The half-length portrait depicts the subject sat, wearing a white s...
Category
1880s Victorian Portrait Drawings and Watercolors
Materials
Paper, Charcoal
Self Portrait, Graphite Sketch 20th Century British Female Artist
Located in London, GB
Graphite on paper
Image size: 12 1/4 x 8 inches (31 x 20.25 cm)
Hand made contemporary style frame
This is a wonderful self portrait that captures the artist as she stares, unafraid...
Category
Mid-20th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
Study of a Woman, Graphite Sketch, 20th Century British Artist, Signed
Located in London, GB
Graphite on paper, signed lower right
Image size: 9 x 12 1/2 inches (23 x 32 cm)
Mounted and framed
Little is known about the artist Winifred Anne Rymer apart from that her career f...
Category
20th Century Figurative Drawings and Watercolors
Materials
Graphite
Self Portrait, Oil on Oak Panel, English School, Handmade Frame
Located in London, GB
Oil on oak panel
Image size: 9 x 7 1/4 inches (23 x 18.5 cm)
Period style hand made frame
This is a self-portrait is most likely by a 17th century English...
Category
17th Century Portrait Paintings
Materials
Oak, Oil
The Bedouin, European School Oil Painting on panel, Original Frame
Located in London, GB
Oil on panel
Image size: 12 1/2 x 9 1/4 inches (31.75 x 23.5 cm)
Original frame
This is a captivating portrait of a young Bedouin. The painting has a sensitive and cohesive colour p...
Category
19th Century Figurative Paintings
Materials
Oil, Wood Panel
Lambeth Plate, English Delftware, Blue and White Design c. 1750
Located in London, GB
English Delftware blue and white plate, painted with a flower and bird design
Diameter: 8 3/4 inches (22.25 cm)
Delftware is also known as Delft Blue, was originally a general term ...
Category
1750s Sculptures
Materials
Ceramic, Delft
L'eglise de Mézy-Moulins, Pastel 19thC French Landscape, Signed and dated 1921
By Léon Augustin Lhermitte
Located in London, GB
Pastel on mounted canvas, signed and dated '1921' lower right
Image size: 20 x 24 inches (51 x 61 cm)
Original gilt frame
This scene depicts the church of Mézy-Moulins in Northern ...
Category
1920s Landscape Drawings and Watercolors
Materials
Canvas, Pastel, Laid Paper
Great Gateway, Leading to the Temple at Karnac, Thebes, Original Watercolour
By David Roberts
Located in London, GB
Pencil and watercolour heightened with white, signed lower right and inscribed lower left
Image size: 14 3/4 x 11 1/2 inches (37.5 x 29.5 cm)
Mounted with handmade gilt frame
Prove...
Category
Early 19th Century Landscape Drawings and Watercolors
Materials
Watercolor, Graphite
Woman at Rest, Signed Charcoal Sketch, 20th Century British
By James Stroudley
Located in London, GB
Charcoal on paper, signed lower left
Image size: 15 3/4 x 21 inches (40 x 53.5 cm)
Contemporary frame
James Stroudley
Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year.
From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk.
Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...
Category
Mid-20th Century Modern Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Portrait of a Young Woman, Sir Godfrey Kneller, Hand carved gilt frame
By Sir Godfrey Kneller
Located in London, GB
Oil on canvas
Image size: 30 1/4 x 25 inches (77 x 63 cm)
Original hand carved gilt frame
Provenance
Private Estate, England
This is a very fine example of Kneller's work in the early 18th century. Here, the emphasis is placed directly on the sitter's alluring femininity, with this being enhanced by the falling hair around her shoulder. This looseness of focus is created with a free fluidity of brushstrokes. He has used a Rembrandt-esque technique of subtle tones in the face, and we can see how Kneller often allowed the bluer ground layer to show through when suggesting the darker flesh tones.The painterly technique seen here is an excellent demonstration of Kneller’s style.
The bold handling of the flesh tones is Kneller at his most emphatic, while the sizeable areas of dark grey ground we see are indicative of his method of painting quickly, developed by this stage in his career to cope with the many demands of a large circle of patrons. The same effect is used for the shadows in the face: rather than paint darker colours on top of the pink flesh tones, as most artists would have done, Kneller instead painted in the reverse order, using the ground layer for his dark shadows, and then painting the lighter colours on top. Often he worked with an almost dry brush in strong firm strokes. Here the flesh tones have been rapidly, almost roughly painted, with bold areas of impasto giving way to areas where almost no paint has been applied at all, a trick that allowed Kneller to use the blue-grey ground layer to show darker flesh tones.
Godfrey Kneller...
Category
Early 18th Century Academic Portrait Paintings
Materials
Canvas, Oil
Instow from Appledore, Oil Landscape, Signed and Dated 1938
By Alfred Henry Robinson Thornton NEAC
Located in London, GB
Oil on canvas, signed and dated '38' bottom right
Original title inscription and date 'Nov 19th 1838' verso
Image size: 30 x 24 inches (76 1/4 x 61 cm)
Contemporary style hand made f...
Category
1930s Landscape Paintings
Materials
Canvas, Oil
Self Portrait, Mid 20th Century, British Artist, Signed Etching
Located in London, GB
Etching, entitled bottom left and signed bottom right
Image size: 5 1/4 x 7 1/2 inches (13.25 x 19 cm)
Contemporary frame
Holding a pen and with the bottom section of the work done ...
Category
20th Century Modern Portrait Prints
Materials
Etching
Graphite Study of a Head, Monogrammed Victorian Sketch, Gilt Fame
By Henry Perronet Briggs
Located in London, GB
Graphite on paper, monogrammed lower left
Image size: 6 x 6 1/2 inches (15.25 x 16.5 cm)
Contemporary style handmade gilt frame
Henry Perronet Briggs
Henry Perronet Briggs RA wa...
Category
Early 19th Century Portrait Drawings and Watercolors
Materials
Paper, Graphite
The Jewellers, 19th Century Orientalist Graphite Sketch
By Carl Friedrich Heinrich Werner
Located in London, GB
Graphite on Paper
Image size: 21 x 13 3/4 inches (53.25 x 35 cm)
Carved gilt frame
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher...
Category
Mid-19th Century Figurative Drawings and Watercolors
Materials
Paper, Graphite
View of the Dome of the Rock, 19th Century Orientalist Sketch
By Carl Friedrich Heinrich Werner
Located in London, GB
Graphite on Paper
Image size: 14 x 20 inches (35.5 x 51 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher and a ...
Category
Early 19th Century Landscape Drawings and Watercolors
Materials
Paper, Graphite
The Barbers, 19th Century Orientalist Graphite Sketch
By Carl Friedrich Heinrich Werner
Located in London, GB
Graphite on Paper
Image size: 12 ¼ x 19 ½ inches (36 x 50 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher and ...
Category
Mid-19th Century Figurative Drawings and Watercolors
Materials
Paper, Graphite
Entrance to the Al-Azhar Mosque, 19th Century Orientalist Sketch
By Carl Friedrich Heinrich Werner
Located in London, GB
Graphite on Paper
Image size: 20 ¾ x 14 ¾ inches (53 x 37.5 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher a...
Category
Mid-19th Century Interior Drawings and Watercolors
Materials
Paper, Graphite
Saddler's Workshop in Cairo, Graphite on Paper, 19th Century Orientalist
By Carl Friedrich Heinrich Werner
Located in London, GB
Graphite on Paper
Image size: 12 ½ x 16 ¼ inches (31.75 x 41 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher ...
Category
Mid-19th Century Figurative Drawings and Watercolors
Materials
Paper, Graphite
Vaulted Interior, 19th Century Orientalist Sketch, Graphite on Paper
By Carl Friedrich Heinrich Werner
Located in London, GB
Graphite on Paper
Image size: 19 x 14 inches (48.25 x 35.5 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher and...
Category
Mid-19th Century Interior Drawings and Watercolors
Materials
Paper, Graphite
At the Fountain, Graphite Orientalist sketch, Mid-19th Century
By Carl Friedrich Heinrich Werner
Located in London, GB
Graphite on Paper
Image size: 15 x 19 ¼ inches (38 x 49 cm)
Acid free mount
Carl Friedrich Heinrich Werner
Carl Werner was born in Weimar in 1808, the son of a piano teacher and a...
Category
Mid-19th Century Figurative Drawings and Watercolors
Materials
Paper, Graphite
