Emma Scully Gallery Seating

Entitled "Grizzly Chair", this is a monolithic but refined lounge or club chair, designed in 2023 by London-based designed EJR Barnes. This generously proportioned piece is entirely ...

Sleek and refined contemporary dining chair composed of polished industrial aluminium and mahogany veneered birch wood by London-based designer EJR Barnes. A harmonious juxtapositi...

Sleek and refined contemporary dining chair composed of polished industrial aluminium and white birch veneer by London-based designer EJR Barnes. A harmonious juxtaposition of mate...

Low stool or ottoman comprised of a hand-carved reclaimed wood base on block feet with an upholstered seat cushion and handmade glass button. Customizable and comfortable, with a grounded and relaxed feel. Designed by multi-hyphenate creative force Rafael Prieto, this one-of-a-kind stool is made of hand-carved reclaimed wood, with seat cushion upholstered in an archival nubby jacquard striped textile adorned with a glass button hand-cast from a stone. The perfect elevated low seating for lounging fireside, quiet meditation, or cozy conversation. ‘The stools are like a way of having a conversation with friends...

Unique, hand-carved reclaimed wood bench with archival textile and handmade glass buttons. Seat cushion measures 5.75" inches high and is plush and comfortable. Designed by multi-hyphenate creative force Rafael Prieto, this one-of-a-kind bench is made up of a medley of materials - two solid blocks of reclaimed wood supporting a hand-carved reclaimed wood base, with a generously plush seat cushion upholstered in archival fabric (or client's choice of material) and finished with 3 unique hand-cast glass buttons. Artist Information: Rafael Prieto (b. 1981, Mexico) is the Founder and Creative Director of Savvy, a New York and México City - based creative studio. Since founding Savvy in 2012, Prieto has brought his distinct perspective to the building of artistic, innovative and personal concepts in the arts, hospitality, retail, and more. Rafael is also the owner of Casa Bosques...

Low stool with a hand-carved reclaimed wood base, upholstered seat cushion, and handmade glass button. Customizable and comfortable, with a grounded and relaxed feel. Designed by ...

This unique piece is the 2022 re-issue of British-designer Jane Atfield's historical, 'RCP2 Chair,' an iconic example of sustainable design, to commemorate the 30th anniversary of th...

This unique piece is the 2022 re-issue of British-designer Jane Atfield's historical, 'RCP2 Chair,' an iconic example of sustainable design, to commemorate the 30th anniversary of th...

Earthy and grounded cast iron chair with striking Kintsugi-inspired bronze "vein" detail by Chen Chen and Kai Williams. This leathered cast iron and bronze chair...

Plush and comfortable, this chair is incredibly unique in its shape and feeling. It feels supportive and sturdy, and brings a subtle artistic flair to the living room. Additional information: Bradley Bowers’ 'Frank' hardly resembles a chair at all—there’s no obvious seat, and the tubular frame gives it a psychedelic pool noodle...

Bradley Bowers’ 'Frank' hardly resembles a chair at all—there’s no obvious seat, and the tubular form gives it a psychedelic pool noodle vibe. Yet the New Orleans-based designer obse...

This eclectic, one-off azure-blue decorative accent table or stool is made by French multidisciplinary artist-designer Louis Bressolles. The entirely unique sculptural object is constructed of interlocking pieces of reclaimed tree branches and layered Plexiglass sheets that have been thermoformed to create a useable structure — and which can be disassembled and reassembled like a puzzle. The puzzle's trick is that it must be constructed in a specific order. Once assembled, the lightweight materials of the piece become quite sturdy, and the finished form is reminiscent of a wild and imaginatively intertwined patchwork of branches and brambles, drenched in a cheerful, bright shade of blue that recalls the Mediterranean Sea on a sunny day. A versatile and functional design object that is guaranteed to stand-out in even the most discerning contemporary interiors. About the Artist: As an artist and designer, Bressolles has developed a personal and singular approach, inspired by lived experience. Bressolles exploits materials, particularly plastic, to new formal and technical potential, give new life to re-used plastics, such as his recent “Gainage” Collection, created with discarded swimming pool equipment...

This vibrant sunshine yellow powder-coated tubular steel bench by New York-based design practice JUMBO NYC is an exceptionally durable two-seater bench made ...

This unique piece is the 2022 re-issue of British-designer Jane Atfield's historical, 'RCP2 Chair,' an iconic example of sustainable design, to commemorate the 30th anniversary of th...

This is the 2022 re-issue of British-designer Jane Atfield's historical, 'RCP2 Chair', an iconic example of sustainable design, to commemorate the 30th anniversary of the piece, whic...

The "Triple Bench" in Stainless Steels by Rooms Studio of Tbilisi, Georgia, would make a striking focal point in an entryway or lobby - the scale of the p...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

This one-of-a-kind sculptural beeswax chair with sides is designed by Rooms Studio in collaboration with Shotiko Aptsiauri and was produced in Tbilisi, Georgia. The molded, beeswax sculpture, which can be interpreted as a stool, seat, side table or art object, is cylindrical in shape with two rectangular blocks at the top, representing a backrest or arms for the seat. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...