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Gottlieb Gallery Sculptures and Carvings

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Chinese Carved Jadeite Cigarette Box and Cover
Located in Hudson, NY
Made in the late Republic Period, circa 1945 to 1950, this box was purchased in China in 1990. The boxes carved jadeite ranges from a lovely soft translucent white to a rich green in veins that crisscross the stone with some natural brownish inclusions in the stone as well. Carved in a typical rectangular form conforming to the shape of the product for which it was designed the lid is centered with a flowering prunus branch set within a raised lip...
Category

Mid-20th Century Chinese Sculptures and Carvings

Materials

Jade

Pair of 20th Century Chinese Carved Bowenite Lidded Urns.
Located in Hudson, NY
This nice pair of carved lidded urns are made form Bowenite which is considered a semiprecious stone and thought to resemble jade. They were carved in the mid 20th century and come w...
Category

Mid-20th Century Chinese Sculptures and Carvings

Materials

Stone

Three Early 20th Century Red Horn Carvings of Buddha and Bodhisattva
Located in Hudson, NY
Three early 20th century red horn carvings of Buddha and Bodhisattvas. These three carvings all from approx. circa 1915 represent the bodhisattvas and or the ...
Category

Early 20th Century Chinese Busts

Materials

Horn, Rosewood

Chinese Republic Period Carved Amethyst Quartz Vase with Cover
Located in Hudson, NY
This urn, while archaistic in shape, generally is far more typical of 18th and 19th century specialty carved hardstone vases. The carving in rich veined amethyst quartz was done circa 1930-1940 and is dominated on the lid with a Kylin or mythical beast that in Chinese culture represents good luck and prosperity. The lid its self is ribbed and rests on the top of the urn between two further Kylin heads holding in there mouth loose rings. The main body of the vase is covered in Taotie masks in a stylized form. The foot of the urn, as well as the shoulder above the main body, are carved with lambrequins inset with traditional Chinese repetitive patterns often found on ancient dynastic...
Category

Mid-20th Century Chinese Sculptures and Carvings

Materials

Amethyst

Late 19th Century Chinese Gold Fleck Cast Bronze Figure of Buddha
Located in Hudson, NY
This work cast in bronze with a gold fleck finish to the clothing was made in the last quarter of the 19th century. The patina and color of the figure has lovely rub through and sits...
Category

Antique Late 19th Century Chinese Sculptures and Carvings

Materials

Bronze

Early 20th Century Chinese Qing Dynasty Large Jadeite Carved Plaque on Stand
Located in Hudson, NY
This very nice carved plaque of good size comes from China and was made circa 1900. The stone is a rich combination of dark, light and emerald green. Sliced from a boulder washed and...
Category

Early 20th Century Chinese Qing Sculptures and Carvings

Materials

Jade

19th Century Japanese Silver Inlayed Bronze Representing Daikoku
Located in Hudson, NY
From the Estate of Paul & Clara Kellner. This large bronze of Daikoku or the God of Prosperity closely associated with farmers, agriculture and rice staples of Japanese life and stability. His attributes are a co-mingling of Indian Buddhist forms of Shiva and the Shinto God...
Category

Antique Late 19th Century Japanese Sculptures and Carvings

Materials

Silver, Bronze

19th Century Tibetan Patinated Bronze Figure of Tara on New Black Base
Located in Hudson, NY
This fine old bronze of Tara was made for the purpose of focusing on the process of meditation regarding her aspects of wisdom and compassion. Crafted in Tibet but nearer to India and its influences this figure is an interesting combination of Hindu and Buddhist art and religion. Originally Tara was conceived as a Hindu mother goddess with the spread of Buddhism she was redesigned sometime after 4th century giving her a new role within the spreading Buddhist religion. This seems to have taken place in Shri Lanka and then spread out and back into India and Tibet thru China. At this time Shri Lanka was a great trading center and was host to many religious aspects, sects and ideals. The figure is cast with many fine details and is patinated in a warm green, brown showing traces of a coppery red color. The bronze content of this figure has a high amount of copper in the smelting giving the bronze a rich internal red color. Seated in lalitasana with her pendent right foot resting on a separately cast Padma or lotus pillow...
Category

Antique Mid-19th Century Tibetan Tibetan Sculptures and Carvings

Materials

Bronze

Early 19th Century Chinese Carved Agate Urn Set on a French Gilt Base
Located in Hudson, NY
This fine Chinese urn carving from the early 19th century has been in the late 19th century placed on a carved wood base that has been gilded creating a dramatic foil for the carving...
Category

Antique Early 19th Century Chinese Qing Sculptures and Carvings

Materials

Agate

Late 19th Century Chinese Glazed Terracotta Seated Luohan Figure
Located in Hudson, NY
This hand-shaped and incised terracotta Luohan or seated figure of a scholar was made in China at the end of the imperial dynastic period circa 1900. Luohan or a term for an Arhat who are the historical disciples of the Buddha. These figures have been seen throughout Buddhistic artist tradition for as long as the Buddhas religious teachings have existed. The figure seated on a rock rests...
Category

Antique Late 19th Century Chinese Qing Sculptures and Carvings

Materials

Terracotta, Wood

Late 19th century Carve Stone Cambodian Buddha
Located in Hudson, NY
This sage green carved stone Buddha was purchased from an upstate NY garden where it has resided for the last 120 years. The family began the house and garden in the late 1890s and traveled through China, Southeast Asia and Europe acquiring objects to create a complete retirement home for themselves and their family from New York City. Sculptures like this are a typical form found at Angkor of numerous sizes representing Nagas and used as guardians of temples. This figure was a favorite motif of Angkorean sculptors from the 12 century...
Category

Antique 1890s Cambodian Other Sculptures and Carvings

Materials

Stone

Late 19th/Early 20th Century Carved Jade Mythical Bird Carving
Located in Hudson, NY
This nicely carved bird figure is done in an 18th-century style but is from the very late 19th century to early republic period. The stone is a soft mellow celadon green with dark br...
Category

Early 20th Century Chinese Sculptures

Materials

Jade

19th Century Chinese Bronze Dancing Figure
Located in Hudson, NY
The charming figure done completely in the lost wax method is in a primitive naive style. The male figure is dancing excitedly on a rocky outcrop. His costume of a loose-fitting coat...
Category

Antique 19th Century Chinese Sculptures

Materials

Bronze

19th Century Nephrite Jade Carved Plaque on Stand
Located in Hudson, NY
This carved Nephrite Jade plaque of a mythical best has the attributes of a dragon and a fish leaping from the water. Carved we believe in the late 18th or early 19th century to be u...
Category

Antique 19th Century Chinese Sculptures

Materials

Jade

Late 19th or Early 20th C. Carved Jade Urn
Located in Hudson, NY
This fine jade urn of a lovely spinach color running to a deep yellow is carved to resemble a pair of Buddhist lions or mythical beasts conjoined back to back...
Category

Early 20th Century Chinese Urns

Materials

Jade

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Materials

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Pair Antique Chinese Carved Celadon Jade Guardian Lions ROC Early 20th Century
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Antique 19th Century Chinese Chinese Export Sculptures and Carvings

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Larger Than Life Terracotta Buddha Bust of Guanyin, Early 20th Century, China
Located in Antwerp, BE
A massive larger than life terracotta buddha bust of Guan Yin, China, early 20th century. Broken and restored with wear and tear from enduring exposure to the elements. Size: 75 cm high. Weight: 40 kg. Guanyin, Kwanyin, Guanshiyin or Guanyin Pusa is the Chinese interpretation of the bodhisattva Avalokiteśvara (the goddess of comfort and mercy). In addition, she is seen in Taoism as an immortal. The scripture dedicated to her is Dabeizhou. Guanyin is the goddess of compassion and the sea. She is one of the three saints of the western paradise, along with Mahasthamaprapta and Amitabha Buddha; they are worshiped to save departed loved ones from hell and grant them entrance to the western paradise. Guanyin Chinese name Traditional Chinese 觀音 Simplified Chinese 观音 Transcriptions Full Chinese name Traditional Chinese 觀世音 Simplified Chinese 观世音 Literal meaning "[The One Who] Perceives the Sounds of the World" Transcriptions Second alternative Chinese name Traditional Chinese 觀自在 Simplified Chinese 观自在 Literal meaning "Lord who Gazes down on the World" Transcriptions Burmese name Burmese ကွမ်ယင် IPA [kwàɴ jɪ̀ɴ] Tibetan name Tibetan སྤྱན་རས་གཟིགས Vietnamese name Vietnamese alphabet Quan Âm (Quán Âm) Quán Thế Âm (Quan Thế Âm) Quán Tự Tại Chữ Hán 觀音 觀世音 觀自在 Thai name Thai กวนอิม, พระอวโลกิเตศวรโพธิสัตว์ RTGS Kuan Im, Phra Avalokitesuan Korean name Hangul 관음, 관세음, 관자재 Hanja 觀音, 觀世音, 觀自在 Transcriptions Mongolian name Mongolian script ᠨᠢᠳᠦ ᠪᠡᠷ ᠦᠵᠡᠭᠴᠢ Japanese name Kanji 観音, 観世音, 観自在 Hiragana かんのん, かんぜおん, かんじざい Transcriptions Indonesian name Indonesian Kwan Im, Kwan She Im, Awalokiteswara Filipino name Tagalog Guanyin (ᜄᜓᜀᜈᜌᜒᜈ) Sanskrit name Sanskrit अवलोकितेश्वर (Avalokiteśvara) Khmer name Khmer អវលោកិតេស្វរៈ (Avalokitesvarak), អវលោកេស្វរៈ (Avalokesvarak), លោកេស្វរៈ (Lokesvarak) Hmong name Hmong Kabyeeb, Niam-Txiv Kabyeeb, Dabpog, Niam-Txiv Dabpog Guanyin (traditional Chinese: 觀音; simplified Chinese: 观音; pinyin: Guānyīn) is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara (Sanskrit: अवलोकितेश्वर) and has been adopted by other Eastern religions, including Chinese folk religion.[note 1] She was first given the appellation "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China.[1] Guanyin is short for Guanshiyin, which means "[The One Who] Perceives the Sounds of the World."[2] On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated.[3] Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus, and then sent to the western pure land of Sukhāvatī.[4] Guanyin is often referred to as the "most widely beloved Buddhist Divinity"[5] with miraculous powers to assist all those who pray to her, as is mentioned in the Pumen chapter of Lotus Sutra and Kāraṇḍavyūha Sūtra. Several large temples in East Asia are dedicated to Guanyin, including Shaolin Monastery, Longxing Temple, Puning Temple, Nanhai Guanyin Temple, Dharma Drum Mountain, Kwan Im Thong Hood Cho Temple, Shitennō-ji, Sensō-ji, Kiyomizu-dera, Sanjūsangen-dō, and many others. Guanyin's abode and bodhimaṇḍa in India is recorded as being on Mount Potalaka. With the localization of the belief in Guanyin, each area adopted their own Potalaka. In Chinese Buddhism, Mount Putuo is considered the bodhimaṇḍa of Guanyin. Naksansa is considered to be the Potalaka of Guanyin in Korea. Japan's Potalaka is located at Fudarakusan-ji. Tibet's Potalaka is the Potala Palace. Vietnam's Potalaka is the Hương Temple. There are several pilgrimage centers for Guanyin in East Asia. Putuoshan is the main pilgrimage site in China. There is a 33 temple Guanyin pilgrimage in Korea which includes Naksansa. In Japan, there are several pilgrimages associated with Guanyin. The oldest one of them is the Saigoku Kannon Pilgrimage, a pilgrimage through 33 temples with Guanyin shrines. Guanyin is beloved by most Buddhist traditions in a nondenominational way and found in most Tibetan temples under the name Chenrézik (Wylie: Spyan ras gzigs). Guanyin is also beloved and worshipped in the temples in Nepal. The Hiranya Varna Mahavihar located in Patan is one example. Guanyin is also found in some influential Theravada temples such as Gangaramaya Temple, Kelaniya and Natha Devale nearby Temple of the Tooth...
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Early 20th Century Chinese Chinese Export Sculptures and Carvings

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Terracotta

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Antique 19th Century Chinese Qing Lacquer

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Antique Mid-17th Century Chinese Qing Sculptures and Carvings

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Antique 19th Century Chinese Qing Lacquer

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Early 20th Century Chinese Ming Ceramics

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