19th Century Tibetan Patinated Bronze Figure of Tara on New Black Base

The charming figure done completely in the lost wax method is in a primitive naive style. The male figure is dancing excitedly on a rocky outcrop. His costume of a loose-fitting coat...

This work cast in bronze with a gold fleck finish to the clothing was made in the last quarter of the 19th century. The patina and color of the figure has lovely rub through and sits...

This fine Chinese urn carving from the early 19th century has been in the late 19th century placed on a carved wood base that has been gilded creating a dramatic foil for the carving...

This hand-shaped and incised terracotta Luohan or seated figure of a scholar was made in China at the end of the imperial dynastic period circa 1900. Luohan or a term for an Arhat who are the historical disciples of the Buddha. These figures have been seen throughout Buddhistic artist tradition for as long as the Buddhas religious teachings have existed. The figure seated on a rock rests...

From the Estate of Paul & Clara Kellner. This large bronze of Daikoku or the God of Prosperity closely associated with farmers, agriculture and rice staples of Japanese life and stability. His attributes are a co-mingling of Indian Buddhist forms of Shiva and the Shinto God...

This carved Nephrite Jade plaque of a mythical best has the attributes of a dragon and a fish leaping from the water. Carved we believe in the late 18th or early 19th century to be u...

In Buddhism, Tara is a savior deity (savioress) who liberates souls from suffering. She is recognized as a Bodhisattva in Mahayana Buddhism and as a Buddha and the mother of Buddhas ...

A stunningly graceful life-sized arm and hand of the Buddha, Tibet, late 18th or early 19th century. The hand is beautifully cast, with long, elega...

The finely cast bronze figure of Guanyin - Bodhisattva Goddess of Compassion, Kindness & Mercy. Shown standing atop a naturalistic mound on a scrolled rectangular base, wearing an o...

An impressive larger than life-size cast and gilt bronze left hand and arm of a bodhisattva, late 19th century or earlier, Tibet. The over-sized arm and hand of graceful proportions. The arm tapering down to a slender wrist embellished with a simple bracelet hiding the join between the hand and arm. The hand and arm richly gilt. The join to the elbow visible and exposed. The hand heavily cast, with nice detail to the fingernails and cuticles. The palm with simple incised lines. The hand, with the pointer and pinky fingers raised, and the middle and ring finger folded down touching the thumb, performs the gesture known as karana mudra, the gesture of dispelling evil. (Here in Texas we refer to this gesture as "Hook'em Horns!") Karana mudra is often associated with Avalokiteshvara, the bodhisattva of compassion, known in Tibet as Chenrezig, and in China as Guanyin. The hand and arm would originally have been part of a much larger sculpture. Unfortunately many Tibetan Buddhist sculptures...

A beautiful silver bronze White Tara statue. The serene face with large downcast eyes under arched eyebrows above pursed lips, flanked by long earlob...

A beautiful gilt bronze statue of Tibetan Green Tara. The Goddess is seated in lalitasana on an elaborately incised double-lotus base with the pendant foot ...