H. Gallery Furniture

Paavo Tynell is one of Finland’s best known and most collected mid-century designers. Tynell was a pioneer of European lighting design and a founder of the first lighting manufacturi...

These individualistic chairs possess a playful and stylish look that Italian Modern furniture is beloved and coveted for. Defined by the stylish silhouette of the design covered in a...

One of the most significant contributions of the Scandinavian countries to the European fine arts has been in the field of design. The Scandinavian countries have achieved world-wide...

This brass and glass chandelier is full of personality, with unexpected details that make it unique. Most likely a one-off, this model has an essentially mid-century modern look with...

This beautiful Danish cabinetmaker lounge chair recalls the peak of Danish Mid-Century Modern design. Thanks to its curved shape, this model is exceptionally cosy and elegant. Curved chairs like this are statement pieces in any space, but they can also adapt to a variety of styles thanks to their universal appeal. With its classic shape paired with modern design, the generous size, and fully upholstered body, this lounge chair is outstanding, even when measured to the many beautiful models created in Denmark during the mid-century era. The large, curved design is reminiscent of the Chesterfield style, with rolled arms and a curving back, short feet, and button tufting. While the impression may recall the historic style, it is its more streamlined, modern interpretation with fewer decorative elements and a much lighter colour palette. The stitches on the back create a scalloped look that sections the back, enhancing the voluptuous size. The Danish design idiom, among other things, was centred on gentle yet robust support for the spine - a quality that engender contentment and well-being, a defining characteristic of Danish culture. The visual appearance however, is not the only thing that echoes Danish design, but also the exquisite craftsmanship under the fully upholstered body. The short, mismatched stained beech legs add a modern, organic feel, balancing out the voluptuous profile of the sofa. The front legs differ in their angle and shape from the back ones, adding visual interest, while the masterful sense of proportions and the soft upholstery guarantee functionality and comfort. Condition: In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 37.2 in W x 40.55 in D x 35.03 in H; Seat height 16.33 in; Arm height 23.62 in 94.5 cm W x 103 cm D x 89 cm H; Seat height 41.5 cm; Arm height 60 cm About the Designer: This Danish-made sofa...

These individualistic chairs possess a look that is eternally relevant regardless of current trends, a charm that would likely be called ‘the mid-century modern style’. Even after de...

This floor lamp is the “G20” model by Swedish designer Hans-Agne Jakobsson. This mid-century model couples brass and fabric, creating a beautiful modern look. This appealing and ver...

As one of his country’s most distinguished furniture designers, Bruno Mathsson gained an international reputation for Swedish design, thus his work of over 50 years has become a sign...

With a long tradition of craftsmanship, there has always been a heightened appreciation of design throughout Scandinavia. Scandinavian design emerged as a prominent contributor to Eu...

Italian mid-century furniture and interior design is known for its elegantly organic forms. The era’s seating models - including this sofa - were created to highlight the spirit of r...

This rare “AT-309” dining table was designed by Hans Wegner in 1955 and its title of ‘iconic’ is well deserved. As it is no longer produced, this model has become a collector’s item ...

Italian Mid-20th century lighting design was infinitely captivating, featuring one-of-a-kind models crafted by renowned Italian designers such as Ettore Sottsass, Gio Ponti, Gavina a...

Mid-century designers were eager to break free from the aesthetics of the past and experiment with new forms, and techniques. At the same time, especially in Europe, the modernist design movement was often based on traditional styles and techniques, such as turned chairs. Turned chairs — sometimes called thrown chairs or spindle chairs — represent a style of Elizabethan or Jacobean turned furniture that had a vogue in the late 16th and early 17th century. The technique was carried on to the 20th century and was widespread in Europe as well, where craftsmen created durable pieces for various interiors and purposes. In turned furniture, the individual wooden spindles of the piece were made by shaping them with chisels and gouges while they were being spun, or turned between the centre points of a lathe. The construction of this pair is evocative of the more robust Arts and Crafts Movement, featuring subtle decorative elements such as the finials atop the backs. The sphere-shaped finials aren’t the only ornamentations on the design; the shape of the two splats on the back, the carved stretchers and carving on the feet are all decorative features that make this pair visually arresting. In later turned chairs, like this pair, rush seats were common. Here, the seats are woven around the frames with a light colour that beautifully contrasts to the dark, patinated wood. The partnership of the two natural materials is very effective as well; the wood and rush pair...

Featuring French designer, Charles Dudouyt’s signature style, this grandiose high board melds seamlessly with any style thanks to its elegant sense of lavishness. The oak form is ele...

The best qualities of European mid-century designers’ light fixtures are most often their atmospheric light, disciplined, functionalist design completed by unique solutions and desig...

Mid-Century Modern lamps are still coveted pieces thanks to their atmospheric light and disciplined, functionalist design that is not short of unique decorative elements. Not only does this one-of-a-kind model possess most of the best characteristics and Material combinations of the era, its decorative elements are also more distinctive compared to other models. This uniquely decorated ceiling lamp was designed in an era in which Europe saw the birth of many of its most iconic lighting models. It was a period of consistency, excellence, and sophistication design wise. Despite its age, this ceiling light has a hint of Art Deco in its design, with sinuous lines and pronounced decorative elements. The brass frame features two arms with defined curves that hold two glass shades. Each one has a tall cylindrical shape framed by brass rings on both ends. The opal glass with its milky texture is the perfect backdrop for the decorative crosses...

Designers have been consistently inspired by nature in their work during the midcentury era, which makes curvilinear shapes an ongoing font of inspiration. Like in so many other area...

With a robust organic form and an earth-toned palette, this pair of chairs is the embodiment of Brutalism. In furniture and décor, the Brutalist movement was somber, giving importanc...

The so-called “cocktail chair” is a smaller type of upholstered chair with an elegant shape, that looks especially stylish as a feature chair in any room, or next to a mid-century so...

In the mid-1950s, Carl Malmsten awarded ten small furniture companies, mainly in Småland, the honour of making a series of some of his products. Among the first pieces was “Farmor”, which soon became the most popular armchair model. In 1956, Carl Malmsten was on one of his regular visits to Sjögren's Upholstery Workshop in Tranås to develop new models for his furniture program. That was when this “Grandma” chair...

The “T-837” chandelier series belong to the rarer models of Hans-Agne Jakobsson, and they possess many similarities to the Swedish designer’s most famous and popular creations. Th...

Italian Mid-20th Century lighting design was infinitely captivating, featuring one-of-a-kind models crafted by renowned Italian designers such as Ettore Sottsass, Gio Ponti, Gavina a...

The “Laila” models from the series by the Finnish designer Ilmari Lappalainen originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection. Designed in the halcyon phase of what we know today as Mid-Century Modern, this charming sofa is a unique evidence of how traditional Finnish craftsmanship was brought into modernism. This sofa is from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic Mid-Century Modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. As an essentially Finnish modern piece, this sofa is built around the core characteristics of the era: gently rounded edges, tapered wooden legs, and a generous, fully upholstered body. The style was modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushion and back with three large tufted buttons. In the absence of ornamentation, the three large tufted buttons on the back stand out, creating depth as they sink into the textured green fabric. The design has the “Classic Nordic look”, which explains the contemporary popularity of this sofa both among the public and museums. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden, tapered legs as well. Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. This sofa was created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. Favourites of this time included Ilmari Lappalainen’s Laila...

Bejra Möbel was a Swedish manufacture operating in the first half of the 20th century in the Swedish town of Tibro, a well-known centre of the furniture industry in Sweden. Furniture...

This spectacular two-seater sofa by Swedish designer, Svante Skogh, is a rather rare example of the interior and furniture designer’s repertoire. With a creative and masterfully craf...

This beautiful Danish two-seater sofa recalls the peak of Danish Mid-Century Modern design. Thanks to its curved shape, this three-seater is exceptionally cosy and elegant. Curved so...

This chair is the most recognizable model of Danish designer and manufacturer, Svend Skipper, and a great example of the mid-century design era. Skipper only created commissioned pie...

This one-of-a-kind table lamp is a delightfully distinctive model, with an immediately recognizable look. Design in the mid-century years was fuelled by the development of materials ...

Among the many excellent European mid-century modern designs, some were well-known for their flair for the dramatic, which becomes evident upon looking at this set of two accent chairs...

The “Crane” is evidence why Tapio Wirkkala can be described as one of the icons of Finnish design and a symbol of the international success of post-war Finnish design. He was a versatile designer and artist who could shift fluently between different materials and crossed established professional boundaries. Wirkkala’s far-reaching career spanned multiple fields, from furniture design to sculpture and other art objects, and this can be clearly traced in this floor lamp. It functions as an art object just as much as a utilitarian lamp. With its slender shape and a brass and black lacquered body, this lamp is a great modernist piece that stands out in any space. The ingenious structure allows the height to be adjustable, and the design customizable. The main design elements are placed around the main functional parts, namely the shade, the adjusting rod, and the base. The sculptural brass rods cross each other similarly to a crane, and inspired the nickname of this model. The black lacquered conical shade and base, as well as the spherical counterweight stand out against the bright brass and add a modern edge to the design. The shade is lacquered white inside, creating a pleasant effect when the lamp is lit. Idman’s label engraved on the brass handle. Idman produced the models of some of the most renowned Finnish lighting designers of the time, including Tapio Wirkkala, Mauri Almari and Maria Lindeman. Unlike other aesthetic movements, Mid-Century Modern design was streamlined, while highlighting the materials used. The vibe of this “Crane” floor lamp is fresh, retro-tinged, and completely alluring with its dedication to quality and practicality wrapped up in beautiful design that will never go out of style. Condition: In good vintage condition. Wear consistent with age and use. The brass has a beautiful patina. Dimensions: 26.37 in W x 7.08 in D x 51.39 in H (height is adjustable) 67 cm W x 18 cm D x 128 cm H (height is adjustable) Literature: Tuula Sakalari, Katri Lehtova, Werner Söderström, “Suomalaisia Tuolej”, Osakeyhtio, Helsinki, 2012, pp. 96 & 97 About the designer: Tapio Wirkkala (1915-1985) can be described as one of the icons of Finnish design and a symbol of the international success of post-war Finnish design. He was a versatile designer and artist who could shift fluently between different materials and crossed established professional boundaries: he worked on everything from refrigerators to banknotes and from furniture to striking jewels. The most important materials for Wirkkala were wood and glass – he never ceased to explore the possibilities they offer. Tapio Wirkkala studied sculpture at the Helsinki Central School of Industrial Design from 1933 until 1936, but he was also a self-studied artist in many areas, including glass design. His success as a glass artist began in 1946 when he designed one of his most famous works, the Kantarelli vase, for Iittala. Wirkkala gained worldwide success in 1951 at the Milan Triennial, where he received three Grand Prix awards: for the exhibition architecture, glass design and wooden sculptures. Many of his glass works for Iittala were also awarded later in the 1950s at the Milan Triennial. In the years 1951-1954, Wirkkala worked as the artistic director of Helsinki Central School of Industrial Design. In 1955, he received a Pro Finlandia medal and in 1972 the Academy of Finland's honorary title of academician. The first mass-production glassware range designed by Wirkkala was the Tapio series launched in 1954. The popular Ultima Thule glassware range, created in 1968, was based on the so-called ice glass technique, and the designer himself was involved in developing it at the Iittala glass factory. Wirkkala also received important commissions from abroad: in the mid-1960s he started to design glass objects for Venini Glassworks in Italy, where he created the Bolle bottles for the Venice Biennale collection in 1966. One of Wirkkala’s most significant commissions abroad was the work at the Rosenthal porcelain factory in Germany: he worked as a freelance designer for Rosenthal for almost 30 years, and the most influential result was the Paper Bag vase (1977), still today one of Rosenthal’s best-selling products. Tapio Wirkkala was also a furniture designer and a sculptor. He started his career as a sculptor in the 1930s, but abandoned the traditional sculpture in the post-war years. The result was a series of unique plywood sculptures which combined form and movement in the vibrant, densely lineated surface of plywood. Wirkkala’s sculptures represented exceptional abstractionism and gave Finnish sculpture...

Designed by Børge Mogensen in 1955, the “J27” stool remains a solid and practical piece. With a multitude of purposes, form and function remain at the forefront of this design. Almos...

Materials were key elements of modern lighting design, and nothing speaks mid-century modern more than the combination of metals, such as brass and glass. At its most basic level, mi...

Designed by Børge Mogensen in 1955, the “J27” stool remains a solid and practical piece. With a multitude of purposes, form and function remain at the forefront of this design. Almos...

Among the many excellent European mid-century modern designs, some were well-known for their flair for the dramatic, which becomes evident upon looking at this set of four accent cha...

Asko's present model “2464” chair charms with its curved shape. Better known as Marketta, this rare piece features a beech frame and a padded, upholstered seat. This chair makes a st...

This gorgeous extendable dining table model by the Danish furniture maker, Bernhard Pedersen og Søn was inspired by classic Danish furniture d...

Italian mid-20th century lighting design was infinitely captivating, featuring one-of-a-kind models crafted by renowned Italian designers such as Ettore Sottsass, Gio Ponti, Gavina a...

Inspired by the cultural examples of the European country manor and rustic styles, European cabinetmakers’ furniture were endowed with a creative simplicity, with a feeling for the w...

Danish furniture design possesses a homely tone in nature and character. The best works are characterized by the will to produce genuine, technical workmanship, a sound critical atti...

This Danish two-seater sofa by N. A. Jørgensens Møbelfabrik revolves around high-quality materials, comfort, and the mastery of the era’s cabinetmakers. The design in many ways trans...

This freestanding sofa, better known as “Model V11” is considered among the masterpiece designs of Illum Wikkelsø. The Danish designer created the “V11” series in 1965 whilst working...

The period from the 1940s through the 1960s was a high point for European furniture makers. This pair of easy chairs were created during this period of creative overflow, with a typi...

Minimal in form from concept to design, this historical lamp emerged from a traditional Italian craftsmanship practice. Using modern, artisanal materials for the design the designers...

This marvellous, brass five-light chandelier was created in what we now call “the golden age of Scandinavian design”. Hans-Agne Jakobsson was the great Swedish master of lighting, de...

"I can't live well with too much rigidity. The 90-degree angle, for example, is something I love, but I can't do it. The things I do end up being a little lyrical, a little sensual, ...

This charming set of French dining chairs was born from a desire to create a design that was comfortable, organic, and cosy in its simplicity. The design incorporates subtle, yet stu...

Firm believers in Functionalism, Danish designers and cabinetmakers avoided short-lived aesthetic trends alike, concentrating on crafting with quality materials instead. This desk is...

The 1950s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and innovative techniques. Designers experimented with ...

At the core of the design of this shelving system is Modernism that brought waves of innovative solutions, materials, and creativity to Italy. At first, most Italian designers found ...

A well-chosen lighting piece can change the overall look of a room and how it feels to be in that room. Historically, chandeliers would hang in the foyer or dining room, however, now...

Italian designer, Oscar Torlasco designed many beautiful lamps, the most well known being the models he designed for Lumi. Particularly active during the 1950s and 1960s, Torlasco’s ...

The best thing about pendant lights - besides their stylish look - is that they are the best option to make interiors appear more spacious. They can be used them to concentrate light...

The seating designs of the architect and designer, s, have been gradually more and more recognized world-wide, which resulted in the recent exhibition titled “Forgotten Ornäs”. His d...

This elegant pair of lounge chairs is an interesting bridge between the 20th century’s earlier artistic movements like Art Deco, and the modernist movement that was about to shape mo...

Giuseppe Scapinelli was known as a designer who successfully combined “the classic” with “the modern”, and this table stands as evidence. Scapinelli was a Brazilian designer from São Paulo who did not use any means of mass production. His furniture alternated and combined elements from Italian classicism, innovative aerodynamic lines, and biomorphic shapes. This rare circular table has an amazing construction that praises the firm, Angelini & Delneri. Upon first sight, this model is an elegant circular table made of beautifully grained wood. However, when the table is extended, the elaborate system is revealed by which the extra wooden leaves can be added to extend the length. The artisanal level craftsmanship is as stunning as the design itself, with traditional joinery techniques such as pegs and so-called ‘biscuit’ joints. Besides the extension system, the craftsmanship is also evident in every edge and angle, such as the legs’ curve and the ring strengthening them. This table is very successful at balancing large volumes with clean lines. The legs have rounded edges and are slightly splayed below the wooden ring. This memorable design is from a designer committed to pushing the boundaries of modernist design in Brazil. The form is functional and elegant with subtle flourishes like intricate wooden details and the evident emphasis on functionality. This dining table is a grand piece that will stand out and add character to any interior. Condition: In good vintage condition. Wear consistent with age and use. Dimensions: 47.24 in Ø x 28.34 in H 120 cm Ø x 72 cm H About the designer: Giuseppe Scapinelli was born in Reggio Emilia in Italy on the 2nd of July 1911 and was the 6th of thirteen sons. He graduated after studying architecture in 1941. However, just as his career was starting, it was abruptly interrupted by WW2, and he was forced to live in seclusion in an antique furniture shop...

This marvellous, brass six-light ceiling light was created in what we now call “the golden age of Scandinavian design”. The period saw the revival of an elementary, undecorated visual language, emphasizing sleek design and craftsmanship as this Swedish model demonstrates. Uno & Östen Kristiansson’s present model has a brass body with six arms, each one holding a tubular white acrilyc shade on an elongated shade holder. Following the sleek shape of the shade holders, the rod and the arms uniting at the cluster have the same shape resulting in a sleek look with a contemporary edge. The structure is uncluttered so that the shades can stand out. The eye-catching brass body balances the minimalist look with the warmth the light creates. Thanks to the arrangement of the white acrylic shades, light is distributed evenly in all directions when switched on. The combination of materials, shapes, and textures creates this lamp’s modern, sleek design, a clear return to bright simplicity that is in opposition with the flowing, organic lines of the reconstruction of the early 20th century. Defined by long, vertical lines, this model is uniquely stylish and guaranteed to stand out. In 1950, Uno Kristiansson founded his own manufacturing company, Luxus, which was situated in Vittsjö. In the 1950s, the collections were launched nationally in Sweden, and internationally across Europe. Swedish designers and brothers Uno & Östen Kristiansson, were particularly active from the 1950s to the 1970s in Sweden. They were prolific designers with a clear design aesthetic that is easily recognizable as Scandinavian modern. Condition: In good vintage condition consistent with age and use. The brass has some small marks and stains. Dimensions: 32.28 in Ø x 33.85 in H 82 cm Ø x 86 cm H About the Designer: Swedish designers and brothers Uno & Östen Kristiansson, known for their lighting and mirror designs, were particularly active from the 1950s to the 1970s in Sweden. Although there is a dearth of biographical information available on the pair, their designs are nonetheless appreciated by vintage lovers, and are highly sought-after on the vintage market today. Uno was born in 1925, and Östen two years later in 1927. Little is known about their formative years, but it can be surmised that they spent their early years in southern Sweden, learning the furniture trade from their father who ran his own furniture business, Vittsjö Furniture (established in 1919), named after the Swedish village in which it was located. In 1950, Uno Kristiansson founded his own manufacturing company, Luxus, which was also situated in Vittsjö. He produced a range of products, including home and interior lamps, furniture and mirrors, that were designed by the two brothers. In the 1950s, the collections were launched nationally in Sweden, and internationally across Europe. In 1968, Luxus presented a collection of lamps with brightly coloured textile shades that perfectly encapsulated the mood of the 1960s. They are said to have been designed by renowned Finnish textile...

At its most basic level, Mid-Century Modern designs are known for juxtaposing sleek lines with organic shapes, using new materials and methods to reimagine traditional pieces. Materi...

This spectacular two-seater sofa by Swedish designer, Otto Schulz, is a beautiful example of the furniture designer’s repertoire of cleverly constructed pieces. With a creative and m...

Like Marco Zanuso’s similar “Lady” armchair or Alf Svensson’s “Capri”, and Bengt Ruda’s “Ombord”, this gentle and stylish silhouette hasn’t seen a de...

This pair of spectacular “Pallas” chairs by Swedish designer, Svante Skogh dates to 1954 and is a rather rare example of the interior and furniture design...