Lot 180 Gallery Prints and Multiples

In 1985, Warhol teamed up with Keith Haring to make a wedding gift for their friend Madonna before her marriage to Sean Penn. They replaced a New York Post image on the front page wi...

Piet Mondrian 400% & 100% Bearbrick: A unique, timeless Piet Mondrian collectible trademarked & licensed by the estate Piet Mondrian. The partnered collectible reveal the artist’s ic...

Keith Haring "Important Early Works from the Estate": Rare original 1991 Keith Haring exhibition announcement to a seminal Keith Haring exhibition held at Tony Shafrazi Gallery New York in the fall/winter proceeding Haring’s death (October 31st, 1991 to January 9th, 1992). Cover image features a reproduction of Keith Haring’s iconic (untitled) Three Eyed Smiling Face 1981. A classic vintage Haring...

Vintage 1984 Kenny Scharf Exhibition Poster: Original Kenny Scharf illustrated exhibition poster published by Tony Shafrazi Gallery in conjunction with the Fun Gallery, New York, NY 1984. Fun, cool, vibrant original 1980s pop art without breaking the bank. Medium: Offset Lithograph, 1984. Dimensions: 23 x 24.75 inches (folded open). Condition: Fold-lines as issued; good overall vintage condition. Muralist, painter, sculptor, and installation artist Kenny Scharf (American, b. 1958) is best known for his fantastical, large-scale paintings of anthropomorphic animals...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon ...

Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of...

Andy Warhol 400% Bearbrick Vinyl Figures: Set of four individual works (2020-2021): A unique, timeless Andy Warhol Muhammad Ali, Elvis & Marilyn (pink & blue variations) collectibles...

Takashi Murakami Flowers Skateboard Decks 2017 & 2019: set of 2 works: A vibrant set of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami ...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...

Alexander Calder Lithographic cover from Derrière le miroir c. 1966: Lithographic cover; 15 x 11 inches (folding out to 15 x 22inches; see image 2). Very good overall vintage condit...

Alexander Calder Lithographic cover from Derrière le miroir: Lithographic cover; 1976. 11 x 15 inches (folding open to 15x22 inches). Scattered surface and age related wear; in otherwise good overall vintage condition. Unsigned from an edition of unknown. Published by: Galerie Maeght, Paris, c. 1976. Unsigned from an edition of unknown. Looks fantastic framed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Related Categories: Mid century modern. Alexander Calder prints. Calder orange. Calder red...

Antoni Tàpies Lithograph 1967 from Derriere Le Miroir: Lithograph in colors; 1967. 11 x 15 inches. Very good overall vintage condition. Unsigned from an...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Published Paris c. 1971. Printed in France. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Alexander Calder and Contemporary Art. Mid Century Modern. Calder clowns.

1970s Alexander Calder Lithograph from Derriere le Miroir: Medium: Lithograph in colors. 1975. Dimensions: 15 x 22 inches. Center fold-line as issued; v...

Alexander Calder Lithograph c. 1973 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of un...

Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...

Keith Haring Memorial 1990: Original announcement to Keith Haring’s memorial exhibition, ‘Keith Haring Early Works on Paper,’ at Tony Shafrazi Gallery, 1990. The exhibition was held from May 4th to June 2nd, 1990. Printed on heavy stock textured paper; measures 7.25 x 7.25 inches. Very good condition. A classic, vintage Keith Haring collectible. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring snakes. Keith Haring posters. Keith Haring and Tony Shafrazi. Keith Haring pyramid...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

Supreme Skateboard Decks, 2019 (set of 2 works): A standout Supreme skateboard deck set featuring the Supreme logo and a printed World Famous logo on front. Strong vibrant colors and classic imagery that combines for unique pop wall art that hangs with ease. Medium: Silkscreen on Maple Wood. 2019. Dimensions: 31.5 x 8 in. (applies to each individual work). Printed Supreme logo on front & reverse (applies to each). New in original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. Related Categories Damien Hirst. Andy Warhol. Supreme. 1980s Pop Art. Street Art. Skate Art.

Keith Haring Into 84/Keith Haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New Y...

1986 Andy Warhol record art featuring Debbie Harry. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987, a Catalog Raisonne' by Warhol scholar Paul Marechal. Off-se...

Mark Gonzales Supreme Skateboard Deck 2017: Dimensions: 31.5 x 8 x 0.5 in. (80.01 x 20.32 cm). Medium: Offset print on Maple Wood. Printed artist signature & Supreme logo on reverse. New in its original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. Mark Gonzales (b. Southern California 1968) Mark Gonzales aka Gonz, first entered the skateboarding world at the age of 13, and by the age of 16 he had featured on the cover of Thrasher, riding an Alva board. He soon switched to Vision, where he graduated to pro status and won the 1985 Oceanside street contest. He is often described as the greatest skateboarder of all time, and even more often as the most influential, and is undoubtedly a true pioneer of modern street skateboarding. Gonz’s affiliation with Supreme goes way back to the stores beginning on Lafayette Street, NYC. Whenever overseas on skate trips, Mark would often send postcards to the late Harold Hunter and the rest of the crew at “Supream” (his misspelling), featuring his own doodles and musings, some of which would later make it on to items of clothing from the brand. The Gonz...

Raymond Pettibon Black Flag: 1982 Raymond Pettibon illustrated Black Flag punk flyer published on the occasion of: Black Flag, Saccharine Trust, The Minutemen...

Raymond Pettibon: Rare early Black Flag punk flyer: Black Flag Santa Monica Civic Auditorium, Jun 11, 1983. Santa Monica, CA. Flyer / handbill for gig by Black Flag, Misfits, Vandals featuring artwork by Pettibon. Post-marked 1983 on verso; rare as such given the SST stamp on verso (Black Flag's record label). Offset Print; 8.5 x 11 inches. Features Pettibon printed signure on the lower right. Condition: Minor signs of handling and fading or yellowing; fold-lines and staple marks to upper & lower center (these were originally stapled together and mailed); in otherwise very good overall condition given age & medium. Post-marked 1983 and hand addressed on verso. Rare. Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know." About Raymond Pettibon (Americanb. 1957) Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...

Raymond Pettibon A rare flyer for gig by Black Flag, September 27, 1984 at the Indian Center, Salt Lake City, UT with off-set artwork by Pettibon Flea, the Red Hot Chili Peppers ba...

Raymond Pettibon Captive Chains, 1978: Featured in its entirety at The New Museum in New York, Pettibon's well documented first artist book is widely regarded as a seminal piece in the development of the artist's style and themes. Offset printed. 68 pages. 7.25 x 10.5 inches (26.6 x 18.4 cm). Very good to excellent overall vintage condition; some aging to interior pages consistent with medium; front and back covers are well preserved. Published by Black Flag's label SST Productions in 1978. Catalog Raisonné: Raymond Pettibon: the Books 1978-1998 (New York: D.A.P. c. 2000) Raymond Pettibon: Homo Americanus (David Zwirner Books) Raymond Pettibon: A Pen of All Work (Massimialiano Gioni 2017) Exhibitions: Raymond Pettibon, A Pen of All Work, The New Museum 2017 More on Raymond Pettibon: Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...

Keith Haring, Run DMC Christmas: Run DMC "Christmas In Hollis": A rare sought after Vinyl Art Cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and a unique vintage Keith Haring collectible. *1st Pressing 1987 (not a re-issue). Medium: Off-Set Lithograph on vinyl record cover. Dimensions: 7 x 7 inches. 1987 Keith Haring printed signature featured on lower left. Cover: Good to very good overall vintage condition with sharp colors. Includes original record in very good condition. Literature: Taschen: Art Record Covers pg. 216. Run DMC: To this day A Very Special Christmas remains one of the best-selling holiday albums on the market, thanks in part to the album's sole original track: Run-D.M.C.'s "Christmas in Hollis." With Jam Master Jay scratching up the main groove to R&B great Clarence Carter's "Back Door Santa" from the 1968 Atlantic Records compilation Soul Christmas, Rev. Run and the Devastating Mic Controller deliver bars of yuletide cheer that take the listener...

Jean-Michel Basquiat at Tony Shafrazi Gallery 1987: 1980’s exhibition announcements published during Basquiat's lifetime on the occasion of 'Jean-Michel Basquiat Drawings at Tony Shafrazi Gallery May 23–June 13, 1987'. Medium: Offset printed gallery announcement...

'The Door': Rare early Basquiat, Keith Haring Street Art Photo by Fernando Natalici: 'The Door,' photographed, New York c.1979/1980, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Keith Haring together on one image (see upper right & left). Basquiat's tags appear in at least 3 places ('Salt', teepe & skull). The work combines the two most iconic Haring & Basquiat images of all: Haring's radiant baby & Basquiat’s crown; while also presenting the work of Whitney Biennial artist, David Wojnarowicz (Burning House mid upper left) & five time Brazilian Biennial artist Alex Vallauri (acrobat stencils across lower area). A true testament to the New York downtown art scene of the late 70's/early 80's. Archival Ink Jet Print. Dimensions: 18 x 22 inches including borders. Hand signed and numbered from an edition of 30. Excellent overall condition & print quality. Acquired directly from artist. Lot 180 Gallery is a primary authorized dealer rep of Fernando Natalici. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s work was recently featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, recently exhibited at The Museum of The Moving Image. Related Categories Basquiat crown. Basquiat SAMO graffiti. Keith Haring street art. Early Basquiat. Basquiat Haring Crossing Lines. Keith Haring Baby.

Joan Miró vinyl album art: set of two, 1966 & 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró des...

Dennis Hopper, Out of the Sixties 1986 exhibit poster published Tony Shafrazi Gallery, New York 1986 Image: Dennis Hopper's Biker Couple' (1961) Off-set lithograph. 17 x 24 inche...

Keith Haring Illustration art 1986: Rare seldom available 1980s Keith Haring illustrated New School university catalog featuring Haring double-sided cover art and a printed signature. Quite scarce, especially in good condition as presented here. Offset printed university catalog; Soft cover; 292 pages. 8.5 x 11 inches. Very good overall vintage condition with the exception of surface creasing in a couple of areas; well-preserved with crisp colors. Printed signature on lower left ("1985 Haring"); from an edition of unknown; published 1985/1986 by the New School (New York, NY). Haring credit further appears on the lower left interior of 1st pg: 'Cover art for New School by Keith Haring.' (See the 2nd to last image in listing). Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories: Keith Haring 1986. Keith Haring prints. Keith Haring cover art. Keith Haring catalog...

Keith Haring at Area Nightclub, New York, 1986: Rare vintage 1986 announcement for a Splash Magazine event at the historic 1980s New York Area nightclub...

Alexander Calder Lithographic cover c. 1975 from Derrière le miroir: Lithographic cover in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of u...

Robert Longo Men In The Cities album cover art: A rare highly sought-after 1981 record art cover featuring original artwork by Robert Longo on...

Original 1980s Keith Haring Record Art: Keith Haring 'The Baby Beat Box' 1986: Rare highly sought after 1980s Keith Haring record album art featuring a Haring boombox man, a bold Ke...

Alex Katz “Private Domain” announcement card 1970: Rare vintage Alex Katz announcement card published on the occasion of 'Alex Katz New Paintings' Fi...

Debbie Harry East Village, 1976 by celebrated New York photographer Fernando Natalici. Cooler than cool, this classic "Blondie" photo was capture...

"Schnitzel Please!" This timeless, charming photo of a town favorite Dresden Dog, was captured by New York based photographer Fernando Natalici in Germany...

Complete Set of 3 Gilbert & George Supreme Skateboard Decks (New in original packaging): A stand out skate triptych paying homage to Gilbert & George's 1984 Pictures series, through which Gilbert & George applied bold colors to a series of photographs developed in the ‘70s. The photomontages address issues involving religion, race, corruption, illness, and death. Dimensions: 31.5 x 8 x 0.5 in. (applies to each individual) Medium: Silkscreen on Maple Wood. Year: 2019. Printed artist signature & Supreme logo on reverse (on all 3). New in original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. British artists Gilbert & George met in 1967 while studying at St. Martin’s School of Art. While their work is rooted in sculpture and performance, it has evolved over the years to include photography, drawing, painting, and film. Supreme’s love of Pop Art is well noted and Gilbert & George’s work has earned consistent comparisons with Andy Warhol. And while there are clear visual consistencies between Warhol’s Polaroid series...

1970s Joan Miró Lithograph Portfolio: Derriere Le Miroir, 1973. Off-set lithograph in colors. 15x22 inches. Center fold-line as issued; very good overall vintage condition. Unsign...

Andy Warhol Cowboys & Indians 1986 (announcement): Rare original Warhol announcement card published to celebrate the publication of Andy Warhol's C...

Signed Julian Schnabel 'Tableaux Tati Les Plus Bas Prix' catalog: Front cover is hand-signed (J.S.) and inscribed by Schnabel to the historic critic and downtown art scene fixture Edit Deak. Published on the occasion of Schnabel’s 1990 show at the Yvon Lambert Gallery, Paris - the paintings from this series, painted on “Vichy” fabric, inspired by the Parisian department store Tati, are reproduced along with an excerpt of a dialogue from the Wim Wenders movie Paris Texas. Medium: Offset printed exhibition catalog. Dimensions: 11 x 8.25 inches. Good overall vintage condition with the exception of some minor signs of handling and scattered finger prints on reverse cover. Hand signed (initialed J.S) and inscribed on front cover from an edition of unknown. About the artist: Julian Schnabel is a painter and filmmaker known as an integral member of the American Neo-Expressionists along with Jean-Michel Basquiat and Eric Fischl. Schnabel’s application of paint on massive canvases, use of unconventional materials such as broken plates, and representation of human figure(s) are hallmarks of his most famous works. “My paintings take up room, they make a stand. People will always react to that,” he said of his work. “Some people get inspired, others get offended. But, that's good. I like that.” Born on October 26, 1951 in Brooklyn, NY, Schnabel participated in the Independent Study Program at the Whitney Museum of American Art in New York in the late 1970s, after his public persona grew. The artist turned to feature-filmmaking in the 1990s with his film Basquiat (1996), an intimate fictionalized account of the life of his late friend. Schnabel went on to win the Grand Jury Prize for Before Night Falls (2000) at the Venice Film Festival and the Best Director Prize at the Cannes Film Festival for The Diving Bell...

Vintage Saul Steinberg Lithograph Published by: Galerie Maeght, Paris, c.1970 Portfolio: Derrière le miroir Excellent frame piece Lithograph in colors 15 x 22 inches Fold-line as i...

Curtis Kulig Love Me: Using a most universal symbol, 'The Smiley', Curtis Kulig replaces the eyes with his world renown "Love Me" signature. At 28 inches square, these 4 hand signed screen-prints from a limited edition of 30, make the perfect set for decorative and collecting purposes. Originally Published by Pace Prints...

Vintage Keith Haring exhibition cards 1988-1990: A highly collectible set of three vintage original Keith Haring exhibition cards (1987-1990): "Keith Haring: Sculpture & Painting" ...

Keith Haring Secret Pastures 1984: Keith Haring illustrated oversized announcement for the historic, "Secret Pastures" show at The Brookl...

Keith Haring Crawling Baby & Three Eyed Smiling Face stickers circa early/ mid 80s. Set of 2. Originally produced by Haring for his first solo gallery exhibition in 1982, then later sold/given out at Haring's New York Pop Shop throughout the 1980s. Iconic vintage original 1980s Haring collectibles that work well in any collection. Medium: Vintage self-adhesive stickers featuring original design by Keith Haring; offset printed. Approximately 3 inches square in size. Very Good overall vintage condition. Keith Haring Pop Shop History: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

KAWS Tokyo First Exhibit Poster 2001: 2001 KAWS Parco Gallery exhibition poster featuring a photograph by fashion photographer David Sims reimagined by KAWS in his classic 1990's interventionist style. A KAWS Kimpsons Krusty the Clown graces the background while a signature iconic KAWS Bendy wraps itself around the model. Reverse side features exhibition info from Parco Gallery, including Supreme and A Bathing Ape...

Keith Haring 1000% Bearbrick Vinyl Sculpture: A nicely sized (27 inch), highly collectible Keith haring Bearbrick statue piece. The partnered co...

Keith Haring Pop Shop Bags set of 2, 1986: Vintage original 1980s Keith Haring Pop Shop bag set designed & illustrated by the artist. Both feature a bold Keith Haring printed signature and standout original Haring Pop shop logos, plus bright, lush colors which make for a unique framepiece. Medium: silkscreened vinyl shopping bags (2 individual pieces). Dimensions: 19 x 16.75 inches inches (applies to each individually). Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame set. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

Saul Steinberg Lithograph c.1970 from Derrière le Miroir: Lithograph in colors. 11 x 14 inches. Very good overall vintage condition. Unsig...

Futura Skateboard Deck: Medium: Silkscreen on Maplewood Skateboard Deck. Year: 2021. Dimensions: 31 x 8 inches (38.1 x 22.9 cm). In original shrink wrap & box; excellent condition. Printed signature from an edition of unknown. Published by Futura Laboratories. Futura 2000...

Keith Haring Cover Art SFMMA 1984: Published by the San Francisco Museum of Modern Art on the occasion of ‘The Human Condition SFMMA Biennial III’ 28 June-26 August 1984. Cover art created by Keith Haring specifically for the exhibit. Includes work by Jenny Holzer (reverse cover) with a foreword by Shirley Davis. An introduction by Henry T. Hopkins is followed up with essays by Dorothy Martinson, Wolfgang Max Faust, Achille Bonito Olivia, Klaus Ottman, and Edward Kienholz...

Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; center gold-line as originally issued. ...

Alexander Calder Lithographic cover c. 1963 from Derrière le miroir: Lithographic cover page in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition...

Alexander Calder Lithographic cover from Derrière le miroir c. 1966: Lithographic cover sheet; 15 x 11 inches (folding out to 15 x 22inches; see image 2). Very good overall vintage ...

Antoni Tàpies Lithograph 1969 Published by: Sala Gaspar as part of the 1969 Tàpies catalog. Lithograph in colors. 9x7 inches. Very good overall vintage condition. Printed signature from an edition of unknown. Antoni Tàpies: In his wide-ranging practice, Antoni Tàpies combined rich conceptual concerns with material experimentation and monumental scales. His work was variously informed by early modernists including Paul Klee and Joan Miró and by Art Informel artists, such as Jean Dubuffet, who were his contemporaries. Throughout his paintings, prints, sculptures, and works on paper, Tàpies built a visual language full of thick, impastoed gestural marks and a cosmology of symbols and scripts. His materials ranged from trash and earth to dust and stone, which created a sense of solidity and physicality throughout his oeuvre. Tàpies participated in the Venice Biennale four times and exhibited in cities including Paris, London, Barcelona, Brussels, Berlin, Tokyo, Zürich, and New York. His work has sold for seven figures at auction and belongs in the collections of the Centre Pompidou, Moderna Museet, the Kunstmuseum Basel, the Fondation Beyeler, the Museum of Modern Art, and the Tate. Related Categories Spanish painters. Mid Century Modern. 1960s. Contemporary Art. Abstract art. Tàpies prints.

Vintage original 1970s Alexander Calder Lithograph: 11x15 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Published by: Galerie Maeght, Paris, 19...

Keith Haring, Run DMC Christmas 1987: Rare sought-after Run DMC "Christmas In Hollis" featuring Original Artwork by Keith Haring. Truly vibrant colors that make for stand-out wall ar...