McNaught Fine Art Abstract Paintings

'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

Signed lower left, 'S. Omori', for Sakue Omori (Japanese, 1919-2001) and painted circa 1965; additionally signed in Kanji, verso, with artist's name 大森 朔衛 (Omori Sakue) and titled, 'Mount Fuji'. A large and exuberant, mid-century oil by this well-listed Japanese Modernist and Professor of Fine Art who studied in Paris and is particularly known for his lyrical landscape abstractions. Sakusuke (Sakue) Omori was born in Takamatsu City in Kagawa Prefecture. He drew enthusiastically as a child and, by the age of 12, had resolved to become an artist. At the age of 13, he encountered the work of the Japanese Modernist, Takeji Fujishima, which further confirmed his vocation. Omori moved to Tokyo at the age of 18 and, despite his parents objections, entered the Japan Art School where he majored in oil painting. In 1940, at the age of 21, he was granted his first public exhibition. In 1941, he was selected as an exhibitor for the Independent Art Exhibition and, in 1942, for the Art Creators Association Exhibition. In 1943, Omori won the Kagawa Prefectural Governor's Award and also received the Naval Association Award at the Great Japan Maritime Art Exhibition. After the war, with his studio and his work having been destroyed by fire, he returned to Tokyo to build a new atelier in Yochomachi. In 1950, Omori became a founding member of Japan's Modern Art Association and a member of the Action Art Association. In 1960, he was awarded the prestigious K-shi prize at the Contemporary Japanese Art...

Signed lower right 'G. Pisani', (Italian, born 1935), titled verso 'Paesaggio con Valigia' (Landscape with Luggage) and dated 1963. Provenance: Galleria El Centro, Naples, Italy 1963. (from original label, copied verso). A very substantial, mid-century abstracted landscape comprising an assembled group of Fendi shopping bags in the fashion designer's signature tones of cream, bistre and scarlet, shown contrasted against a lyrical, sunset-coral background. This powerful and lyrical oil was awarded the 1963 Michetti Painting Prize. Gianni Pisani studied at the Accademia de Bella Arti in Naples under Emilio Notte. Much of his career in the 1960s and 70s involved reinvigorating the Neapolitan art scene with assemblages, ‘object art’ and performance art, an approach that was critically described and acclaimed by poet and writer, Edoardo Sanguineti. The recipient of numerous medals, prizes and juried awards, including the Prize City Cesenatico (1955). Pisani exhibited widely and with success from the early 1950's including at the 8th Biennale of San Benedetto del Tronto (1969), Palazzo Dugnani (1983) and at the Non-Existent Gallery. Other solo and group exhibitions include a three-time participation in the National Quadrennial Art Shows (VIII, Rome, 1960; IX, Palazzo dei Esposizione, 1965/66; XI, Palazzo dei Congressi, 1986) and the 1995 Venice Biennale. An ardent exponent, and influential teacher, of Modernism, Pisani taught at the Academy of Fine Arts of Brera in Milan and, for many years, at the Academy of Fine Arts in Naples, of which he was later appointed director. Gianni Pisani’s works are held in the permanent collections of numerous museums including the Museum of Capodimonte, the Museum of Contemporary Art Donna Regina (MADRE), Museum of Contemporary Religious Art...

Initialed lower right in pencil, 'B.R.' for Barbara Rainforth (American, 20th century) and dated 1989. Additionally signed in pencil, verso, 'Barbara...

Signed lower right, 'Charmaine Girelli' (American, 20th/21st century) and painted circa 2015. A very large, American School proto-organic abstract comprising dynamic and fluid trailing forms in primary and secondary colors, contrasted against a speckled and scumbled, aqua and sky-blue background. A substantial and lyrical work by this largely self-taught, Palm Springs woman...

Signed lower right, 'C. S. Sanchez' for Clyde Sanchez (American, 20th century), and painted circa 1975; additionally signed, verso, with artist location, 'Aptos, CA'. A substantial,...

Painted by Anne Kramer (American, 20th century) circa 1985, stamped verso and accompanied by Certificate of Authenticity. A very substantial and period, A...

Signed in graphite, lower right, 'Inman' for Robert Inman (American, 1927–2016) and painted circa 1985. Robert Inman first studied at Occidental College ...

American School, Pop Art oil on canvas, unsigned and painted circa 1970. A substantial and period, geometric Pop-Art abstract comprising red, white, and navy linear elements contras...

Signed lower right 'Norden' for Frealon Norden Bibbins (American, 1926-2013) and dated 1976. Additionally signed verso, 'Bibbins'. A substantial 1970's abstract evoking graceful, oceanic forms and comprising fluidly superimposed and adjacent, diaphanous layers of scarlet, rose, lilac, and grass-green against a variegated sunshine-yellow field. This listed California artist, author and musician lived and painted in Alameda and also had a distinguished career with the San Francisco Symphony...

Signed lower left, 'Norden' for Frealon Norden Bibbins (American, 1926-2013) and dated 1976. Inscribed verso, 'Blue Storm', stamped with certification of authenticity and wax seal. A substantial and dynamic work by this California Abstract painter evoking organic floral forms and comprising fluidly superimposed and adjacent, flowing layers of jade, coral and magenta set against an ivory field. This listed California artist, author and musician lived and painted in Alameda and also had a distinguished career with the San Francisco Symphony...

Signed lower right, right-hand canvas, "William S. Burroughs" (American, 1914-1997), dated "1993" and titled "Exterminator II'. Signed on lower left, left-hand canvas, "Steven Lowe" (American, 1947-2007) and dated "93". Diptych size: 72 x 96 inches. Individual panel size: 72 x 48 Inches. Condition: Excellent A monumental Action Abstract comprising energetically interwoven swirls of parchment and ivory contrasted against a rich, dark-chestnut ground. This diptych is the largest recorded work by the artist. An icon of twentieth-century counter-culture, William Burroughs was the seminal, postmodern author of 'The Naked Lunch...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, outside of design, '79'. Retaining original, card, mat and backi...

Initialed lower left, 'RCW' for Richard Whitten (American, born 1958) and dated, lower right, in Roman numerals, 2009. Formerly in the collection of the Triton Art Museum, Santa Clara, California. Whitten's early work may loosely be termed geometric abstraction, but he is best known for his later representational paintings that combine his interest in architecture, invented machinery and toys. Whitten is also known for his toy-like sculptures. His paintings and drawings are essentially representational but have strong ties to geometric abstraction. A native of New York City, Richard Whitten first attended the Collegiate School before studying economics at Yale where he received his BA in 1980. He then constructed a personal painting program at Yale where he studied with Gretna Campbell...

Signed lower right, 'M.S. Bremer' for Marlene Bremer (German-American, 1937-2018); additionally titled, verso, 'Spring Series 96 No. 3', signed and pain...

A substantial, mid-century American School oil abstract comprising adjacent and overlapping rectangular and geometric forms in shades of amethyst, emer...

Signed lower left, 'Charmaine Girelli' (American, 20th/21st century) and painted circa 2015. A very large, American School proto-organic abstract comprising dynamic and fluid trailing forms in primary and secondary colors, contrasted against a speckled and scumbled, aqua and sky-blue background. A substantial and lyrical work by this largely self-taught, Palm Springs woman...

Signed upper right, 'Gertrude Schoeler' (American, 1913-2007) and dated December, 1980. Additionally signed, verso, on stretcher bars and with artist...

Signed lower center, 'Buchfink' for Marie Buchfink (American, born circa 1931) and painted circa 1985. Accompanied by artist card, attached, verso. Bo...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, beneath the mat, 1981. Matted dimensions: 20 x 30 inches. Robert Inman first...

Signed lower left, 'Inman' for Robert Inman (American, 1927–2016) and dated, beneath the mat, 'September, 1983'. Titled on old backing 'The Wanderer'. Pap...

Signed verso "F. Kastner" for Fenton Kastner (American, 1915-2008), dated 1955, and titled "Waterfront-IV". Old label verso inscribed with artist's name and title. A dynamic, mid-...

Signed lower left, 'Aung Aung Taik' (Burmese, born 1948) and dated 1981. Exhibited: San Francisco Cultural Center, 1981. A major work by this celebrate...

Signed verso with artist monogram 'DM' for Dora Maar (Argentine-French, 1907-1997); additionally impressed, upper left, with Dora Maar Estate stamp, Maison de la Chimie sale, Paris; October, 1998. In addition to her central role as Picasso's model and lover, Dora Maar served as his constant muse during the period of his creation of Guernica for which she also served as model for the lantern-holder, appearing at upper right. Prior to embarking on her two-year relationship with Picasso, Maar had already produced a widely-respected body of work and was celebrated as an influential and cutting-edge photographer. Nevertheless, it is her high-profile relationship with Picasso and her own personality- both in publications about Picasso and in those dedicated to her own life and work- that have acquired particular significance in art-historical literature. Maar's close link to the Surrealists, however, derived from her personal radiance and enigmatic personality as well as to the conscious and politically-informed artistic perspective that underlay her cutting-edge photomontages of the 1930s. Her increasingly radical political views during this period reinforced Picasso's own awareness of the deteriorating international political situation and of the civil war in his homeland. This heightened awareness culminated in the creation of "Guernica', his supreme artistic and political statement of the 1930's. Born in 1907, Henrietta Theodora Markovitch adopted the pen name of Dora Maar during the first years of her photography career. Growing up in Buenos Aires and Paris, she learned to speak French, Spanish and English fluently and, from 1927 on, attended the Art Academy of Andre L'Hote in Montparnasse. At the Academy, she studied painting but, by the end of the 1920s, she had transferred to the Ecole de Photographie de la Ville de Paris. In the early 1930s, she founded a photographic studio together with Pierre Kfer, who was later to make a career as stage designer. Numerous fashion and advertising photography shoots resulted from this collaboration and these were soon followed by her first Paris exhibitions. Dora Maar's photographic style during the 1930s show clear, surrealist characteristics. In her photographs and photomontages, she frequently played with shifting proportions, thus echoing an important feature of surrealist pictures. This tendency was augmented by the combination of disparate objects, which robs the photographs of their character of reflecting extreme reality, converting them to expressions of inner visions and psychic states. In parallel to these surreal photographs, Dora Maar produced sobering documentary photographs of her urban environments in Paris, London or Barcelona. Repeatedly, she records, in her photographs, the underprivileged, the unemployed and homeless, the socially disadvantaged and the physically deformed. It was precisely the simplicity of these photos that enabled Dora Maar to give the day-to-day and the ugly a magnificent monstrosity in which the beautiful and the horrible blend into one another. This recorded reality is thus accompanied by a level of inner associations, fears and visions. This present work, painted in the 1930's, remained in Dora Maar's possession until the end of her life, and shows her early interest in abstraction and her preoccupation with the complex inter-relationships of color and form. This painting is accompanied by a first edition copy of...

Signed lower right, 'Betsy Dillard Stroud' (American, 20th century) and painted circa 2000. Betsy Dillard Stroud, AWS, NWS, grew up in Rocky Mount, Virginia with a family straight from the pages of Tennessee Williams and Noel Coward and began painting at the age of eight. She is a signature member and Dolphin Fellow of the American Watercolor Society, a signature member of the National Watercolor Society in California and member of numerous prestigious art societies including the Rocky Mountain Watermedia Honor Society, the Western Federation of Watercolor Society, and a former president of the Southwestern Watercolor Society. Stroud was one of 28 American artists from the United States who was invited to exhibit in Nanjing, China in the First International Exhibition of Watermedia Masters in November, 2007. Since 1987, she has judged over sixty-four International, National, Regional, and State Shows including the American Watercolor Society in New York, the National Watercolor Society in California. She has been the recipient of numerous prizes, medals and juried awards including the High Winds Medal of the American Watercolor Society, the Edgar Whitney...

Signed lower right, 'Paul England' (American, 1918-1988) and painted circa 1965. With old label, verso, bearing title, 'Gutenburg'. Framed in a period wh...

Signed lower right 'S. Aron' (French, 20th century) and dated 1970; additionally signed, verso, on canvas with old label verso. Provenance: Los Robles Gallery, Palo Alto, California.

Signed lower right, 'Roberts' for Donald Roberts (American, 1923-2015) signed, verso, dated 2012 and inscribed, 'S.F. CA'. This noted lithographer, pai...

Signed lower right, 'Paula Melcher' (American, 20th century) and dated 1956.

Signed, verso, 'M. Rosera' (American, 20th century) and dated 1963. A substantial mid-century abstract comprising contiguous and overlapping forms in variegated tones of coral, purp...

Signed, verso, on stretcher bar, 'Renee Harwin' (Austrian-American, born 1924) and painted circa 1975. A dramatically balanced abstract comprising adjacent and overlapping geometric forms in muted shades of saffron, brick red and ultramarine. Renee Harwin's figures are gestural, reflective of human design and set within an environment of patterns suggestive of clouds and sky. She comes to the figure through years of hard-edge painting. Her work combines the influence of Midwest painters such as Clyfford Still and her San Francisco Art Institute instructor Jack Jefferson...

Signed, verso, on stretcher bar, 'Renee Harwin' (Austrian-American, born 1924) and painted circa 2000. A substantial, Post-Painterly abstract comprising hard-edged, geometric forms in primary colors, with ochre and burnt umber, stacked in a vertical composition. Born in Vienna in 1924, Renee Harwin emigrated to the United States with her family to escape Hitler and the Holocaust. She graduated from San Francisco State University in 1970 and went on to receive her MFA from the San Francisco Art Institute in 1973. Harwin exhibited widely and with success in the California Bay Area, including at the University of California at Davis, the C.N. Gorman Museum (1993) and at the De Young Museum. Her work combines the influence of Midwest painters such as Clyfford Still and her San Francisco Art Institute instructor, Jack Jefferson...

Signed, verso, 'T. Fontaine' for Ted Fontaine (American, born 1952) and dated 2007. A substantial, Post-Impressionist landscape comprising overlaid and i...

Signed upper right, 'Laisner' for George Laisner (American, 1914-1984), titled, verso, 'Fireflies', and painted circa 1955. Born in Czechoslovakia, Laisner first studied at the Uni...

Painted by Robert Gilberg (American, 1911-1970) circa 1950. Unsigned and accompanied by a certificate of authenticity. Born in Oakland, Robert George Gilberg first studied at the O...

Painted by Dora Masters (American, 1913-2003) circa 1960. Stamped verso with certification of authenticity. Acquired from the artist's son. Dora Masters exhibited widely and with su...

Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and dated '58'. Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during t...

Painted by Frealon Bibbins (American, 1926-2013). Dated verso, '9/18/76' and '9/19/76'. Stamped with Certification of Authenticity and accompanied by a certificate of authenticity. This listed California artist lived and painted in Alameda and also had a distinguished career both as an author and as a musician with the San Francisco Symphony...

Signed lower right, 'R. Hornak' for Rosemary Hornak (American, born 1951); additionally signed verso, titled 'Perroquets Impasto, Variation 2' and dated 1992. Rosemary Hornak received her Bachelor in Fine Arts from the College for Creative Studies in Detroit in 1978. She is the recipient of numerous prizes and juried awards and has exhibited widely and with success, both at solo and group exhibitions including at Swann Galleries in Detroit and at the Macomb Center. Raised in an artistic family, Rosemary Hornak is the sister of the hyper-realist painter, Ian Hornak. Selected Solo Exhibitions: 2004 Eric I. Spoutz Gallery, Fisher Building...

Painted by Anthony McNaught (American, born 1952); Signed verso, 'Ant McNaught', titled 'Memo from Kitty', and dated, '4/20'. This California Post-Impressionist and Abstract Expressionist artist has studied at the Esalen Institute with Erin Gafill...

Painted by Dora Masters (American, 1913-2003) and painted circa 1960. Stamped verso with certification of authenticity. Dora Masters exhibited widely and with success throughout th...

Signed lower right, 'N. Flynn' (American, 20th century) and painted circa 1975. A large and turbulent oil abstract showing a conflagration of hot colors contrasted against an auberg...

Signed lower right, 'Shaha' and dated, '69'; additionally signed and dated upper right. A large and bright, mid-century abstract oil by this French-born California artist. Giselle S...

Signed lower right, 'Aming Prajitno' (Indonesian, born 1943) and dated '1970'; additionally signed verso, titled 'Komposisi' and inscribed, 'Jogjakarta 1970'. Previously with: 'Art Gallery Jogja', Jakarta, Indonesia from old gallery label, verso. We are pleased to offer a dynamic and lyrical work from the most sought-after period of this respected Indonesian abstract painter. Born in in Surakarta in 1943, Aming Prayitno first studied painting at the Indonesian Visual Art Academy and, subsequently, at the Royal Academy of Art in Ghent, Belgium. Among the most prominent Indonesian abstract artists of the 20th century, Prayitno was appointed Professor of Art at Jakarta's Indonesian Art Institute in 1970. He has exhibited internationally with success and is the recipient of numerous prizes, medals and juried awards including the prestigious national Penghargaan "Raden Saleh...

Certification of authenticity stamped verso for Janice Haefner (American, 1919-2002) and painted circa 1965. A substantial mid-century oil abstract comprising adjoining and overlapp...

Signed lower right, 'Max Gunther' (German, 1934-1974); additionally signed verso, dated 1958 and titled 'Cité Décomposée'. Provenance: Estate of David Rockefeller...

A substantial abstract oil comprising curvilinear and geometric rectangular shapes in shades of red, coral, and ebony overlaid on a scumbled ground of ivory, ochre, and steel-gray. ...

Signed lower right, "Stonely" for Dorothy Stonely (American, 20th century), titled verso "Redolent" and painted circa 2005. Abstract painting comprising interspersed with spiral cloud forms in aqua, purple, and goldenrod contrasted against a vivid scarlet field . Stonely is a Signature Member of the International Society of Acrylic Painters. She has exhibited widely and with success, including at the Pacific Grove Art...

A substantial linear abstract comprising contiguous rectangles in primary and secondary colors contrasted against a background of scumbled chestnut and aubergine. Signed lower right...

Signed, verso, on canvas, 'Sean Sult' for Sean Gilbert Sult (American, born 1949) and dated 'Spring, 1980'. A substantial oil showing an ocean view looking ...

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966); additionally titled verso 'Consort' and dated 1954 with inscription, 'by the one and only buk, made for Ruth'....

Inscribed verso "Dora Masters" and painted circa 1960. A large, Post-Impressionist figural oil of a young woman shown facing the viewer with her gaze averted and surrounded and over...

Signed lower right, 'Nira Moblad' ( American, 1920-1993) and dated 1964; additionally signed verso. A substantial and dynamic, semi-abstracted oil still-life of Lilies and Honeysuck...

Signed lower right, 'Aziza' with monogram and dated 1990. A fresh and vibrant oil abstract juxtaposing adjacent and overlaid organic forms in cerulean, crimson and yellow applied wi...

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower right, 'Made for Ruth M.' and painted circa 1945. Titled verso 'Birds in Flight', additionally...

Signed lower right, "Valeur" for Mogens Valeur (Danish, 1927-1999) and dated 1963. A vibrant, Post-Impressionist seascape showing green breakers rolling in towards a sandy shore beneath an evening sky tinged with lilac and mauve. A prominent member of the Bornholm School, Mogens Valeur was, at heart, a colorist and focused on representing his chosen subject with line and forms. A student of Peter Rostrup...

Stamped, verso, on canvas with certification of authenticity for Dora Masters (American, 1916-2003), bearing stamped wax seal and painted circa 1955. Provenance: Acquired from the a...

A substantial, semi-abstracted landscape in shades of turquoise, indigo and royal blue on an ochre and eggshell foundation with action-painting elements uniting a receding charcoal f...

Painted by Frealon Bibbins (American, 1926-2013) circa 1976. Certification of authenticity, verso, with stamped wax seal. A substantial 1970's abstract evoking graceful, oceanic forms and comprising fluidly superimposed and adjacent, diaphanous layers of scarlet, rose, lilac, and grass-green against a variegated sunshine-yellow field. This listed California artist, author and musician lived and painted in Alameda and also had a distinguished career with the San Francisco Symphony...

Oil and paper assemblage abstracted seascape comprised of layers of cut and torn paper with printed patterns, images, and text, overlapped by dynamic fields of sea-foam green, coral,...