PDNB Gallery

Storm Clouds Over Eastern Idaho Near Craters of the Moon, 1980 Gelatin silver print 16 x 20 inches. Signed and dated in pencil on print verso by Mark Klett From American Road Portfolio

Edition of 25 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His ima...

Karl Kling, Mercedes W196, Grand Prix of France, Reims, France, 1955 Gelatin silver print Paper size: 16 x 20 in., Image size: 11 1/2 x 17 1/2 in. Signed in black ink on print margin...

Signed and dated in ink on image. Dated and stamped on verso. 13 1/2 x 10 1/2 inches. Toned gelatin silver print.

Great Egret and the Milky Way by Cheryl Medow is a limited edition color photograph of a white bird with it's head under it's wing, standing on a rock against a starry night sky. Ed...

This photograph is a black and white portrait of Frida Kahlo in front of the Unfinished Unity Panel at the New Yorkers School in New York, taken by Lucienne Bloch. The medium of this...

Edition of 15 Signed by Patty Carroll Paper size: 30 x 30 in., Image size: 22 x 22 in. From the series, Anonymous Women Patty Carroll is an American photographer who has taught and ...

Fan Club by Patty Carroll is an archival pigment print, available in an edition of 15. This photograph features a mannequin reclining in a green chair, fanning herself while being su...

Edition of 6 + 2 APs Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow Arc...

Frida with Granizo by Nickolas Muray is a portrait of Frida Kahlo with her pet deer, Granizo. She places her hand lovingly on the deer while looking towards the viewer, with a cigare...

Post No Dreams, New York City, c. 1975 Gelatin silver print Paper size: 16 x 20 in., Image size: 12 x 17 7/8 in. Signed in black in on print margin by Paul Greenberg Signed, titled, ...

No Edition. Signed in black ink on print margin by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in. Image size: 9 1/4 x 9 1/4 in. Jesse Alexander was considered one of t...

North Texas: Plowed Field, Patricia by Peter Brown presents a sublime scene. The plowed, warm toned dirt stretches far into the horizon, leading to the bright blue sky. Lush green grass frames the edge of the soil. North Texas: Plowed Field, Patricia by Peter Brown is listed as a 19.25 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25. This photograph is signed and numbered in black ink on print margin by Peter Brown. North Texas: Plowed Field, Patrica is from Peter Brown's series, Hometown Texas. This photograph is available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Dancing Trees, Kussharo Lake, Hokkaido, Japan by Michael Kenna is a limited edition black and white photograph, depicting two trees against a snowy landscape. Edition of 25 Signed, ...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 25 x 20 in., Image size: 20 x...

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Image size: 17.5 x 11.5 in. Paper size: 20 x 16 in. AVAILABLE SIZES: 14 x 11 in., A/P 24 x 20 in., Ed...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print, 11 x 16 1/2 in. Jesse Alexander was considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander was involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One...

Open Hand, 2004 Gelatin silver print, Paper size: 16 x 20 in., Image size: 15 x 15 in. Signed, titled, dated and numbered in pencil on print verso by Keith ...

Dressing room, La Villa Blanc, Albuquerque, 1971 Gelatin silver print, 19 3/4 x 15 7/8 in. Signed, titled, dated and numbered by Jeffrey Silverthorne Edition of 12, Printed 2008 Jef...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso Paper size: 21 x 24 in., Image size: 16 x 20 in. Available in the following sizes: Paper size: 14.5 x 18 in., Image size: 10.4 in. x 13 in. , Edition of 25 $1700 Paper size: 21 x 24 in., Image size: 16 x 20 in. , Edition of 10, $2300 Paper size: 31 x 36 in., Image size: 24 x 30 in. , Edition of 6, $2900 Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...

South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Untitled #42 (Eyes, Chicago), by György Kepes is a 4 1/2 x 3 5/8 inch gelatin silver print mounted on 16 1/4 x 13 1/4 inch paper. This photograph is signed and dated in pencil on mou...

Edition 2/25 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver. Printed 2020 Mat size: 20 x 16 in., Image size: 7 3/4 x 8 in. Michae...

Edition of 15 Signed, titled, dated and numbered by Don Netzer Archival pigment print Paper size: 22 x 17 in., Image size: 20 3/4 x 15 1/2 in.

Untitled (Black Hand with Thimble Ring), 2003 by Chema Madoz Toned gelatin silver print, 13 1/4 x 9 7/8 in. Signed, dated and inscribed by Chema Madoz Ch...

Frida with Picasso Earrings is a color portrait of Frida Kahlo. She is dressed in magenta clothes with matching magenta flowers in her hair. She is wearing dangly earrings in the shape of hands. Frida is rested against a bright blue wall, with her hand gently placed on her chest. Frida with Picasso Earrings by Nickolas Muray is listed as a 13.75 x 9.5 inch carbon pigment print, with the paper size measuring 20 x 15 inches. This photograph is available in an edition of 30 through the Nickolas Muray Photo Archives. This photograph is titled, dated, numbered and signed by Nickolas Muray's Estate. Nickolas Muray (1892–1965) was a Hungarian born artist that worked in New York as a photographer, specializing in portraits of celebrities. His work was often seen in Vanity Fair magazine. Nick’s friendship with the Mexican artist, Miguel Covarrubias, lead to the introduction to Frida Kahlo when Nick visited Mexico. Diego Rivera and Frida Kahlo were introduced by Covarubbias and it was in 1931 when Nickolas and Frida’s love affair started. Later, when Frida had a solo exhibition at the renowned Julian Levy gallery...

Edition of 15 Signed, titled, numbered and print type by David Johndrow Platinum Palladium Print Series: Terrestrials While integrating photography and his passion for gardening, D...

Edition 3/200 Gelatin silver print, 14 x 11 in. Signed, dated and numbered in black ink on print margin by Harold Feinstein Harold Feinstein was born in Coney Island, New York, in 1...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso AVAILABLE SIZES: 11 x 14 in., Edition ...

Edition 1/25 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver. Printed 2020. Mat size: 20 x 16 in., Image size: 7 3/4 x 8 in. Micha...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow Archival p...

Frida Kahlo - The Breton Portrait by Nickolas Muray is a portrait of the Mexican painter commissioned by Andre Breton. Edition of 30 Signed by Nickolas Muray's Estate Nickolas Muray Photo Archives Nickolas Muray (1892–1965) was a Hungarian born artist that worked in New York as a photographer, specializing in portraits of celebrities. His work was often seen in Vanity Fair magazine. Nick’s friendship with the Mexican artist, Miguel Covarrubias, lead to the introduction to Frida Kahlo when Nick visited Mexico. Diego Rivera and Frida Kahlo were introduced by Covarubbias and it was in 1931 when Nickolas and Frida’s love affair started. Later, when Frida had a solo exhibition at the renowned Julian Levy gallery...

Edition 5/5 Toned gelatin silver print 43 x 43 in. Signed, dated and numbered in pencil on verso. Frame Included. Chema Madoz is one of the most important contemporary Spanish photo...

Great Egret and the Milky Way by Cheryl Medow is a limited edition color photograph of a white bird with it's head under it's wing, standing on a rock against a starry night sky. Ed...

Edition of 3 Signed, titled, dated and numbered. Paper size: 30 x 24 in., Image size: 16 x 16 in. A digital photograph is made up of pixels, tiny blocks of color. Within one image, ...

Edition of 5 Signed, titled, dated and numbered by Jeanine Michna-Bales Archival pigment print Image size: 24 x 36 in. From series, Standing Together: Inez Milholland's Final Campaign for Women...

Frida and Diego with Hat by Nickolas Muray depicts a couple posing for a portrait. Frida Kahlo stands next to Diego Rivera, who is seated, holding a hat in his hand. They stand in an empty room, with a large window filling the room with natural light. Edition of 70 Titled, dated, numbered, copyright, and signed by the Nickolas Muray Estate. Nickolas Muray Photo Archives. Paper size: 14 1/4 x 14 1/4 in. Image size: 12 x 12 in. Gelatin silver print "Muray and Kahlo were at the height of their on-again, off-again, ten-year relationship when these pictures were taken. Their affair had started in 1931, after Muray was divorced from his second wife, and shortly after Kahlo’s marriage to Mexican muralist...

Fifth Avenue, New York, New York, USA by Michael Kenna is a limited edition black and white photograph depicting an aerial view of a city street at night. Edition of 45 Signed, tit...

Edition of 26 Signed, titled, dated and numbered on print margin. Photogravure

Edition of 3 Signed, titled, dated and numbered by Jeanine Michna-Bales Archival pigment print Image size: 32 x 40 in. From series, Standing Together: Inez Milholland's Final Campaign for Women...

Edition of 15 Signed, titled, dated and numbered by Patty Carroll Paper size: 30 x 30 in., Image size: 22 x 22 in. From the series, Anonymous Women Patty Carroll is an American phot...

Bill Owens Portfolio A selection of fifteen photographs from the series, Suburbia Edition of 15 Each photograph is signed and numbered in pencil with artist stamp in black ink on pri...

Estate Print Edition of 25 Signed by Morris Engel Estate, titled, dated. Gelatin silver print, 16 x 20 in. Available sizes, limited to a single edition of 25: 11 x 14 in., $1700 16 x 20 in., $2100 20 x 24 in., $2300 Morris Engel was born in Brooklyn, New York on April 8, 1918. He attended Abraham Lincoln High School and joined the Photo League in 1936 where he met Aaron Siskind and Paul Strand who became major influences in his life. He worked on the paper PM, and then enlisted in the Navy, where he was a combat photographer. He later did many magazine picture stories in the late 40’s. He also made films, and his classic film, LITTLE FUGITIVE was released in 1953. He shot several more features, and later worked with video...

Signed, titled, and dated in pencil on print verso by Mariana Yampolsky Gelatin silver print 13 1/4 x 18 in.

Edition of 25 Signed, titled, dated and numbered in pencil on print verso. Archival pigment print Paper size: 22 x 17 in. Image size: 20 x 16 in. Series: Ghostland Keith Carter is a...

Edition of 30 Titled, dated, numbered, and signed by Nickolas Muray's Estate Nickolas Muray Photo Archives Paper size: 19 x 16 in., Image size: 12 2/3 x 9 3/4 in. "Muray and Kahlo were at the height of their on-again, off-again, ten-year relationship when these pictures were taken. Their affair had started in 1931, after Muray was divorced from his second wife, and shortly after Kahlo’s marriage to Mexican muralist...

Edition of 25 Gelatin silver print Signed, dated and numbered in pencil on print verso. Paper size: 16 x 12 in., Image size: 8 1/2 x 7 1/4 in. Printed 2011 Chema Madoz is one of the...

Edition of 15 Signed, titled, numbered and print type in pencil on print verso by David Johndrow Series: Terrestrials Platinum Palladium print While integrating photography and his ...

AP Signed, titled, dated, print date, and numbered by Al Satterwhite Archival pigment print, Printed 2012 Paper size: 20 x 16 in. Image size: 17 3/4 x 12 in. AVAILABLE SIZES: 11 x 1...

Signed by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in., Image size: 11 1/4 x 7 1/2 in. Jesse Alexander is considered one of the greatest race car photographers in history. His images of vintage automobiles and the people who gave them life; captured from the European race circuit during the 1950’s and 60’s are collected and exhibited by museums and galleries throughout the world. Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours...

Cone 04 earthenware sculpture with textured glazed and slips. Signed, titled, and dated in black ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Edition of 45 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on mo...

All Kings were Boys, 3rd Ward, Houston, Texas by Earlie Hudnall, Jr. depicts a portrait of a young boy with his arms crossed over his chest. Image size: 18 x 12.75 in. Paper size: 2...

Signed in black ink on print margin. Paper size: 16 x 19 1/2 in, Image size: 10 3/4 x 16 3/4 in. "The Mercedes W196 of Stirling Moss practices in the rain on one of the fastest road racing circuits in Europe. Moss teamed with the Argentine champion, Juan Manuel Fangio, as the two drivers spearheaded the Mercedes effort in 1995, dominating the season. This is the open-wheeled version of the W196, a car that Mercedes uses today at historic events around the world to promote its racing heritage." -Caption from "Driven: The Racing Photography...

Edition of 8 Signed, titled, dated and numbered. "This series exploits an optical phenomenon that occurs when visible light is distorted by the thin film membrane of a soap bubble. ...

Nude Dancer, from The Female Figure series by Karl Struss features a nude woman standing on one leg, with her leg lifted in an arabesque position. Her arms are raised above her head ...

This portrait by Kevin Horan features a side profile of a white curly haired goat, from Horan's series Chattel. The photograph is signed, titled, dated and numbered by Kevin Horan, including the print date and copyright. The paper size is 30 x 24 inches, the image size is 25 1/2 x 20 inches. This photograph is an edition of 8. Sherlock #2 is also available in a smaller size, 13 x 17 inches for $1000. Kevin Horan photographs goats in a very regal manner in his series, Chattel. A variety of domestic goats and sheep get their close-ups, allowing us to explore the detail of their beards, wattels, eyes, horns and hair. Horan's interest in exploring the exchange between people and animals lead to these dramatic, yet humorous portraits...

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Archival pigment print Paper size: 24 x 36 in., Image size: 21.5 x 32 in. AVAILABLE SIZES: 11 x 14 in...

Ed of 3 Archival pigment print Image size: 44 x 66 in. Signed, titled, dated, and numbered. Series: Standing Together: Photographs of Inez Milholland’s Final Campaign For Woman’s Suf...

Cowgirl by Patty Carroll depicts a woman, dressed in a cowboy hat, sitting and looking down at her desk. She is surrounded by Western themed decor; metal objects, stars, horns and le...