Richard Taylor Fine Art

Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame Jean Dominique van Caulaert w...

Landscape painting of The Trossachs, Scottish Highlands, 20th century is after renowned landscape artist Alfred De Breanski, Jnr, (1877-1955). As in this painting, De Breanski established a reputation for his distinctive vivid greens and color in impressionistic style within realism of his subject. This mountain scene with lake and watering cattle demonstrates the oeuvre of this artist, and also his father Alfred de Breanski Sr. This is a particularly beautiful landscape painting of Scotland, in a favorite natural region by Perthshire. 'The Trossachs' shows fine brushstrokes in the clouds, and area of raised paint over the ground. Light is captured on misty hillsides, and reflected in the water. De Breanski studied at St Martins School of Art, England, but had the benefit of his father, his mother and his Uncle who were all successful artists of their time, and their work continues to be highly sought after for the detail and light captured in plein art...

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...

Fine work by celebrated 19th century artist, Colin Hunter (1841-1904) ARA, RI, RSW, RE. 'Highland Bridge' shows one of the old stone bridges in the Scottish countryside with horse an...

A Summer’s Day by William Miller Frazer (1864-1961) depicts a tranquil countryside scene of sheep grazing and resting. Frazer’s sheep find numerous ways to enjoy the pleasantries of ...

'Picking Blackberries' is a 19th/early 20th century oil on canvas painting of a Scottish coastal path view with yellow gorse and berry bushes. Children are picking berries or sitting enjoying the view overlooking the sea, depicting halcyon days of summer. Scottish artist Charles Martin Hardie...

Artist Edward Cucuel and his wife Clara Lotte von Marcard spent their first two decades together in Germany, mostly in a villa on Lake Ammersee in Holzhausen near Munich. It is the works created in this period, mainly outdoor scenes of young women in fashionable attire of the day, that are most collected and appreciated among his works. It’s easy to see why- they capture an elegance and sense of calm and easy leisure- of long days in gardens or by the water.  This is one of those captured moments with a well-dressed woman watching the sailing yacht...

French 19th century oil on canvas painting by Paul Charles Emmanuel Gallard-Lepinay (1842-1885), is of ships on the Venetian coast. Gallard-Lepinay is renowned for his maritime work...

'Harvest Time' with Croft and Haystacks Impressionist oil on canvas painting is by popular Scottish artist Joseph Morris Henderson, RSA (1863-1936) known for Landscapes and Seascapes. Henderson exhibited in the London Royal Academy, the Royal Scottish Academy, Glasgow Institute of Fine Art, and in galleries across the UK. This painting is especially bright, of golden fields and haystacks, and impressionist figures by a rural white croft house...