Roi de Sicile Decorative Objects

Superb sculptural representation of two lovers kissing by Aldo Bartelletti (1898-1976) in Carrara marble on a griotte coloured marble base. Italy, early 20th century. Very good cond...

Superb marble and gilt bronze bust representing a young emperor with his robe and laurel wreath. Italy early 20th century, of the Romantic style. Signed A. Fagioli. Dimensions in ...

Superb and large Saint-Louis crystal vase, France 2000s. Decorations of carved and sanded lines and ovals. Stamp of the manufacture. Very good cond...

Sublime sculptural piece by the artist Rachel in beautiful patinated bronze by the Chapon Foundry. Representation of three cloaked readers. Signed by the artist and the foundry. Numb...

Superb Vienna bronze representing a cat and doubling as a quill wipe with boar hair on its back, Austria 1900s. Signed Geschütz. In very good condition. Slight polychrome use. Dime...

Superb Vermillion hued obsidian midcentury design ceramic cooking pot on its iron wrought and forged tripod stand, France 1950s. Originating from the Marolles region. Tripod in the s...

Beautiful representation of a polychromed hare Vienna bronze, Austria 1900s. The back is encrusted with boar hair and was used to clean writing quills. In excellent condition. Sligh...

Superb small ashtray in gilt bronze with intricately carved decorations of roses by Paul Louchet (1854-1936), France Romantic/Art Nouveau Period late 19th century. Signed "Louchet Ci...

Beautiful romantic Art Deco spelter sculpture by Louis Albert Carvin (1875-1951) of two lovebirds standing atop some grapes and a quiver filled wit...

Superb patinated marble and alabaster bust of a veiled woman crowned with laurel by Professore Giuseppe Bessi, Italy 19th century. Signed "Prof. G. Bessi". Excellent condition. Dim...

Superb and large gold patina bronze of a seagull flying above green patina bronze waves by the sculptor A. Van Kote, signed. Belgian school, late 19th century. Good condition with o...

Superb red robin Vienna bronze with beautiful polychrome colours, Austria 19th century. Stamped Geschützt. In good condition. Dimensions in cm ( H x L x l ) : 7 x 11 x 4...

Superb French manufacture matrix for the Worthington company, from the 1960s. Very interesting work that doubles as a sculptural piece. Good condition. Signed. Dimensions in cm ( H x L x l ) : 43 x...

Superb art deco candleholders by LeBlanc Barbedienne. Beautiful and intricate decorations of pigeons and swallows. In bronze and Portor black and white veined marble. France, Late 18...

Two beautiful busts of men by Philippe Conficcioni in the midcentury style. Both busts are signed and one is dated 11/2005. In good condition. Dimensions in cm ( H x L x l ) : ...

Superb sculpture in marble of Saint John the Evangelist, France 19th century. Dimensions in cm ( H x L x l ) : 58 x 18 x 16 Secure shipping.

Superb and large empire style vase attributed to the Val Saint Lambert manufacture, 19th century Belgium. Openwork of gilt bronze in arches and wreat...

Superb and large 19th century Vienna bronze of a lizard by the Geschütz manufacture. Not signed. Dimensions in cm ( H x L x L ) : 4 x 28 x 9. Secure shipping.

Superb 19th century Vienna bronze sculptures of a stag, the doe is a late 20th century/early 21st production of Vienna bronzes. The deer sculpture is attributed to the Geschütz manuf...

Superb Gustave Tiffoche ceramic stoneware tulip vase. Freeform decorations punctuated by colourful hues of blues, browns and whites. Dimensions in cm ( H x D ) : 28 x 12 In excellent condition. Secure shipping. Gustave Tiffoche is one of the great French stoneware artists of the late 20th century. He started his earthenware works at the age of 33. "In 1961, Tiffoche made his first approach to pottery at Norbert Pierlot, in Ratilly. That year the gallery of the Castle exposes the great names of the ceramics world: Bernard Leach, Shoji Hamada, Raîja Tuumi, A.Cumella, Daniel de Montmollin, Georges Jouve, M. and Y. Mohy, Jean and Jacqueline Lerat, De Vinck. He met and became friends with several of them along the way. Two years later, he set up his workshop in Guérande. He began to produce unique pieces in parallel with a production of utilitarian pieces and built his first wood-fired kiln in 1963. In 1966, he participated for the first time in a ceramics exhibition at the Hôtel de Sens in Paris, then at the Maison de la Culture in Caen, "Les Potiers contemporains". He organized his first personal exhibition of ceramics in 1968 at the "Michel Columb" gallery of Marie-Jo Marot in Nantes. On the walls, the paintings are of Gaston Chaissac. Exhibits came one after another afterwards, throughout France and abroad: Stuttgart in 1969, Montreal in 1970, Munich in 1971, Faienza in 1972, Dakar in 1984 and Sarrelouis in 1994. At the same time, regular exhibitions at the "convergence" gallery in Nantes allow the artist to continue his artistic evolution and questioning. He created a monumental ceramic fountain for the IUT in Saint-Nazaire in 1981. Other monumental works in stoneware will follow in La Roche-sur-Yon, Niort, Melle, Rennes, Bouaye, IRESTE of Nantes. Between 1970 and 1985, many young ceramists came to learn or perfect their Craft, or collaborated directly with him by working in his workshop. Among them, of note: Jorgen Hansen...

Superb and rare sculpture of the hunt by Salvado Voltas. In bronze with medalized patina on a base of green and brown white veined alabaster, Spanish Art Deco school...

Superb and rare art déco sculpture by Géo Maxim (1885-1940) representing a woman running after her greyhounds. Beautiful green patina on the regula affixed to a superb black and oran...

Superb and large sculpture of two alert greyhounds in beautiful Art Deco period green patina. Attributed to Louis Albert Carvin. Set on an elegant brown and white veined marble base....

Superb 1970s modernist romantic style sculpture depicting a nude woman and two children by the artist Pierre Laparra. Sculpted plexiglas mounted on a metal base. In good conditio...

Superb sculpture of a laying doe from the Chinese Han Dynasty (206BC-220AD). Remainders of polychromic paint, namely red, symbol of good fortune and joy as well as the season of summer, and green, symbol of vigor and vitality and the season of spring. Mounted on base. A similar sculpture in bronze is kept at the Met Museum with the following description " A low bed, small table, and screen were often the only furnishings in a Han-dynasty room. The floors were generally covered with mats kept in place with weights in the shape of single animals, fighting beasts, or entertainers." Condition seen in pictures. Dimensions in cm ( H x L x l ) : - Sculpture : 35 x 40 x 10 - With base : 45.5 x 44 x 15 The Han Dynasty ruled China from 206 B.C. to 220 A.D. and was the second imperial dynasty of China. It is known for its promotion of Confucianism as the state religion and opening the Silk Road trade route to Europe, permanently altering the course of Chinese history. Han Dynasty art and inventions like paper still influence the world today. From the Han Dynasty to the present, deer can be found in many materials and media—rock crystal, nephrite, ink on paper, porcelain, cloisonné enamel, jade, bamboo root, textile, bronze, etc.—alone or in groups, among trees and rocks and in various positions. They appear on everyday objects, from boxes to incense burners, incense holders, lamps, mirror holders and the droppers scholars used when they wrote. A symbol of longevity and grace in Chinese mythology, the word deer is pronounced lu, a homonym for emoluments—favors granted to officials. They therefore represent wealth, nobility and success in imperial examinations (civil service exams for selecting candidates for the state bureaucracy in Imperial China). Deer were the faithful companions of Shu Lao, the god of longevity, and the goddess Magu. They were reputed to live long and to be the only creature able to find the mushroom of immortality, linghzhi. Although its spots are different, deer are sometimes confused or associated with stags, a Manchu hunting trophy whose antlers served to make prestigious furniture. (La Gazette Drouot, Claire Papon) For the colours found on this piece, in Chinese culture, red symbolizes good fortune and joy. Green, symbolizes the spring when everything is brimming over with vigor and vitality. The Han Dynasty (206 B.C. to 220 A.D.) continued the Qin Dynasty’s use of dark colours, but incorporated red. During the earlier years, or Western Han Dynasty, ordinary people wore red while court dress was black. Shoes were red in color. The clothing worn for sacrificial rites was black edged with red. In the later Eastern Han Dynasty, red symbolized the dynasty’s “fire Virtue” and became predominant. Court dress was red. Sacrificial rites called for a red-edged white layer under robes with red socks...

Superb Demosthenes bust in green hued patinated bronze by the artist René André Varnier. Excellent capture of the oratory prowess of Demosthenes considered...

Superb and rare Sarreguemines "Pagoda" model mantel clock. Ceramic of brown crackled enamel. Side pieces signed Sarreguemines and numbered 5410. Central piece...

Superb church altar candlestick of the Romantic period. Decorations in gold leaf and blue and white enamel of flowers, fleur-de-lys (symbol of the French royal house) and rams at the...

Beautiful roaring lion in gold patinated bronze by the artist and sculptor Louis Vidal (1831-1892) of the Romantic period, France 19th century. Dimensions in cm ( H x L x l ) : 17 x 36 x 9 Secure shipping. Louis Vidal, Vidal the blind or Vidal-Navatel is a French sculptor born on December 6, 1831 in Nîmes and who passed on May 9th, 1892 in the 12th district of Paris. Born to an unknown father and Sophie Vidal-Navatel, he grew up in a family of artists, having for stepfather the painter Alexandre Colin who married his mother in second marriage and for half-brother Paul-Alfred Colin. He studied anatomy but became blind around 1853, which prevented him from pursuing this path. He studied with the animal sculptors Antoine-Louis Barye and Pierre Louis Rouillard and became an animal sculptor himself by replacing sight with touch. This faculty enabled him to create portraits, he perceived the shape of faces by touching them and sculpted them in clay, and remains known as the author of a sculpture representing a roaring lion, as well as that of a bull in bronze, donated by the State to the Musée des Beaux-Arts de Nîmes in 1867. Louis Vidal worked in particular with Alfred Barye, son of his master Antoine-Louis Barye. He became a professor of modeling in 1888 at the École Braille in Paris. A portrait of the artist taken by the photographer Étienne Carjat...

Superb Daum crystal faceted vase from the 1960s. Signed Daum # Nancy. Good condition. Dimensions in cm ( H x D ) : 24.5 x 17 Secure shipping. The Daum M...

Beautiful Lalique crystal "Marrakech" vase, design by Marie-Claude Lalique, daughter of Marc Lalique. France circa 1980. Very good condition. Dimensions in cm ( H x L x l ) : ...

Beautiful "Topography" Daum crystal table clock. French design from the 1970s. In very good condition. The clock functions. Dimensions in cm ( H x L x l ) : 19 x 19.3 x 4.6 ...

Superb sculpture by Henri Delanne (1940-2003), artist proof (E.A.) of the "Silhouettes" patinated bronze sculpture representing a deconstructed forme-libre modernist women's bust. Si...

Beautiful incense burner in the shape of a straw basket with a praying mantis sitting on top. Bronze, Japan 19th century. Good condition, oxidation, one leg missing from the prayi...

Superb Anemone clock in Daum crystal from the 1970s. Signed Daum France. Very good condition. Clock system is original and needs to be replaced by a modern system to function. Dimen...

Superb "Langeais" model candle holder or vase by the Lalique Maison. Previously a Langeais carafe with a damaged rim, it has been perfectly modified by a master glass artisan into th...

Beautiful Deauville vase created by René Lalique with decorations of oxidised vines. Signed Lalique. In very good condition. Slight traces of use. Has been recut by a glass master...

Superb 1940s Baccarat crystal vase with gracefully engraved decorations of foliage. In very good condition. Slight signs of use. Dimensions in cm ( H x D ) : 19.5 x 15.4 Secure shipping. Since 1764 Baccarat has written the chapters of its remarkable history in sparkling letters. Founded in Lorraine, by permission of King Louis XV, the world’s most famous Crystalworks has, over the ages, become a symbol of superb craftsmanship and French Art de...

Superb and large slip earthenware vase by Delphin Massier representing a poppy flower, France early 1900s. Secure shipping. Dimensions in cm ( H x D ) : 13 x 40. The Massiers (Je...

Superb Gustave Tiffoche ceramic stoneware long vase. Striated decorations and small handles on the side punctuated by colourful hues of yellow, brown and white. Dimensions in cm ( H x D ) : 29.2 x 14 In excellent condition. Secure shipping. Gustave Tiffoche is one of the great French stoneware artists of the late 20th century. He started his earthenware works at the age of 33. "In 1961, Tiffoche made his first approach to pottery at Norbert Pierlot, in Ratilly. That year the gallery of the Castle exposes the great names of the ceramics world: Bernard Leach, Shoji Hamada, Raîja Tuumi, A.Cumella, Daniel de Montmollin, Georges Jouve, M. and Y. Mohy, Jean and Jacqueline Lerat, De Vinck. He met and became friends with several of them along the way. Two years later, he set up his workshop in Guérande. He began to produce unique pieces in parallel with a production of utilitarian pieces and built his first wood-fired kiln in 1963. In 1966, he participated for the first time in a ceramics exhibition at the Hôtel de Sens in Paris, then at the Maison de la Culture in Caen, "Les Potiers contemporains". He organized his first personal exhibition of ceramics in 1968 at the "Michel Columb" gallery of Marie-Jo Marot in Nantes. On the walls, the paintings are of Gaston Chaissac. Exhibits came one after another afterwards, throughout France and abroad: Stuttgart in 1969, Montreal in 1970, Munich in 1971, Faienza in 1972, Dakar in 1984 and Sarrelouis in 1994. At the same time, regular exhibitions at the "convergence" gallery in Nantes allow the artist to continue his artistic evolution and questioning. He created a monumental ceramic fountain for the IUT in Saint-Nazaire in 1981. Other monumental works in stoneware will follow in La Roche-sur-Yon, Niort, Melle, Rennes, Bouaye, IRESTE of Nantes... Between 1970 and 1985, many young ceramists came to learn or perfect their craft, or collaborated directly with him by working in his workshop. Among them, of note: Jorgen Hansen...