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Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula
Located in New York, NY
Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm). A classic example of a world ma...
Category

17th Century Other Art Style More Art

Materials

Engraving

Planiglobii Terrestris Mappa Universalis / Mappe Monde
By Homann Heirs
Located in New York, NY
This map was printed from a copperplate engraving in 1746. The printed image size is 18.25 x 21.75 inches (46.3 x 55.2 cm) plus margins. An attractive double hemisphere map...
Category

18th Century Other Art Style More Prints

Materials

Engraving

A NEW MAP OF THE WORLD from the Latest Observations.
By John Senex
Located in New York, NY
The title continues “…. Most Humbly Inscribd [sic] to his Royal Highness George Prince of Wales.” A fine British produced double hemisphere world map. On this map, California is shown as an island on the main double hemisphere map...
Category

18th Century Other Art Style More Prints

Materials

Watercolor, Engraving

Nouvelle Mappe Monde, dediee au progres de nos connoissances.
Located in New York, NY
A handsome and well-engraved world map constructed with the prime meridian through Paris. The hemispheres are rotated through 45 degrees. This is an unusual projection for a world map and was based on the work of the French Academie Royale des Sciences. This particular impression is by Remondini who re-issued Santini's "Atlas Univ." in 1784. "Nouvelle Mappe Monde" is a copper plate engraving published by Giuseppe Remondini, Venice. The printed image size is just over 15 x 25 inches. Overall the map is in good condition with three small tears at the paper edge - all repaired. Modern (not 18th...
Category

18th Century Other Art Style More Prints

Materials

Watercolor, Engraving

Cross Roads, Kingston [Jamacia].
By Reynolds Beal
Located in New York, NY
Reynolds Beal painted this watercolor entitled “CROSS ROADS, KINGSTON.” in the spring of 1922. The paper size is 4 7/8 x 7 1/8" (12.4 x 18 cm). It is signed in pencil lower right a...
Category

Early 20th Century American Impressionist Figurative Drawings and Waterc...

Materials

Watercolor, Pencil

Colon [Panama]
By Reynolds Beal
Located in New York, NY
Reynolds Beal painted this watercolor entitled “Colon” [Panama] in the spring of 1923. The paper size of this painting is 7 x 10" (17.7 x 25.3 cm). It is signed, titled, and dated ...
Category

Early 20th Century American Impressionist Landscape Drawings and Waterco...

Materials

Watercolor, Pencil

Union Pond, Williamsburgh, L. I. [sic].
By Winslow Homer
Located in New York, NY
UNION POND, WILLIAMSBURGH, L. I. [sic] is a lithograph printed in color in circa 1862. It was published by Thomas & Eno, 37 Park Row, N.Y. The printed image size is 16 3/4 x 27 in...
Category

1860s American Realist Landscape Prints

Materials

Lithograph

Mending the Tears
By Winslow Homer
Located in New York, NY
Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie. This piece is signed in pencil “Winslow Homer, N.A.” in the lower left above the etched remarque of an anchor. Etched above the image (top left) is “Copyright, 1888 by Winslow Homer N.Y.” and (top right) “G. W. H. Ritchie Imp.” Also etched in the plate (lower right) “Winslow Homer Sc.” ). The printed image size 15.25 x 21.5" (38.8 x 54.5 cm) plus margins – printed on Japan paper. This item is in very good condition and framed in 2.25 inch scooped molding finished in gold leaf with a rag stock bevel (mat edge) wrapped in metal leaf and rag stock top mat wrapped in silk. Glazed in TruVue Museum Glass. “Winslow Homer (1836-1910) was one of America's great artists of the 19th century and the sea...
Category

1880s American Impressionist Figurative Prints

Materials

Etching

Plan of a Part of Newport, R. I. Showing Changes... O. H. P, Belmont, Esq.
Located in New York, NY
PLAN OF A PART OF NEWPORT, R.I. SHOWING CHANGES IN HIGHWAYS ASKED FOR BY O.H.P. BELMONT, ESQ. The original ink and watercolor plan on paper from 1907. The plan is extremely large; if fully assembled it would measure no less than 11.5 feet in height and 6.5 feet in breadth. Segmented and backed on modern linen in four sections – each section is 70 x 39 inches. This grand oversized folding map can be folded down to four sections each 17.5 x 11 inches and stored in a modern made leather and marble paper case 18 x 11.75 x 3 inches. Text continues, "Prepared for Charles Warren Lippitt at the office of J. P. Cotton, C.E. Newport, R.I. Oct. 28, 1907." A fine manuscript plan of the Bellevue neighborhood of Newport, depicting the street layout and the detailed footprints of the area’s many mansions. The plan was produced at the behest of Charles Warren Lippett (1846-1924), who served as governor of Rhode Island from 1895-1897. The Lippett “Breakwater” mansion is also shown on this plan, situated at the southernmost tip of the peninsula. Though the circumstances are unclear, Lippitt seems to have requested the plan be drawn out of some concern for road construction proposed by Oliver Hazard Perry...
Category

Early 20th Century Naturalistic More Art

Materials

Ink, Watercolor

The Yacht "Henrietta" 205 Tons. Modelled by Mr. Wm. Tooker, N.Y. Built by Mr. ..
By Charles Parsons
Located in New York, NY
Title continues: Built by Mr. Henry Steers, Greenpoint, L. I. Owned by Mr. James Gordon Bennett, Jr. Winner of the Great Ocean Yacht Race, With the ...
Category

1860s American Realist Landscape Prints

Materials

Lithograph

Benches. [Central Park.]
By Harold Altman
Located in New York, NY
Signed, titled, and dated in pencil. Inscribed "21/285.." Edition 285. Very good condition.
Category

1980s Realist Landscape Prints

Materials

Lithograph

Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category

1980s Naturalistic Landscape Prints

Materials

Lithograph

United Auto Workers, 1936-1937.
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created this woodcut and offset lithograph entitled "United Auto Worker, 1936-1937" in 1991. It is signed, titled, dated and inscribed “2/10” in pencil. The paper ...
Category

1990s Contemporary More Prints

Materials

Lithograph, Woodcut

Steel Workers, 1946
By Antonio Frasconi
Located in New York, NY
Steel Workers, 1946. By Antonio Frasconi, 1990. "Steel Workers, 1946" is a woodcut and offset lithograph created by Antonio Frasconi in 1990. This p...
Category

1990s Contemporary Figurative Prints

Materials

Lithograph, Woodcut

A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category

Late 19th Century Naturalistic Figurative Prints

Materials

Photogravure

Hell Gate / Oyster Bay and Huntington / Huntington Bay
Located in New York, NY
HELL GATE / OYSTER BAY AND HUNTINGTON / HUNTINGTON BAY. This aquatint and line engraved map was published according to Act of Parliament Novr. 19th, 1778. T...
Category

18th Century Naturalistic More Prints

Materials

Engraving, Aquatint

Running the Rapids
By Frank Benson
Located in New York, NY
The etching "Running the Rapids" was created by Frank Benson in 1927. Printed in an edition of 150, this impression is signed in pencil, lower left. The image size is 5 13/16 x 7 7/8" (14.8 x 20 cm) and sheet size 8 1/16 x 10 5/16" (20.3 x 26.2 cm). Frank Weston Benson (1862-1951), well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s American Impressionist Figurative Prints

Materials

Etching

Winter Wildfowling
By Frank Benson
Located in New York, NY
This 1927 etching by Frank W. Benson is entitled Winter Wildfowling. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size 11 7/8 x 9 7/8" (30 x 24.8 cm) and sheet size 15 1/16 x 12 5/8" (38.3 x 32 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s American Impressionist More Prints

Materials

Etching

The Bridge
By Frank Benson
Located in New York, NY
"The Bridge" is a drypoint by Frank Benson created in 1923. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size is 13 1/2 x 10 5/8" (34.2 x 26.8 cm) and sheet size 16 1/2 x 13 1/16" (41.8 x 33.3 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s American Impressionist Figurative Prints

Materials

Drypoint

Here They Come !
By Frank W. Benson
Located in New York, NY
This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s American Impressionist More Prints

Materials

Drypoint

Over Cape Cod
By Frank W. Benson
Located in New York, NY
"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

Mid-20th Century American Impressionist Figurative Prints

Materials

Etching

On the Kedgwick
By Frank Benson
Located in New York, NY
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222. FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1920s Impressionist Figurative Prints

Materials

Etching

Tanks #1.
By Louis Lozowick
Located in New York, NY
This 1929 lithograph by Louis Lozowick was printed in an edition of 50. Lozowick signed this impression in pencil lower right with a monogram on stone, in the lower left. The sheet...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

Manhattan Bridge
By Louis Lozowick
Located in New York, NY
This lithograph by Louis Lozowick was created in 1934. This scarce piece was printed in an edition of 10 and in very good condition. It is signed and dated in the lower right with ...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

White Eggplant on Black Table
By Emilio Sanchez
Located in New York, NY
"White Eggplant on Black Table" is a color pencil drawing by artist Emilio Sanchez, circa 1995. It is drawn to the paper edge and initialed "ES" in the lower right. The "Emilio Sanch...
Category

Late 20th Century Contemporary Still-life Drawings and Watercolors

Materials

Color Pencil

White Eggplant on Red Table
By Emilio Sanchez
Located in New York, NY
"White Eggplant on Red Table" is a color pencil drawing on paper by artist Emilio Sanchez. The drawing is to the paper edge and initialed "ES" in the lower right. There is an Emilio...
Category

Late 20th Century Contemporary Still-life Drawings and Watercolors

Materials

Color Pencil

Orange and Green Peppers
By Emilio Sanchez
Located in New York, NY
"Red Peppers" is a color pencil drawing, circa 1995, is by Emilio Sanchez. It is drawn to the paper edge and unsigned. Noted "Emilio Sanchez Foundation" on verso. EMILIO SANCHEZ (1...
Category

Late 20th Century Contemporary Still-life Drawings and Watercolors

Materials

Color Pencil

Red Peppers
By Emilio Sanchez
Located in New York, NY
"Red Peppers" is a color pencil drawing by artist Emilio Sanchez. It is drawn to the paper edge and initialed "ES" in the lower left. "Emilio Sanchez Found...
Category

Late 20th Century Contemporary Still-life Drawings and Watercolors

Materials

Color Pencil

New York Skies.
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez returned to the urban skyline time and again. His passion for the everchanging sky took hold during the 1980's working the ruled lines of the skyscraper in just enough...
Category

1980s Modern Landscape Paintings

Materials

India Ink, Oil, Watercolor

New York Sunset, Pink and Blue.
By Emilio Sanchez
Located in New York, NY
"New York Sunset, Pink and Blue" is a mixed media painting on paper (oil paint and water-based paint). Emilio Sanchez returned to the urban skyline time and again. His passion for ...
Category

1980s Modern Landscape Paintings

Materials

Oil, Watercolor

New York Sunset.
By Emilio Sanchez
Located in New York, NY
"New York Sunset" is a mixed media painting on paper (oil paint and waterbased paint) by artist Emilio Sanchez. It is painted to the paper edge. Emilio Sanchez returned to the urba...
Category

1980s Modern Landscape Paintings

Materials

Oil, Watercolor

New York Sunset with Blue Gray Cloud.
By Emilio Sanchez
Located in New York, NY
"New York Sunset with Blue Gray Cloud" is a mixed media painting on paper (oil and waterbased paint) by artist Emilio Sanchez. It is painted to the paper edge. Emilio Sanchez return...
Category

1980s Modern Paintings

Materials

Oil, Watercolor

725 CLE Series: Edge.
By Thomas R. Roese
Located in New York, NY
Inspired by the geometric landscape of his hometown Thomas Roese has created a photorealist series using acrylic, graphite and colored pencil. Since graduating from the Cleveland ...
Category

21st Century and Contemporary Photorealist Landscape Paintings

Materials

Acrylic, Color Pencil, Graphite

Cle Series: Lift w/Ladders.
By Thomas R. Roese
Located in New York, NY
Inspired by the geometric landscape of his hometown Thomas Roese has created a photorealist series using acrylic, graphite, and colored pencil. Since graduating from the Cleveland...
Category

21st Century and Contemporary Photorealist Landscape Paintings

Materials

Acrylic, Color Pencil, Graphite

725 CLE Series: Tank, Hopper w/Yellow Ladder.
By Thomas R. Roese
Located in New York, NY
Inspired by the geometric landscape of his hometown Thomas Roese has created a photorealist series using acrylic, graphite, and colored pencil. Since graduating from the Cleveland...
Category

21st Century and Contemporary Photorealist Landscape Paintings

Materials

Acrylic, Color Pencil, Graphite

Monoplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category

Early 19th Century Naturalistic More Prints

Materials

Aquatint

Scalaria. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category

Early 19th Century Naturalistic More Prints

Materials

Aquatint

Biplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category

Early 19th Century Naturalistic More Prints

Materials

Aquatint

Biplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category

Early 19th Century Naturalistic More Prints

Materials

Aquatint

Caribbean Island [untitled].
By Reynolds Beal
Located in New York, NY
The location of this early oil pastel drawing was identified by other pieces from the same drawing book. The oil pastel was a new invention - just on the market in 1921 and it appea...
Category

Early 20th Century American Impressionist Landscape Drawings and Waterco...

Materials

Oil Pastel

Studio Interior #2.
By Armin Landeck
Located in New York, NY
Armin Landeck made this drypoint in 1936 in an edition of 100. Signed in pencil just under the image in the lower right and inscribed "Ed 100" in the lower left. This pri...
Category

Mid-20th Century American Realist Interior Prints

Materials

Drypoint

West Cornwall Station.
By Armin Landeck
Located in New York, NY
Armin Landeck created this 1936 drypoint was printed in an edition of 100. The image size is 6 7/8 x 10 7/8" and the paper size 12 1/2 x 16". It is Signed and dated in the...
Category

Mid-20th Century American Realist Landscape Prints

Materials

Drypoint

Weehawken Ferry.
By Armin Landeck
Located in New York, NY
This drypoint from 1942 was printed in a very small edition. Signed under the image in pencil at the lower right. Armin Landeck (1905-1984) was born in Crandon, Wisconsin, June 4...
Category

1940s American Modern More Prints

Materials

Drypoint

Shaker Stove.
By Armin Landeck
Located in New York, NY
Armin Landeck created this drypoint in 1938 in an edition of 100. The image size is 7 13/16 x 5 7/8" and paper size 14 x 12". This piece is signed and dated in pencil in ...
Category

1930s American Realist Interior Prints

Materials

Drypoint

Lone Pintail.
By Frank Benson
Located in New York, NY
This drypoint from 1930 was printed in an edition of 150. It is signed in pencil just under the image in the lower left. Listed in the catalogue raisonne on Frank W. Benson by Adam Paff #303. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

1930s American Realist More Prints

Materials

Drypoint

Three Yellowlegs.
By Frank Benson
Located in New York, NY
The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

Early 20th Century American Realist More Prints

Materials

Drypoint

Study of Turnstones.
By Frank Benson
Located in New York, NY
Frank Benson made this drypoint in 1928. The second state of two. A scarce print with no recorded printings of the second state - presumably, at least two were printed. The image size is 4 7/8 x 5 7/8" (12.4 x 14.9 cm). #282 in the Frank W. Benson catalogue raisonne by Adam Paff. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category

Early 20th Century American Realist More Prints

Materials

Drypoint

Untitled. Still Life.
By Werner Drewes
Located in New York, NY
This gouache painting by Werner Drewes was created in 1942. Signed with a pen in the lower right. Cypher and date are just under the signature. Painted to the papers edge - the pap...
Category

1940s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Gouache

Untitled. Form in Space.
By Werner Drewes
Located in New York, NY
Pencil drawing on paper from 1944. Signed and dated with cypher. Paper size 4 x 6" (10 x 15.1 cm). Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, was...
Category

1940s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Pencil

Dancing Motion.
By Werner Drewes
Located in New York, NY
Drawing, 1938. Signed and dated with the artist cypher. Paper size 7 9/16 x 6 1/4" (19.3 x 15.8 cm). Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, wa...
Category

1930s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Pencil

Sanctum
By John Ross
Located in New York, NY
Signed, titled and inscribed "Artist proof" in pencil. The paper size is 35 x 22" and the image size is 29 3/4 x 18 1/8." This collagraph was created during the...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Intaglio

Peak
By John Ross
Located in New York, NY
This collagraph was created by John Ross during the 1970's. Signed, titled and inscribed "Artists Proof" in pencil. The sheet size is 22 1/4 x 30" and image size is ...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Intaglio

Canyon Floor
By John Ross
Located in New York, NY
This collagraph print was created during the mid-1970's when John Ross and his family were spending summers in the Southwest. Ross brought forward and mastered the collagraph. “A c...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Intaglio

Gorge
By John Ross
Located in New York, NY
The collagraph technique was used to make the matrix for this intaglio print. This piece was created during the 1970's when the artist and his family visited the Southwest over many...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Intaglio

Pueblo Ledge
By John Ross
Located in New York, NY
The printmaking intaglio technique called collagraph was used to make the matrix of this early to mid-1970's print. Inspired by his trips to the Southwest during this period, John R...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Intaglio

Phalanx
By John Ross
Located in New York, NY
This collagraph was created circa 1973. It is signed, titled and inscribed "1/75" in pencil. The paper size is 22 x 30 1/2" with the printed image 18 7/8 x 27 3/4.&q...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Intaglio

Monterey Fisherman [and] Monterey Fisherman 2.
By Antonio Frasconi
Located in New York, NY
Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Woodcut

Zinnias and Bachelor Buttons.
By Margaret Jordan Patterson
Located in New York, NY
Margaret Patterson created this color woodcut print circa 1920. It is signed in pencil at the paper edge, lower right. Printed in areas to the paper edge -sheet size 10 1/16 x 7 1/...
Category

Early 20th Century American Modern Still-life Prints

Materials

Woodcut

Up
By Robert Cook
Located in New York, NY
Bronze, 1967. Height 59" (149.9 cm) width max 15" (38 cm). Signed on base "R Cook." This unique large sculpture was made using the lost wax process. “ ...
Category

Mid-20th Century American Modern Figurative Sculptures

Materials

Stone, Bronze

Harlem III
By Robert Cook
Located in New York, NY
Signed, titled, and dated in ink on base verso. Unique sculpture created using the lost wax process. This piece is 7 1/2" high x 12" wide x 3 1/2" deep. Robert Cook was born in Boston in 1921. He studied with George Demetrios...
Category

1990s Modern Figurative Sculptures

Materials

Bronze

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