Skip to main content

Roger Genser - The Prints & The Pauper

to
61
160
95
57
41
37
35
27
18
17
16
16
14
12
10
10
8
8
6
6
6
5
5
4
4
3
3
2
2
2
2
2
2
1
1
1
1
1
1
1
1
1
1
1
1
1
12
5
5
4
4
HAMBURGER KNIEPPE
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...
Category

Early 1900s Expressionist Interior Prints

Materials

Etching

Spring Morning - Seal Beach
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958) SPRING MORNING – SEAL BEACH c. 1929 Color block print, signed in pencil. Image 8 ½” x 9 3/4”, sheet, 11 3/8 x 11 7/8”. Full margins as issued with...
Category

1920s American Modern Landscape Prints

Materials

Linocut, Woodcut

TAOS INDIAN JESTERS
By Gene Kloss
Located in Santa Monica, CA
GENE KLOSS (1903 – 1996) TAOS INDIAN JESTERS, 1944 Etching and aquatint, Signed and titled in pencil. Edition 30. Image 11” x 13 7/8”, sheet 13 ¼ x 16 ½”. In very good condition sa...
Category

1940s American Realist Figurative Prints

Materials

Etching, Aquatint

(ORANGE ABSTRACT FACE)
By Henry Miller
Located in Santa Monica, CA
Sheet 23 3/4 x 118 7/8 HENRY MILLER (1891 – 1980) ((ORANGE ABSTRACT FACE) 1967 Watercolor, signed in ink and dated 47/ 1967. Image 19 1/4 x 13, Sheet 23 3/4 x 18 7/8. Likely done...
Category

1960s American Modern Figurative Drawings and Watercolors

Materials

Watercolor

Taos Eagle Dance
By Gene Kloss
Located in Santa Monica, CA
GENE KLOSS (1903 – 1996) TAOS EAGLE DANCE, 1955 (Sanchez 458) Aquatint and drypoint, signed and titled in pencil. Plate 10 7/8 x 13 7/8”, sheet 13 ½ x 17”. Edition 35. Image in v...
Category

1950s American Modern Figurative Prints

Materials

Aquatint

LE PETIT CAVALIER SUR BOIS.
By Jean Baptiste Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42) Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....
Category

1850s Realist Landscape Prints

Materials

Photographic Paper, Etching

THOMAS HART BENTON
By Harry Sternberg
Located in Santa Monica, CA
HARRY STERNBERG (American, 1904-2001) THOMAS BENTON, 1943. Color screenprint on gray card stock wove paper. Edition of 30. Signed "Benton by Sternberg" in ink, by hand by the artist...
Category

1940s American Modern Figurative Prints

Materials

Screen

SUR LA PLAGE, a BERNEVAL
By Auguste Renoir
Located in Santa Monica, CA
PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...
Category

1890s Impressionist Figurative Prints

Materials

Etching

THE SMITH’S YARD
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124) lithograph, 1895, on wove paper, from the edition of 3000, published by The Inter...
Category

1890s Impressionist Interior Prints

Materials

Lithograph

DISCOVERY OF GOLD - Very Large Serigraph - WPA Artist - California Murals
By Anton Refregier
Located in Santa Monica, CA
ANTON REFREGIER (1905 – 1979) DISCOVERY OF GOLD, 1949. Color serigraph. Signed and numbered in pencil, edition of 90. Image 23 ¼ x 21 ¾" Large sheet, 29 3/4 x 25 ¼”. Printed title...
Category

1940s American Modern Figurative Prints

Materials

Screen

Moonlight Phoenix
By George Elbert Burr
Located in Santa Monica, CA
GEORGE ELBERT BURR (1859 – 1939) MOONLIGHT PHOENIX c. 1925 (Seeber 266) Aquatint and etching, Signed and titled in pencil. Image 3 ½ x 5 1/4”, sheet 7 3/8 x 8 ½. Good condition save...
Category

1920s American Realist Landscape Prints

Materials

Aquatint

ON and UP - One of Gearhart’s finest!! - 4th Largest image.- Depicts Lake Tahoe
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958) ON AND UP c. 1937 Color block print. Signed and titled in pencil. Edition unknown but rarely appears on the market. Large image 12 1/8 x 11 3/4”, ...
Category

1930s American Modern Landscape Prints

Materials

Woodcut

Rain Tomorrow
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958) RAIN TOMORROW 1930 Color block print, signed and titled in pencil. Edition unknown likely c. 30. Image 10 1/8 x 11”, sheet 12 ¾ x 14 ½”. Beautiful...
Category

1930s American Impressionist Landscape Prints

Materials

Woodcut

THE FORGE - Rich Drypoint
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi) Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category

Late 19th Century Impressionist Figurative Prints

Materials

Drypoint

LIGHT AND SHADE TAXCO - J. T. Arms Mexican Masterpiece with Striking Detail
By John Taylor Arms
Located in Santa Monica, CA
JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...
Category

1940s American Realist Landscape Prints

Materials

Etching

TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category

1940s American Realist Figurative Prints

Materials

Etching

THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category

1940s American Realist Figurative Prints

Materials

Etching

VALLEY RAMPARTS -
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) VALLEY RAMPARTS 1933 Color block print, signed and titled in pencil. 10 1/8 x 12 inches. Very large and good impression In generally good condition. ...
Category

1930s Impressionist Landscape Prints

Materials

Woodcut

Femme
By Aristide Maillol
Located in Santa Monica, CA
ARISTIDE MAILLOL (1861-1944) FEMME ASSISE / (WOMAN SEATED IN PROFILE, RIGHT, ONE LEG BENT. ONE LEG RAISED), 1926 (Gueirn 321) Etching signed with “M” monogram in pencil. Image 9 x 9...
Category

1920s French School Figurative Prints

Materials

Etching

HYMN SINGER / THE MINSTREL / BURL IVES -- Large Benton
By Thomas Hart Benton
Located in Santa Monica, CA
THOMAS HART BENTON (1890- 1975) HYMN SINGER / THE MINSTREL (Portrait of Burl Ives) 1950 (Fath 74) Lithograph signed with full signature “Thomas H. Benton” A large image, 15 ¾ x 12 i...
Category

1950s American Realist Figurative Prints

Materials

Lithograph

COMING ROUND THE MOUNTAIN
By Thomas Hart Benton
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975) COMING ROUND THE MOUNTAIN (MISSOURI MUSICIANS) 1931 (Fath 4) Lithograph, signed in pencil. Although Fath indicates an edition of 75, it is numbered ...
Category

1930s American Realist Interior Prints

Materials

Lithograph

INSTRUCTION
By Thomas Hart Benton
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975) INSTRUCTION 1940 (Fath 41) Lithograph, signed edition of 250 as published by Associated American Artists. 10 ¼” x 12 ¼”. Full margins, deckle edges....
Category

1940s American Realist Figurative Prints

Materials

Lithograph

PLOUGHING IT UNDER
By Thomas Hart Benton
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975) PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8) Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...
Category

1930s American Modern Landscape Prints

Materials

Lithograph

UP TO THE WOOLWORTH
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857- 1926) UP TO THE WOOLWORTH 1915 (Wuerth 673) Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...
Category

1910s American Impressionist Landscape Prints

Materials

Etching

The Bridge
By Bror Julius Olsson Nordfeldt
Located in Santa Monica, CA
B. J. O. NORDFELDT (Bror Julius Olsson) 1878-1955) THE BRIDGE, 1906 Color woodcut signed, dated 1906 and numbered 150 in pencil. Image 8 x 10 - small margins as issued. 4 corners tipped to acid free support board. Nordfelt is one of the most important early twentieth century American Masters of the Color woodcut. This 1906 work predates many of the other woodcut masters. Nordfeldt had a peculiar numbering system. The number is not necessarily the edition number. Frances H. Gearhart, Blanche Lazzell, William S. Rice, Gustave Baumann, Margaret Patterson, Norma Basset Hall. Waldo Chase.
Category

Early 1900s American Modern Landscape Prints

Materials

Woodcut

CASTLE ROCK - SANTA MONICA, CA
Located in Santa Monica, CA
THOMAS HILL McKAY (1875-1941) ARCH ROCK - SANTA MONICA, CA c. 1925-30 Watercolor, signed lower right. Sheet 14 x 18 inches.. Additional full sheet study on verso.. Generally good c...
Category

1920s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Water lLily
By Henrietta Shore
Located in Santa Monica, CA
HENRIETTA SHORE (1880 -1963) WATER LILY c. 1928 Lithograph, signed and titled in pencil and with the pencil cypher of printer Lynton Kistler (K). Image 7 x 6 1/8, full margins, shee...
Category

1920s Modern Landscape Prints

Materials

Lithograph

Sea Gull
By Henrietta Shore
Located in Santa Monica, CA
HENRIETTA SHORE (1880 -1963) SEA GULL c 1928 Lithograph, signed and titled in pencil and with the pencil cypher of printer Lynton Kistler (K). Image 7 x 6 1/8 full margins, sheet 12...
Category

1920s American Modern Prints and Multiples

Materials

Lithograph

MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU?
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871-1958) MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927 ( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...
Category

1920s Modern Landscape Prints

Materials

Aquatint

BLACK FACE
By Karel Appel
Located in Santa Monica, CA
KAREL APPEL (1921 - 2006) BLACK FACE, 1969 Lithograph in colors signed in pencil. Edition 26/75, Image: 19 3/4 x 25 1/4, sheet: 22 x 30 inches. Just hint of a mat line Appel was a member of the Cobra art movement
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

AM DER KIRCHENMAUER (At The Church Wall)
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945) AN DER KIRCHENMAUER (At The Church Wall), 1893 (45) (Klipstein 19 vi/vi: Knesebeck 19) Etching and drypoint on wove paper. Unsigned; with the Alexander ...
Category

1890s Expressionist Figurative Prints

Materials

Etching

GEFALLEN (Killed in Action)
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945) GEFALLEN (Killed in Action) 1920 (Klipstein 153 (1st state, a of c of 2 states) Lithograph on laid paper. Image 16 ¼ x 15 ¼ inches, Large Full Sheet, 25 ½...
Category

1920s Expressionist Prints and Multiples

Materials

Lithograph

Baigneuse debout à mi-jambes
By Pierre Auguste Renoir
Located in Santa Monica, CA
PIERRE-AUGUSTE RENOIR (French, 1841 - 1919) BAIGNEUSE DEBOUT A MI JAMBES (D., S. 23) Etching, 1910, a later impression on laid paper, the only state. Full margins with deckle edge...
Category

1910s Impressionist Figurative Prints

Materials

Etching

MALLORCA
By Dorr Bothwell
Located in Santa Monica, CA
DORR BOTHWELL ( 1902 - 2000) MALLORCA Serigraph, Signed, titled and numbered 8/25 in pencil. Signed and dated in the print. Image. 13 1/8 x 9 inches, sheet 19 7/8 x 12 3/4 inches. ...
Category

1950s Abstract Expressionist Abstract Prints

Materials

Screen

Miracle
By Marino Marini
Located in Santa Monica, CA
MARINO MARINI (1901-1980) MIRACLE - Etching, Signed and numbered 70 / 75 in pencil. Image 15 ½ x 10 ½ inches,. Full sheet 22 3/8 x 15 inches with deckle edges. Plate IV of the serie...
Category

1970s Abstract Impressionist Abstract Prints

Materials

Etching

THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893-1980) THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER Lithograph signed in pencil and with the artist's Clan Press Stamp l...
Category

1950s Surrealist Figurative Prints

Materials

Lithograph

WHAT DOES ART MEAN HERE? - WAS HEISST HIER KUNST?
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893-1980) WAS HEISST HIER KUNST? (WHAT DOES ART MEAN HERE?) c 1953 Lithograph, signed in pencil and with the artist's Clan Press Stamp lower left corner. Image including the light PRINTED BORDER AROUND THE IMAGE is 15 1/2 x 18 3/4 inches. The full sheet 19 3/4 x 24 1/2 inches with deckle edges.. IN VERY GOOD CONDITION. SHEET FRESH AND EVEN - PHOTO IS TOO DARK!! An image of EDVARD MUNCH''S "THE SCREAM" is below a satirical image of a man eating a sausage sitting on top of other works of art including - GOYA"S "SLEEP OF REASON...
Category

1950s Modern Figurative Prints

Materials

Lithograph

WE’RE OVER THR MOUNTAIN (Wir sind überm Berg)
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893 – 1980) WE’RE OVER THR MOUNTAIN (Wir sind überm Berg) (A68, D2718) Lithograph over tinted ground, signed in pencil and in monogram in the stone. Image, 14 ½ x 19 1/4. Large full sheet with watermark and deckle edge, 24 ½ x 19 ¼. In very good condition. The A. Paul Weber Museum was inaugurated in Ratzeburg in 1973. Andreas Paul Weber died on 9 November 1980. This important German lithographer, draughtsman and painter bequeathed a comprehensive œuvre, in which critical satirical works figure prominently. THE WEBER MUSEUM HAS ADDITIONAL INFORMATION AND A BIOGRAPHY The following is a biography taken from the prominent German auction house KETTERER /KUNST: Andreas Paul Weber attended secondary modern school in Arnstadt between 1903 and 1910 before briefly attending the School for the Decorative and Applied Arts in Erfurt. In 1908 Weber joined the 'Jungwandervogel', a movement which sought to develop a new, modern lifestyle based on walking and living close to nature. At the same time Andreas Paul Weber began experimenting with lithography and worked as a commercial artist. When the first world war broke out, Weber served as a railway engineer on the Eastern Front, where he worked for the army as a draughtsman from 1916. After the war Andreas Paul Weber illustrated numerous books, including Till Eulenspiegel, Reineke Fuchs and the critical contemporary work Der Zeitgenosse by Hjalmar Kutzleb, which were Weber's first successes. In 1925 Weber founded the 'Clan-Presse' ['Clan Press'], where he and his son Christian printed...
Category

1940s Modern Figurative Prints

Materials

Lithograph

MARKET IN ERONGARICUARO
By Morton Dimondstein
Located in Santa Monica, CA
MORTON DIMONDSTEIN (NY 1920 - LA 2000) MARKET IN ERONGARICUARO 1954 Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...
Category

1950s American Modern Figurative Prints

Materials

Screen

STADTISCHES OBDACH (Urban Shelter)
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (German 1867 -1945) STADTISCHES OBDACH (Urban Shelter) 1926 (Knesebeck 226, Klipstein 219.bB), Lithograph from the unsigned edition for the annual edition of the Kuns...
Category

1920s Expressionist Figurative Prints

Materials

Lithograph

BATHOS / Tail PIece
By William Hogarth
Located in Santa Monica, CA
WILLIAM HOGRATH (1767- 1764) THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I) Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto. This Hogarth’s last print is fascinating as it is prophacy about death. Various institutions have interesting commentaries - to wit: Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects. Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).” Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin. British Caricature...
Category

1760s Old Masters Figurative Prints

Materials

Woodcut

SAN JACINTO
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) (Mt.) SAN JACINTO c. 1926 Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibrous japan paper. Sheet 10 ½ x 5 7/8 inches. Generally fresh with her usual pinholes along right margin for printing, slight bit of discoloration in the margins Provenance: Whitmore - Print Corner, Hingham MA. Their Gearhart inventory no. They were Gearhart's principal East coast dealer in the 30's. Obtained from the Whitmore Collection’s grandson in 1995. Old Print Shop...
Category

1920s American Impressionist Landscape Prints

Materials

Woodcut

GRASS FIRE. - Very Scarce Early signed Impression
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1883 – 1963) GRASSS FIRE, 1928 (Wien 53) Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...
Category

1920s Landscape Prints

Materials

Woodcut

KOPF (Head)
By Max Kaus
Located in Santa Monica, CA
MAX KAUS (German 1891-1977) KOPF (Head( (Rifkind 1387) Woodcut, unsigned, monogram in block. As issued as plate 1 from “Genius” Zeitschrift für werdende und alte Kunst, vol. 2, no. ...
Category

1920s Expressionist Figurative Prints

Materials

Woodcut

DEBRIS - Large Ink Drawing - Study for the Print
By Edward Hagedorn
Located in Santa Monica, CA
EDWARD HAGEDORN (AMERICAN 1902 – 1982) DEBRIS, ca. 1930 Large Ink Drawing - Study for the Print. Image 16 1/2 x 22 1/2 inches, sheet 17 1/2 x 28 inches. Ink wash, on blank side of...
Category

1930s Realist Figurative Drawings and Watercolors

Materials

Ink

UNTITLED MOUNTAINS
By Edward Hagedorn
Located in Santa Monica, CA
EDWARD HAGEDORN (AMERICAN 1902 – 1982) UNTITLED MOUNTAINS, ca 1935 Tempera, Unsigned. Image 18 x 24 inches. See also 1stdibs item LU411312750272 for another example form the follow...
Category

1930s Surrealist Landscape Drawings and Watercolors

Materials

Tempera

PLUNGING COMET
By Edward Hagedorn
Located in Santa Monica, CA
EDWARD HAGEDORN (AMERICAN 1902 – 1982) PLUNGING COMET - Large Ink and graphite drawing. Signed, titled and dated in pencil. Image, 16 x 22, Sheet 22 1/2 x 28 1/2 inches See also ...
Category

1930s Surrealist Landscape Drawings and Watercolors

Materials

Granite

VOLCANO
By Edward Hagedorn
Located in Santa Monica, CA
EDWARD HAGEDORN (AMERICAN 1902 – 1982) VOLCANO c. 1935 Thick tempera, SIGNED at the upper right corner,. Sheet & image 18 1/2 x 25 inches. Provenance: Hagedorn estate, Around the...
Category

1930s Landscape Drawings and Watercolors

Materials

Tempera

POLSTER (The Cushion)
By Max Kurzweil
Located in Santa Monica, CA
MAXIMILLIAN KURZWEIL (Austrian 1867-1916) DER POLSTER / THE CUSHION, 1903. Color woodcut printed on laid japon paper, affixed as usual to a support sheet from its upper sheet edge...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Woodcut

ELLSBERG - PENTAGON PAPERS TRIAL - Original Drawing - Leonard Weinglass Attorney
Located in Santa Monica, CA
DAVID ROSE (1910 – 2006) LEONARD WEINGLASS - ELLSBERG TRIAL, 1973 Color marking pen on tracing paper. Image 12 ½ x 11 inches, sheet 15 x 18 ½ inches. Very fresh, in good condition with bright colors save for horizontal creases at the lower sheet edge slightly into the image and a few other soft creases. Leonard Weinglass along with Leonard Boudin were attorneys for Anthony Russo and Daniel Ellsberg at the Pentagon Papers Trial in 1973. Upon his death in 2011 the NY Times called Weinglass, “perhaps the nation’s pre-eminent progressive defense lawyer, who represented political renegades Provenance: Directly from the artist David Rose to this dealer in the late 1980’s. I knew David as an artist and friend as we both lived in Los Angeles. It has been in temperature and humidity storage since its acquisition. The Ellsberg Trial was the beginning of a long career for Rose as a court reporter Rose’s papers are in Special Collections of USC, The University of Southern California. The Online Archives of California Rose Biography states: Rose's courtroom career began in 1973 with the trial of Daniel Ellsberg, the former defense analyst who released the Pentagon Papers regarding the Viet Nam War to the New York Times. (Rose received an Emmy Award nomination for his coverage of the Pentagon Papers trial.) Rose's sketches of this trial-- along with all those that would follow through the next twenty-five years-- appeared in television news broadcasts and newspapers all over the world. He saw himself as a reporter-- but with colored pencils and sketchpads as his tools. He tried to capture the emotions in the courtroom-- the tension, anger, and the body language that conveyed them. Over the years, Rose's art depicted the trials of some of the most famous-- and infamous-- personalities to make the news: Klaus Barbie (the Butcher of Lyon), Patty Hearst, Sirhan Sirhan, John Z. DeLorean, Rodney King, Imelda Marcos, Huey Newton...
Category

1970s Modern Figurative Drawings and Watercolors

Materials

Ink

DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint
By John Martin
Located in Santa Monica, CA
JOHN MARTIN (1789 – 1854) DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...
Category

1830s Old Masters Interior Prints

Materials

Mezzotint

PULLING CORN (FODDER HOPPER) - Scarce Print!
By Bernard Joseph Steffen
Located in Santa Monica, CA
BERNARD (JOSEPH) STEFFEN (1907 – 1980) PULLING CORN (FODDER HOPPER) c. 1935-45 Color serigraph signed with a full signature below the image at the lower right sheet edge . Unknown e...
Category

1930s Modern Landscape Prints

Materials

Screen

GARDEN IN SNOW
By Edvard Munch
Located in Santa Monica, CA
EDVARD MUNCH (1863 – 1944) GARDEN IN SNOW, II 1913 (WO 467: Sch. 418) Woodcut, 13 ½” x 16 7/8” signed in pencil. Generally very good condition. Irregular sheet of simili-japan ...
Category

1910s Expressionist Landscape Prints

Materials

Woodcut

The Print Shop
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...
Category

1910s American Modern Interior Prints

Materials

Lithograph

SELF PORTRAIT IN A GERMAN MANNER - Large Monotype
By Karl Schrag
Located in Santa Monica, CA
KARL SCHRAG (German - American 1912 - 1995) SELF PORTRAIT IN THE GERMAN MANNER, 1991 Monotype, Signed titled, dated and annotated "Monotype with touches of Oil color, I /I" Plate an...
Category

1990s American Modern Figurative Prints

Materials

Monotype

BIRD FLAMING INTO THE SUN
By Mary Corita (Sister Corita) Kent
Located in Santa Monica, CA
CORITA KENT (Sister Mary Corita) 1918–1986 BIRDS FLAMING INTO THE SUN, 1961 Color Serigraph, signed and and titled. Edition unknown.. Image 10 3/8 x 17 3/8 Inches. Full margins, she...
Category

1860s American Modern Prints and Multiples

Materials

Screen

WATTS TOWER
By Gloria Stuart
Located in Santa Monica, CA
GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...
Category

1970s American Modern Landscape Paintings

Materials

Oil

VILLAGE SCENE / TOWN FESTIVAL
By Herbert Gurschner
Located in Santa Monica, CA
HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
Category

1920s Modern Figurative Prints

Materials

Woodcut, Linocut

FOG, GOG, AND MAGOG
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (1911-2002) FOG, GOG, AND MAGOG 1971 Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

LOVERS (LIEBESPAAR
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959) LIEBESPAAR (LOVERS) ca.1923 (in Rifkind Collection, LACMA: From a portfolio of 10 prints. Rifkind indicates the e...
Category

1920s Expressionist Figurative Prints

Materials

Woodcut

Recently Viewed

View All