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Large Ceramic Leaf Bowl with Banded Glaze by John Ward
By John Ward
Located in Atlanta, GA
A large stoneware glazed bowl in a rare leaf form by British studio potter John Ward (1938-2023) circa last quarter of the 20th century. The impressive, oversized bowl features a dis...
Category
Late 20th Century English Modern Decorative Bowls
Materials
Ceramic
Large Ceramic Vase with Banded Glaze by John Ward
By John Ward
Located in Atlanta, GA
A large stoneware vessel with distinct form by British studio potter John Ward (1938-2023) circa last quarter of 20th century. The form of the vase as in the artist's repertoire may be known as a "Disc Pot" due to its unique shape. It features a round flattened body that organically morphs into a tapering neck with a slightly dipped neckline. It calls to mind the Chinese "moon flask", whose origin was likely attributed to the nomads of the Islamic Central Asia. The pot is covered with a mottled cream glaze specked with brown marks, mimicking the earth deposits on an archeological object...
Category
Late 20th Century English Modern Vases
Materials
Ceramic
Ceramic Vessel with Geometrical Glaze by John Ward
By John Ward
Located in Atlanta, GA
A stoneware vessel with a distinct form and glaze by British studio potter John Ward (1938-2023) circa 1990s. This specific form in the artist's repertoire may be known as a "Spheric...
Category
Late 20th Century English Modern Vases
Materials
Ceramic
Contemporary Australian Aboriginal Painting by Walangkura Napanangka
Located in Atlanta, GA
A striking abstract painting by Australian Aboriginal painter Walangkura Napanangka (1940-2014), one of the matching pair painted in 2007 in Alice Spring. Entitled "Kutungka", acrylic on Belgium linen, inscribed on reverse with gallery catalog no.
"Kutungka" depicts the landscape of a country where an old woman named "Kutungka" travelled from Malparingya to Kaltarra in Western Desert during the Dreamtime creation. The highly abstract forms are the dreamtime memory of the land features, such as rock piles and waterholes.
Provenance: Grasstree Gallery, Australia.
It comes with a COA from the gallery as well as progressive photos taken during the creation of this painting by the artist in 2007.
Brief biography From Australian Art Gallery artist...
Category
Early 2000s Australian Modern Paintings
Materials
Linen, Acrylic, Wood
Contemporary Australian Aboriginal Painting by Walangkura Napanangka
Located in Atlanta, GA
A striking abstract painting by Australian Aboriginal painter Walangkura Napanangka (1940-2014), one of the matching pair painted in 2007 in Alice Spring. Entitled "Kutungka", acrylic on Belgium linen, inscribed on reverse with gallery catalog no.
"Kutungka" depicts the landscape of a country where an old woman named "Kutungka" travelled from Malparingya to Kaltarra in Western Desert during the Dreamtime creation. The highly abstract forms are the dreamtime memory of the land features, such as rock piles and waterholes.
Provenance: Grasstree Gallery, Australia.
It comes with a COA from the gallery as well as progressive photos taken during the creation of this painting by the artist in 2007.
Brief biography From Australian Art Gallery...
Category
Early 2000s Australian Modern Paintings
Materials
Acrylic, Wood, Linen
Contemporary Photography by Chinese Artist Liu Xiaofang
Located in Atlanta, GA
Artist: Liu Xiaofang (Chinese, b. 1980)
Title: I Remember II-02, 2012
Medium: Digital pigment print mounted on Acrylic
Measurement: 39.25" x 39.25"
Edition: 2/8
PROVENANCE: Purchased...
Category
2010s Chinese Modern Photography
Materials
Acrylic, Paper
Japanese Woodblock Print Famous Views of the Sixty-Odd Provinces by Hiroshige
By Utagawa Hiroshige (Ando Hiroshige)
Located in Atlanta, GA
Artist: Utagawa Hiroshige (1797 - 1858)
Series: Pictures of Famous Places in the Sixty-odd Provinces
Number: 44 Oki Province: Takuhi Shrine
Medium: Woodblock Print
Date: 1853 (Kaei 6), 12th month
Number of Prints: 70/70 (inc. Title Page)
Format: Vertical Oban
Size (H x W): 14" x 9.25" print only.
Publisher: Koshimuraya Heisuke (Koshihei)
Blockcutter's mark: Hori Ko-Sen
Signature: Hiroshige hitsu
Additional marks: Censor's seals: aratame, Ox 12
Displayed with mat and gilt wood frame.
Reference: For an identical print, see the collection of MIA (Minneapolis Institute of Art) Accession Number P.75.51.398; MFA...
Category
Antique 1850s Japanese Edo Prints
Materials
Paper
Large Japanese Ceramic Oribe Sculptural Vessel by Shigemasa Higashida
Located in Atlanta, GA
A large ceramic lidded vessel with striking sculptural form by contemporary Japanese potter Shigemasa Higashida (1955-). Hand-built and with drasti...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Elaborately Carved Antique Beggar's Bowl Kashkul
Located in Atlanta, GA
A fine Kashkul carved from half of the giant nutshell of Coco-de-mer likely from Persian Qajar Dynasty circa 18-19th century. Kashkul is a container known as the beggar's bowl, carri...
Category
Antique Late 18th Century Persian Islamic Sculptures and Carvings
Materials
Wood
Photograph Self-Portrait by Sam Taylor-Wood
Located in Atlanta, GA
A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame.
Provenance: Matthew Marks Gallery, NYC (label verso).
Artist Biography (courtesy of Guggenheim Musuem Collection)
Sam Taylor-Wood
B. 1967, LONDON
Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store.
Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...
Category
Early 2000s English Modern Photography
Materials
Paper
Japanese Silk Suijaku Scroll Nyorai-Kojin with Mixed Buddhism and Shinto Deities
Located in Atlanta, GA
A Japanese silk Suijaku hanging scroll beautifully presented in a custom wood shadow box frame from Edo period (circa 18-19th century). The scroll, surmounted on golden brocade was painted in fine details with gouache, ink and gold powder highlight, served as a Suijaku mandala for the worshippers. Honji Suijaku is a complicated religious concept uniquely developed in Japan. It mixed and hybrid the Buddism deities with native shinto spirits (known as Kami), which were seen as local manifestations (the suijaku, literally means a "trace") of Buddhist deities (the honji literally the original ground). The original idea may lie with the synergetic strategy to spread Buddism by making it more relatable to the local population who had already worshiped Shinto gods. The paradigm, adopted in the 10th century from an orignal Chinese concept, remained a defining feature of Japanese religious life up to the end of the Edo period (1868). Instead of being confined to deities, its application was often extended to historical figures as shown on this scroll.
This long hanging scroll depicts an arrangement of 21 figures including Buddhism and Shinto deities as well as two historical figures on the bottom. Each figure was name-tagged in Kanji for easy identification by the worshippers. It was used in the temple or shrine so that when the worshipper prayed in front the mandala, they prayed simultaneously to all the deities.
On the very top, sits Nyorai-Kojin, a hybrid deity of Nyorai Buddha and Kojin, the kaki for fire, stove and kitchen. From the top to bottom and left to right, here is the list of the deities: Kanon with Thousand Hands, Kanon with Willow Branch, Monju Bosatsu...
Category
Antique Early 19th Century Japanese Edo Paintings and Screens
Materials
Silk, Wood
Rare Large Japanese Porcelain Presentation Plate Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A large presentation plate with striking pictorial design from the studio of Japanese Potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916),...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Porcelain
Large Japanese Ceramic Vase by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A large Japanese ceramic vase by the celebrated Meiji imperial potter Makuzu Kozan (1842-1916) circa 1880-1890s. Dated to his underglaze phase post 1887 after he successfully mastered the new colors available from the west and used them to the best advantage in his work deeply rooted in Japanese aesthetics. The vase has an impressive size and was potted in the classic baluster form with an elegant proportion. The surface is decorated using a combination of techniques of low relief sculpturing...
Category
Antique Late 19th Century Japanese Meiji Ceramics
Materials
Ceramic
Chinese Altar Table with Rare Silver Wire Inlays
Located in Atlanta, GA
A Chinese wood altar table or console table circa late 19th to early 20th century (late Qing dynasty to the Republic era). The table was constructed with mixed wood types. The legs a...
Category
Antique Late 19th Century Chinese Qing Furniture
Materials
Silver
Japanese Lacquer Maki-E Scroll Box Fubako by Kansonsai Edo Period
Located in Atlanta, GA
A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold.
Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...
Category
Antique Late 18th Century Japanese Edo Lacquer
Materials
Wood, Lacquer
Contemporary Chinese Ink Wash Painting by Li Jin
Located in Atlanta, GA
A contemporary ink painting on paper by Chinese artist Li Jin (1958-) presented in a white shadowbox frame. Entitled in English "Morning Practice in California", this series of work was painted in 2017 when the artist resided in US. The Chinese title inscription is "Blossom Branch" with artist's name signed in both Chinese and English. The painting is considered "Expressionistic-abstract". Using only various shades of ink, the poetic work depicts a large lotus flower with the pistil in the center composed of clusters of mediating arhats, the beings who have gained nirvana through Buddhism practice (known as Luohans in Chinese). There is a strong association of lotus flower and purity in Buddhism. The wisdom one can possibly achieve may be considered omnipresent and morphogenetical quantum and be part of everything around us. The image size is 13.5" x 13.5".
Provenance: Purchased in 2017 from the Ink Studio at West Bund Art and Design Fair, Shanghai, China.
Li Jin (1958-, Tianjin, China) is an ink master who draws from the tradition of Chinese literati ink painting and creates contemporary works celebrating all aspects of everyday life. Having explored color washes for two decades, Li Jin has translated them into a masterful control of tonality-the "five colors of ink"-in a series of monochrome paintings in the expressionistic-abstract "Da Xie Yi" manner. Through the ink medium's inherent sensitivity and ambiguity, they evoke the nuances of human existence and raise profound questions about self-representation and subjectivity. Trained at Tianjin Academy of Fine Arts (graduated in 1983) and has been a leading figure in contemporary Chinese ink art...
Category
2010s Chinese Modern Paintings and Screens
Materials
Wood, Paper
Sculpted Steel Zigzag Coffee Table Base by Paul Evans for Directional
By Paul Evans
Located in Atlanta, GA
A sculpted steel "zigzag" coffee table base by American Designer and studio craftsman Paul Evans (American, 1927-1993) circa 1960s for Directional. The table, Model PE-11, takes a geometrical ‘Zig Zag' form and is welded from the steel. Its surface is decorated with his iconic relief patterns such as stars, swirls, lines, gilt dots and grid web as well as red, yellow, green and gold polychrome colors with black strokes...
Category
Vintage 1960s American Mid-Century Modern Coffee and Cocktail Tables
Materials
Steel
Japanese Satsuma Ceramic Dish with Fine Decoration by Kinkozan
By Kinkozan
Located in Atlanta, GA
A satsuma ceramic dish made by Kinkozan studio circa 1980-1900s in the late Meiji Period. The dish with a thick robust wall is supported by a large ring base and features finely deta...
Category
Antique Late 19th Century Japanese Meiji Ceramics
Materials
Ceramic
Early Large Ceramic Vase with Sang-de-boeuf Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic long-neck vase with a brilliant copper red glaze by Benedictine monk potter Brother Thomas Bezanson (1929-2007). The minimalistic an...
Category
Vintage 1960s American Modern Vases
Materials
Ceramic
Fine Korean Iron Box with Silver Inlay Joseon Dynasty
Located in Atlanta, GA
A fine Korean iron box that was traditionally used to store tobacco leaves dated to the late Joseon Dynasty circa 19th century. The box is made from iron and has a heavy weight, although the wears along the edges of the lid and base exposes a bronze metal color underneath, indicating the iron metal may contains a high level of copper. The surface was beautifully decorated with elaborate silver inlay that covers the entire surface except the base. The extraordinary workmanship depicts a pair of deer within the circled square (shape of heaven and earth) and a lined background on the long sides and a crane with spread wings on the shorter sides. Both animals were associated with longevity. Their eyes were highlighted with copper inlay, adding a lively touch to the animation. The lid is centered with a Chinese character "Xi" (Paired-Hui in Korean), which means double happiness. (In Chinese culture, it is often used in a wedding ceremony). The large symbol was set on geometrical background of tightly scrolling diamond pattern surrounded by stylized Ruyi mushroom heads, another floral longevity symbol. Archaic fret cloud band borders the entire perimeters of the lid and the container.
Tobacco was introduced to Korean in the first half of the 17th century and gradually gained popularity. When the tobacco was started being smoked in shredded form instead of rolled leaves, there rose the production of the smoking accessories, with some in fine quality as luxury items for the elite. The accoutrement such as this box is a fine example made in late Joseon dynasty, using extensive silver inlay, a technique called "jjoeum-ipsa", in which the silver wires were hammered into the scorched iron surface to create the elaborate design.
Similar boxes with variation of shape and motifs are in the collection of several major museums. Compare the box with item Gu 754 in the National Museum of Korea; item 22.78 in MET NYC and M.240:1, 2-1926 in V& A Museum in London. The most closely related example we found is item C232 in the collection of the Museum of East Asian Art...
Category
Antique 19th Century Korean Other Metalwork
Materials
Silver, Copper, Iron
Large Rare French Gilt Bronze Box "Pinocchio" by Line Vautrin
By Line Vautrin
Located in Atlanta, GA
A rare cast gilt bronze box "Pinocchio" by French Parisian art jeweler Line Vautrin (1913-1997). The elongated lidded box depicts a silouette portrait of the famous boy. The interior...
Category
Vintage 1940s French Mid-Century Modern Decorative Boxes
Materials
Bronze
Frame Photograph Stillness in Spirit by John Patrick Dugdale
By John Dugdale
Located in Atlanta, GA
A visually arresting photograph by John Patrick Dugdale (American, born 1960-) titled "Stillness of Spirit". Relatively large in print size, the w...
Category
1990s American Modern Photography
Materials
Paper
Large Ceramic Center Bowl Toshiko Takaezu
By Toshiko Takaezu
Located in Atlanta, GA
A large ceramic center bowl by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). Meant to be a bespoken center piece., the deep form bowl features a robust body of thick wall, supported by a short round foot ring. The surface showcases an expressive glaze pattern that is the signature style to the artist's work. Free-flowing abstract strokes...
Category
Late 20th Century American Modern Decorative Bowls
Materials
Ceramic
Fine Miniature Japanese Kodansu with Lacquer Inlays
Located in Atlanta, GA
A fine Japanese miniature kodansu constructed from Kaki wood (Persimmon) circa 19th century, late Meiji period. With its expressive exotic wood grains and exposed tenon construction,...
Category
Antique Late 19th Century Japanese Meiji Lacquer
Materials
Wood
Sculptural Ceramic Funnel Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base.
The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base.
"In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum
Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City.
Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...
Category
Late 20th Century American Modern Vases
Materials
Ceramic
Korean Celadon Ceramic Long Neck Bottle Vase with Slip Inlay Goryeo Dynasty
Located in Atlanta, GA
A Korean ceramic celadon bottle vase with inlay design from Goryeo Dynasty (918 to 1392AD) circa 12th century. With an elongated neck that continues dow...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
French Line Vautrin Bronze Poem Box with Sonnet by Felix Arvers
By Line Vautrin
Located in Atlanta, GA
A wonderful jewelry box in gilt cast bronze by Parisian art jeweler Line Vautrin (1913-1997). From a small special series, the designer created circa 1945-55. on which some French poems were cast in relief on the cover. This box features a well-known love poem "Sonnet" by Félix Arvers (1806 – 1850), widely considered as one of the most romantic French poems written about unrequited love and longing. Three out of four passages are shown on the lid except the third one. The box is lined with cork. There is a line on the back from casting, commonly seen in the boxes of the series.
Mon âme a son secret, ma vie a son mystère,
Un amour éternel en un moment conçu
Le mal est sans espoir, aussi j'ai dû le taire,
Et celle qui l'a fait n'en a jamais rien su.
Hélas ! j'aurai passé près d'elle inaperçu,
Toujours à ses côtés, et pourtant solitaire.
Et j'aurai jusqu'au bout fait mon temps sur la terre,
N'osant rien demander et n'ayant rien reçu.
Pour elle, quoique Dieu l'ait faite douce et tendre,
Elle suit son chemin, distraite et sans entendre
Ce murmure d'amour élevé sur ses pas.
À l'austère devoir, pieusement fidèle,
Elle dira, lisant ces vers tout remplis d'elle
" Quelle est donc cette femme ? " et ne comprendra pas.
A secret fills my soul, and a mystery fills my life,
An eternal love conceived in an instant.
As the scourge was hopeless, it remained wordless,
And the one responsible was unaware of it.
Alas! I lived close to her but without notice,
Always by her side yet so lonely.
And I shall have lived my days on this Earth,
Not daring to ask for anything, obtaining nothing.
Even though God made her gentle and tender,
She goes her way, careless and oblivious
To the sough of love rising...
Category
Mid-20th Century French Mid-Century Modern Decorative Boxes
Materials
Bronze
Steel and Brass Tulip Bases for Dining or Console tables by Karl Springer
By Karl Springer
Located in Atlanta, GA
Pair of metal tulip table bases designed and manufactured by Karl Springer, Ltd circa 1970-80s. The bases are currently configured as a pair of conso...
Category
Late 20th Century American Hollywood Regency Console Tables
Materials
Brass, Stainless Steel, Chrome
Vintage Photograph Martha Graham Letter to the World by Barbara Morgan
Located in Atlanta, GA
An iconic black and white photography by Barbara Morgan (American, 1900-1992) of "Martha Graham, Letter to the World". The photo was originally tak...
Category
Vintage 1970s American Modern Photography
Materials
Paper
Korean Ceramic Buncheong Ware Tea Bowl Early Joseon Dynasty
Located in Atlanta, GA
An antique Korean Buncheong stoneware tea bowl (chawan) from early Joseon Dynasty circa late 15th to early 16th century. The bowl with a short ring base is nearly entirely covered in a white slip except the base (known as sougusuri in Japanese, total glaze). Iron-colored scrolling vines were painted on with quick and deft brush strokes, rendering the bowl a vital and spontaneous appeal. It appears that the bowl was dipped in the white slip instead of being brushed on, observing from the slip pattern left on the rim of the bowl. The bowl shows significant age and evident of use for tea drinking. There are losses of glaze flakes throughout, along the rim and inside the bowl. The flake off the glaze left a dark spot on the rim, exposing the deep colored clay underneath. Inside the bowl, many of the glaze flakes appear more superficial and retains a yellowing color from the tea stains (known as amamori, rain leak). There is a historical crack line on the exterior (surface only) that result in associated small losses of glaze. It appears that the crack line was the result from the kiln firing and gradually the glaze around it started to reduce. The bowl comes with a later wrapping cloth and a wood tomobako box, but they are not original to the piece.
This particular type of Buncheong ware was associated with the Hakbong-ri kilns in the sacred Mount Gyeryong Mountains, west of Daejeon city in the Chungcheong province. During early Joseon Dynasty, the emperor decided to reject Buddhism to embrace the Confucianism. As a result, many monks were forced to abandon their religious life and returned to the secular society. The monks in Gyeryong mountains set up the kilns and started to produce this so called "Hakbong-ri" type of Buncheong ware. The production was shorted-lived for only a few decades from late 15th to early 16th century before it turned to porcelain, but the ware made during that period was noted for their fresh and enigmatic appeal with deft iron-paint decoration. Collectors cherish these rare pieces for their vitality and spontaneity often used them on important occasions of chado in Japan and passed down to generation.
For a similar bowl, see Catalog 52 illustrated on page 87 of the book "Korean Buncheong Ceramics...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Korean Glazed Ceramic Vase Buncheong Ware Early Joseon Dynasty
Located in Atlanta, GA
An antique Korean Buncheong stoneware vase from early Joseon Dynasty circa late 15th to early 16th century. The vase is of a classic pear form with a ...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Japanese Ko-Seto Stoneware Ewer with Carved Design
Located in Atlanta, GA
On offer is a rare Ko-seto (old seto) stoneware ewer from Kamakura period (12-14th century) Japan. The exceptionally heavily potted ewer is made of stoneware. The main body was likely hand-coiled with individually built handle, sprout and wheel-made neck and mouth assembled. It takes the basic form from the contemporary Chinese ewer...
Category
Antique 15th Century and Earlier Japanese Archaistic Ceramics
Materials
Stoneware
Antique Korean Mishma Tea Bowl Chawan Joseon Dynasty
Located in Atlanta, GA
A Korean Hori-Mishima Chawan (tea bowl) circa 16th-17th century (Joseon Dynasty). The tea bowl is of an upright conical form supported by a high foot ring. It was decorated with incised brushwood fence patterns filled with white slip on both the interior and exterior surface. These dominant motifs were spaced by three encircling double lines. Seven chrysanthemum flowers (inka) were stamped on the lower interior surrounding a swirling tea well on the bottom. There are six spur marks known as Meato in Japanese on the interior bottom and a pointy spot in the center of the foot ring known as Tokin. Two crack lines were historically repaired by superb Kintsugi, adding a mysterious wabi-sabi appeal to the piece.
The Hori-Mishima bowl was also known as Gohon Mishima. It was made in Bushan Kilns of the Southern Gyeongsang Province specifically for the Japanese market in the 16th-17th century, when the tea ceremonies in Japan demanded such ware. The bowl comes with a purple fabric pouch...
Category
Antique 17th Century Korean Other Ceramics
Materials
Ceramic
Ceramic Oval Vessel by British Studio Potter John Ward
By John Ward
Located in Atlanta, GA
A stoneware vessel in an oval form with dipped rim with glazed by British studio ceramist John Ward (1938-2023) circa 1997. The form of this vessel is m...
Category
Late 20th Century English Organic Modern Vases
Materials
Ceramic
Japanese Satsuma Vase Yabu Meizan Meiji
By Yabu Meizan
Located in Atlanta, GA
A Satsuma baluster form vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsuma artists from Meiji Peri...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Japanese Miniature Satsuma Vase Yabu Meizan Meiji
By Yabu Meizan
Located in Atlanta, GA
A small Satsuma vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsu...
Category
Antique Early 1900s Japanese Meiji Ceramics
Materials
Ceramic
Fine and Rare Miniature Satsuma Vase by Taizan Yohei
Located in Atlanta, GA
A very fine miniature ceramic vase in satsuma ware by Taizan Yohei IX (1864-1922) circa 1880-1890s of late Meiji period. The vase with a broad flat should...
Category
Antique 1880s Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Ceramic Vase with Delicate Carvings by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A delicate and rare Japanese ceramic vase by the important Meiji imperial potter Makuzu Kozan (1842-1916) circa 1887-1910. Dated to his underglaze phase post 1887 after he successful...
Category
Antique 1890s Japanese Japonisme Ceramics
Materials
Ceramic
Set of Eight Chrome Cityscape Dining Chairs by Paul Evans for Directional
By Paul Evans, Directional
Located in Atlanta, GA
A nice set of eight cityscape dining chairs by Paul Evans for Directional, circa 1974. The set consists of two armchairs model PE-241 and six side chairs model PE-240. Chromed steel ...
Category
Vintage 1970s American Mid-Century Modern Dining Room Chairs
Materials
Steel, Chrome
Contemporary Australian Aboriginal Painting by Kenny Williams Tjampitjinpa
Located in Atlanta, GA
Entitled "Two Kuniya (Pythons) During Tingari Cycle", this mesmerizing painting was painted by Australian aboriginal artist Kenny Williams Tjampitjinpa...
Category
21st Century and Contemporary Australian Modern Paintings
Materials
Linen, Acrylic
Large Antique Americana Carved Elm Burl Bowl with Handles
Located in Atlanta, GA
A massive Americana bowl hand-carved from Elm wood (with some possible burl pattern in the wood) circa 18th century. The bowl was from Northeastern part or Eastern Woodlands of the U...
Category
Antique 18th Century American American Colonial Decorative Bowls
Materials
Wood
Contemporary Japanese Bamboo Sculptural Ikebana Kawano Shoko
By Kawano Shoko
Located in Atlanta, GA
A large woven bamboo basket form ikebana called "Richness" beautiful bamboo by contemporary Japanese bamboo artist Kawano Shoko (born 1957-) circa 2002 and purchased from Tai Modern...
Category
Early 2000s Japanese Organic Modern Sculptures and Carvings
Materials
Bamboo, Rattan
Contemporary Japanese Bamboo Sculpture Kawano Shoko
By Kawano Shoko
Located in Atlanta, GA
A beautiful bamboo sculpture in a double-walled basket form by contemporary Japanese bamboo artist Kawano Shoko (born 1957-). The piece entitled "Birth" was made in 2002 and purchased from Tai Modern...
Category
Early 2000s Japanese Organic Modern Sculptures and Carvings
Materials
Bamboo, Rattan
Japanese Oribe Glazed Stoneware Dish by Kitaoji Rosanjin
By Rosanjin Kitaoji
Located in Atlanta, GA
An oribe stoneware square dish with four notched corners and up-turned edges made by Kitaoji Rosanjin (1883-1959) circa 1950s. The Mingei style dish h...
Category
20th Century Japanese Modern Ceramics
Materials
Ceramic
Japanese Indigo Kasuri Ikat Traveling Cape
Located in Atlanta, GA
Known in Japanese as Bozugappa (priest's raincoat), this cape-like garment was worn by the travelers in Japan circa late 19th century to early 20th century (end of Meiji period). Derived from the cape worn by the Portuguese missionary, who first arrived in Japan in mid-16th century, this type of cape was originally reserved for the Japanese military...
Category
Antique 1890s Japanese Meiji Textiles
Materials
Cotton, Linen
Exquisite Japanese Lacquer Maki-e Suzuribako by Koma Kyūhaku Edo Period
Located in Atlanta, GA
One of the finest Japanese Maki-e Suzuribakos (ink box) we have on offer, the roiro color box showcases an ambient nocturnal scene in which two shakudo inlaid crows perched on the handrails of a bridge (possible the Uji Bridge...
Category
Antique Early 19th Century Japanese Japonisme Lacquer
Materials
Stone, Metal
Australian Aboriginal Painting Tjukurla Country Nyurapayia Nampitjinpa
Located in Atlanta, GA
A stunning abstract painting by Australian Aboriginal artist Nyurapayia Nampitjinpa
(also known as Mrs. Bennett; 1935-2013). Entitled "Tjukurla Country", this work was acrylic on Be...
Category
Early 2000s Australian Modern Contemporary Art
Materials
Canvas, Acrylic
Australian Aboriginal Painting Rain Dreaming Ronnie Tjampitjinpa
By Ronnie Tjampitjinpa
Located in Atlanta, GA
A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999
Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame.
Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976).
Artist's Biography (Courtesy of Art Gallery NSW)
After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists.
During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney.
Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...
Category
1990s Australian Modern Paintings
Materials
Canvas, Acrylic
Massive Ceramic Jar Tsubo by Japanese Potter Tsujimura Yui
By Tsujimura Yui
Located in Atlanta, GA
A massive and magnificent ceramic Tsubo jar by Japanese potter Tsujimura Yui (1975-). Inspired by the techniques and aesthetics of the early medieval Sue ware, the artist hand builds an impressive voluminous oviform, irregular by intention, from a combination clay from both Shigaraki and Iga, coarse by nature and rich in feldspar. Fired on their sides horizontally, the surface of the thick wall tsubo is covered with streaks and drips of natural ash glazes in shades of green and blue, forming an abstract and mesmerizing pattern that resembles geothermal earth activity. Additional ashes are blown during the firing to accentuate the textures. Most recognizably, there are many circular marks scattered on the surface of his archaic looking vessels. That is resulted from using stacked tea bowls to prevent the conjoining of the vessels. After the firing, the stacked vessels are chipped away, leaving behind those circular impression, as well as deep pools of glaze which gather where they were placed.
Born in 1975, Tsujimura Yui is the first son of the contemporary ceramic artist Tsujimura Shiro...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Large Contemporary Ceramic Tsubo Jar by Kai Tsujimura
Located in Atlanta, GA
A massive stoneware tsubo floor jar created by Japanese contemporary ceramic artist Kai Tsujimura (1976-). The heavy jar with its impressive volume was made in the tradition of Iga ware with local coarse sandy clay that turned reddish after the firing. It took its shape from heavy medieval storage jars with a wide-open mouth. For a nearly identical form, see an Echizen jar from Heian period (794–1185) in the collection of MET (Accession Number: 1977.261). The surface showcases scattered white crystalized feldspars and a green vitrified ash glaze cascade down the body (known as biidoro in Japanese - after the Portuguese word for glass vidoro). These is a globular shape impressed on the jar. It is a signature practice of the Tsujimura potter family by stacking bowls between the pieces in the kiln during the firing, resulting in an accidental but iconic aethetic (Kai and Yui Tsujimura...
Category
2010s Japanese Organic Modern Ceramics
Materials
Stoneware
Large Dining Fossilized Coral Table with Stone Mosaic by Karl Springer
By Karl Springer
Located in Atlanta, GA
A glamorous dining table designed and retailed by Karl Springer, circa 1980s. The iconic shape features a beveled horse track-shape top with ro...
Category
Vintage 1980s American Modern Dining Room Tables
Materials
Stone
Early Chinese Export Silver Tea Service by Cutshing
By Cutshing
Located in Atlanta, GA
An early set of Chinese export sterling silver tea service circa 1840-70s. The service consists of a lidded tea pot, a creamer and a sugar bowl. The surface was beautifully decorated with chased high-relief dragons with tightly chased scales, slithering with open claws...
Category
Antique Late 19th Century Chinese Chinese Export Metalwork
Materials
Sterling Silver
Japanese Meiji Han Koto with Maki-e Lacquer Decoration
Located in Atlanta, GA
A rare Japanese Koto made from carved Paulownia wood and lavishly decorated with lacquer Maki-e circa late 19th century of Meiji Period (1868-1912). The ...
Category
Antique Late 19th Century Japanese Japonisme Lacquer
Materials
Wood
Triptych Photographs Rock Bottom by David Hilliard
Located in Atlanta, GA
Entitled "Rock Bottom", this triptych photographs were by American photographer David Hilliard (born 1964) in 2008. These chromogenic prints were f...
Category
Early 2000s American Post-Modern Photography
Materials
Acrylic, Paper
Japanese Ceramic Centerpiece Bowl Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Ceramic
Large Contemporary Japanese Woven Bamboo Sculpture Mimura Chikuho
By Mimura Chikuho
Located in Atlanta, GA
A contemporary hand-woven bamboo sculpture in an organic form by Japanese bamboo artist Mimura Chikuho (1973-). Named "Cloud on the Peak", the piece was made as one of his series in 2004. Entirely hand-woven in irregular plaiting, the artist challenged the traditional bamboo basket making and elevated it into modern abstract sculpture. The minimalist donut form resembles the hat-shaped cloud formed around the peak of the mountain (often seen on Fujisan in Japanese art). It displays a wonderful subtle undulation and irregularity in its organic shape, achieved by a mastery of the traditional technique. The irregular plaiting appears chaotic in its busy crossing patterns yet as a whole, the piece strangely quiet and introverted, demanding contemplation from the viewer. Signed "Chikuho" underneath in Kanji. The piece comes with its original storage paper box and a silk bag.
Provenance: Purchased from Tai Gallery/Textile Arts now (Tai Modern) in Santa Fe.
Mimura Chikuho was born in 1973 in Tokyo. He studied under Yufu Shohaku...
Category
Early 2000s Japanese Organic Modern Sculptures and Carvings
Materials
Bamboo
Early Ceramic Vase with Unique Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic vase in a slightly tapered cylinder form by potter Brother Thomas Bezanson (1929-2007). The minimalistic silouette is striking...
Category
Mid-20th Century American Modern Vases
Materials
Ceramic
Rare Pair of Early Period Makuzu Kozan Takauki High-Relief Vases
By Makuzu Kozan
Located in Atlanta, GA
A stunning pair of ceramic vases with gilt, paint and high-relief decoration by imperial artist Makuzu Kozan (1842-1916, also known as Miyagawa Kozan) circa 1876-81 (late Meiji period). These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on top of the traditional gilt and paint ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares, not a large quantity of the examples remained in the first place, not mentioning a fine matching signed pair in such impressive sizes.
Not only a rarity, this pair of vases is also superb in workmanship, thus the fine example of the work from that short and unique period of the artist's career before he switched to the underglaze period. In a conceptually mirrored fashion, the surface is richly decorated with flying cranes among large lotus leaves and flower, like an idyllic aqua scenery of pure poetry on a circular scroll. The high-relief appliques were rendered and composed in realistic fashion but with a dramatic touch. They are literally about to break the surface free, alive and in motion. The dark colors of the glaze were used to set a moody tone. The approach to create this type of ornamentations is more akin to sculpturing an ink painting in three-dimension than ceramic making. It is not hard to imagine the demand of both the artistry and the technique.
Both vases were signed as "Makuzu Kozan Kiln" and each further with another name and seal, which are most likely the individual artist involved in the making process. Similar signatures can be seen in the reference book below.
For similarly Takauki vases, see Miyagawa Kozan Makuzu...
Category
Antique 1870s Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Maki-e Lacquer Portable Sagejubako Theme of Three Winter Friends
Located in Atlanta, GA
Sagejubako is a portable lunch or picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a han...
Category
Antique 19th Century Japanese Japonisme Lacquer
Materials
Lacquer
Japanese Antique Gilt Wood Amitabha Buddha on Loctus Throne Statue
Located in Atlanta, GA
A Japanese carved wood Amitabha (Amida) Buddha statue with residual gold leafed surface circa 19th century (late Edo period). The buddha is seated in the padmasana position on an elevated double lotus throne, under a small lotus halo canopy. His right hand is held in abhaya mudra which means fearlessness in Sanskrit. The mudra symbolizes protection, peace, and fearless. His left hand gently resting on his thigh. Dressed in a flowing robe with open chest, the statue showcases a classic iconography found prominently in Japanese Buddhism art during Edo to Meiji period, characterized by the double lotus throne and a particularly serene meditative facial expression, highlighted by inset gemstones...
Category
Antique 19th Century Japanese Edo Sculptures and Carvings
Materials
Gold Leaf
