TISHU Photography

Title: "Frida Kahlo the Breton Portrait" (Andre Breton requested Nickolas Muray to print this portrait for him) Artist: Nickolas Muray (Hungarian 1892-1965) Year of Creation: 1939 ...

Artist: Björn Persson (Swedish.1974-) Title: Cheetah's Throne XL Medium: Inkjet pigment print on Hahnemühle Photo Rag Ultra Smooth 305gsm Paper. Edition: 10/10, signed and numbered i...

An editioned gelatin silver print by American photographer Duane Michals (1932-). Entitled "A Man Dreaming in the City", the gelatin silver print was created in 1969. It has a hand-w...

Artist: John Patrick Dugdale (New York, b. 1960) Title: Bacchus in Repose Medium: Cyanotype Year: 1997 Edition: number 5/10 Measurement: Sight H 14", W 11"; with artist fame H 19.25"...

A framed black and white editioned photograph by American photographer Herb Ritts (1952–2002) dated to 1988. Entitled "Jack Nicholson IV, London", the work is one of the four iconic ...

A vintage gelatin silver photographic print by American photographer Ralph Gibson (1939-) Untitled, the photograph depicts an antique stone female statue from the back showing the to...

A vintage chromogenic (C-type) photographic print by American photographer Ralph Gibson (1939-) Untitled, the photograph depicts a wooden easel against a background of a pink wall. P...

A framed black and white street photograph by Vivian Maier (American, 1926-2009), "Untitled, June 25, 1961". This is a gelatin silver print printed in 201...

A framed black and white street photograph by Vivian Maier (American, 1926-2009), untitled and undated (circa 1950s), This is a gelatin silver print print...

A framed black and white street photograph by Vivian Maier (American, 1926-2009), entitled "New York, NY, September 3, 1954", this is a gelatin silver pri...

A framed black and white street photograph by Vivian Maier (American, 1926-2009), entitled "New York, NY, December 2, 1954", this is a gelatin silver prin...

A vintage black and white gelatin silver black and white print by American photographer Gibson Ralph (born 1939, Los Angeles, CA), An iconic photo from Gibson's 1991 series Pharaonic...

Artist: Philippe Halsman (1906-1979) Medium: Gelatin silver print Title: Dali Fishing Date: 1954; Printed in 1981 as part of the ten-piece Dali Portfolio...

A framed black and white gelatin silver photograph by American surrealist photographer Arthur Tress (1940-). Entitled "Adam in Central Park, New York". the gelatin silver print was m...

Artist: Philippe Halsman (1906-1979) Medium: Gelatin Silver Print Title: Invisible Dali Date: 1954; Printed in 1981 as part of the ten-piece Dali Portfolio...

Artist: Philippe Halsman (1906-1979) Medium: Gelatin silver print Title: Dalí with Rhinoceros Date: 1956; Printed in 1981 as part of the ten-piece Dali Portfolio...

Artist: John Patrick Dugdale (New York, b. 1960) Title: Margie Medium: Cyanotype Year: 1996 Edition: number 2/10 Measurement: Sight H 9", W 7.5"; with artist fame H 14.5", W 12.5" Pr...

An editioned gelatin silver print by American photographer Duane Michals (1932-). "I could read it clearly in his palm. There would be a terrible tragedy. My love could not protect him" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 8/25 in ink on the bottom of the sheet (as shown). 3 1/2 x 5" for the image size. Displayed in a brand-new black wood archive frame with museum glass. Michals created ten photographs in honor of Greek gay...

An editioned gelatin silver print by American photographer Duane Michals (1932-). "After his shower, he dried himself very carefully. and although he would never admit it, it had all been done for my benefit" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 8/25 in ink on the bottom of the sheet (as shown). 3 1/2 x 5" for the image size. Displayed in a brand-new black wood archive frame with museum glass. Michals created ten photographs in honor of Greek gay...

An editioned gelatin silver print by American photographer Duane Michals (1932-). "Just to light his cigarette was a great pleasure" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 8/25 in ink on the bottom of the sheet (as shown). 3 1/2 x 5" for the image size. Displayed in a brand-new black wood archive frame with museum glass. Michals created ten photographs in honor of Greek gay...

Artist: Liu Xiaofang (Chinese, b. 1980) Title: I Remember II-02, 2012 Medium: Digital pigment print mounted on Acrylic Measurement: 39.25" x 39.25" Edition: 2/8 PROVENANCE: Purchased...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

A visually arresting photograph by John Patrick Dugdale (American, born 1960-) titled "Stillness of Spirit". Relatively large in print size, the w...

An iconic black and white photography by Barbara Morgan (American, 1900-1992) of "Martha Graham, Letter to the World". The photo was originally tak...

Entitled "Rock Bottom", this triptych photographs were by American photographer David Hilliard (born 1964) in 2008. These chromogenic prints were f...

Artist: John Patrick Dugdale (American, born 1960) Title: Figs and Pomegranates Year: 1997 Print type: Cyanotype Edition: Number 10 of an edition ...

A vintage gelatin silver print photograph by celebrated Hungarian-born photographer André Kertész (1894-1985). Entitled "Martinique", printed in 1972, this is an iconic image by the ...

An iconic fashion photograph by Albert Watson (Scottish, 1942-). Entitled "Leslie Winer in Yohji Yamamoto, London, 1989", this is an editioned chromogenic...

Artist: Quentin Shih (aka Xiaofan Shi; Chinese, 1975-) Title: "Rey Mascullo, Yesmany Ramirez and Javier Lopez", From La Habana In Waiting Part A. Year: ...

Artist: John Patrick Dugdale (New York, b. 1960) Title: The Spirit Eye Medium: Cyanotype Year: 1998 Edition: number 3/12 Measurement: H 14", W 11"...

Yoshida Kimiko (Japanese, b. 1963) The Golden Bride from Fez, 2005 C-print, Diasec; aluminum mounted Signed, titled and dated to artist's label verso...

Yoshida Kimiko (Japanese, b. 1963) The Berber Bride, Morocco, early 20th century; self-portrait C-print, Diasec; aluminum mounted Signed, titled and dated to artist's label verso Edition 2/10 Size: 47.25 x 47.25 in. Kimiko Yoshida...

A framed C-Print by American photographer Sandy Skoglund (b. 1946) Maybe Babies. Chromogenic print, signed and inscribed Maybe Babies, Sandy Skoglun...

Artist: Greg Gorman (American, b. 1949) Title: Rex and Gregory, 1988 Gelatin silver print Image size: 18.75 x 14.75 inches Paper size: 19.75 x 15.875 inches Frame size: 24.8 x 1...

Artist: Philippe Halsman (1906-1979) Title: Marilyn Flirting Medium: gelatin silver prints Date: 1952 printed in 1981 Edition: 178/250 Size: image 12.5" x 8.75"; with frame 20.25" x...

Artist: Philippe Halsman (1906-1979) Title: The True Marilyn Medium: Gelatin silver prints Date: 1952 printed in 1981 Edition: 186/250 Size: image 12.5" x 8.75"; with frame 20.2...

Artist: Philippe Halsman (1906-1979) Medium: Gelatin Silver Print Title: Dali Clockface Date: 1953; Printed in 1981 as part of the ten-piece Dali Portfolio...

Artist: Greg Gorman (American, b. 1949), Title: With Her Hand on the Wall Year: 1988 Medium: Gelatin Silver print. Artist stamp verso Image size: 10.5"h x 8"w, overall (with ma...

An editioned gelatin silver print by American photographer Duane Michals (1932-). "Two friends are playing cards. One is cheating" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 14/25 in ink on the bottom of the sheet. 3 1/2 x 5" for the image size. Displayed in an original silver leaf frame. Michals created ten photographs in honor of Greek gay...

John Dugdale (American, b. 1960). Turbulent Dream, NYC, 1998. Platinum-palladium print. Image size 8-3/4 x 6-3/4 inches paper size with margins 17 x 14 inches Signed and editi...

Artist: Susan Fenton (1949-2018; American) Title: Plumed helmet back and figure with pleated mask. Japan series Year of Creation: 1996 Edition: Unique pieces Medium: Toned Gelatin Si...

A framed vintage gelatin silver photograph print by American surrealist photographer Arthur Tress (1940-). Entitled "Making Leaves, Cold Spring, New York", the work was created in 19...

A framed vintage gelatin silver photograph print by American surrealist photographer Arthur Tress (1940-). The work belongs to the artist's "Dream Collector" series. Entitled "Girl i...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004) "The Yellow Mountain". Signed and dated 1982 lower left on the mat and appears in the original artist's frame with copyright mark on the back. Sight is 7.5"H x 9.5"W. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004) "Desert Vietnam". Signed lower left on the mat and appears in the original artist's frame with copyright mark on the back. Sight is 6.5"H x 9.5"W. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004). Entitled in Chinese "Playing with Hoops, Vietnam". The work is a sepia-toned gelatin-silver print. It is stamped with three red artist seals and black ink Chinese inscription, mounted and framed under plexiglass. Sight is 10.5"h x 13.5"w. It is one of the matching pair from an American collection. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004). Entitled "Three Friends", the work is a sepia toned gelatin silver print. It has inscription of "taken in Beijin in 1985" and with three artist's stamps in red ink. Presented matted and framed under Plexiglas. The sight is 10.5"h x 13.5"w. It is one of the matching pair from an American collection. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

An early vintage photography by British-American photographer Michael Kenna (1953-). "Scarecrow, Twyford, Oxfordshire, England". The gelatin silver print was printed in 1980. The ima...

Entitled "Portrait of Me at Twilight", this photograph is by American photographer John Patrick Dugdale (1960-). The self-portrait, a toned cyanot...

A framed photograph by John Patrick Dugdale (American, born 1960-) titled "Shady Breakfast". Relatively large in print size, the gelatin chloride ...

A framed photograph by Italian artist Paolo Ventura (b. 1968), No 59 from the series Winter Stories and created in 2009. The current digital chromogenic print on offer is presented f...

A framed black and white gelatin silver photograph by American surrealist photographer Arthur Tress (1940-). Entitled "Making Leaves", the work was created in 1978. The two intertwin...

Artist: Susan Fenton (1949-2018; American) Title: Figure with Pediment. Japan series Year of Creation: 1993 Edition: 1/10 Medium: Toned Gelatin Silver Print; hand painted with Oils Image size: 16"x16" Framed size: 20"x21". Signed and titled verso as shown. Originally purchased in Olga Dollar Gallery in San Francisco Susan Fenton is an American photographer and a faculty member of St. Joseph’s University faculty. Fenton's work has been widely exhibited in galleries and museums. The captivating Japan series was made in 1990s after her return from living in Japan. The mysterious series showing figures in geometrical hats was enhanced by oil pigments to create a classical painterly quality that could not be achieved with camera only otherwise. “Fenton’s figures – silent, composed, aloof – represent aesthetic idealism,” Inquirer art critic Edward J. Sozanski wrote, “By avoiding eye contact...

Artist: Susan Fenton (1949-2018; American) Title: Figure with Folded Paper Hat. Japan series Year of Creation: 1993 Edition: 1/10 Medium: Toned Gelatin Silver Print; hand painted with Oils Image size: 16"x16" Framed size: 20"x21". Signed and titled verso as shown. Originally purchased in Olga Dollar Gallery in San Francisco Susan Fenton is an American photographer and a faculty member of St. Joseph’s University faculty. Fenton's work has been widely exhibited in galleries and museums. The captivating Japan series was made in 1990s after her return from living in Japan. The mysterious series showing figures in geometrical hats was enhanced by oil pigments to create a classical painterly quality that could not be achieved with camera only otherwise. “Fenton’s figures – silent, composed, aloof – represent aesthetic idealism,” Inquirer art critic Edward J. Sozanski wrote, “By avoiding eye contact...

Artist: Susan Fenton (1949-2018; American) Title: Figure with Rectangle and Cone. Japan series Year of Creation: 1993 Edition: 1/10 Medium: Toned Gelatin Silver Print; hand painted with Oils Image size: 16"x16" Framed size: 20"x21". Signed and titled verso as shown. Originally purchased in Olga Dollar Gallery in San Francisco Susan Fenton is an American photographer and a faculty member of St. Joseph’s University faculty. Fenton's work has been widely exhibited in galleries and museums. The captivating Japan series was made in 1990s after her return from living in Japan. The mysterious series showing figures in geometrical hats was enhanced by oil pigments to create a classical painterly quality that could not be achieved with camera only otherwise. “Fenton’s figures – silent, composed, aloof – represent aesthetic idealism,” Inquirer art critic Edward J. Sozanski wrote, “By avoiding eye contact...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004) "The Intimate Shadow", a composed landscape photograph taken in Quilin, the world-famous scenic area in China. Signed with title, inscription of location and dated on the top -left, red sealed on the lower right corner and signed and dated 1982 lower left on the mat. The photograph depicts an idyllic scenery on Li-river with the karst peak in the misty background, where a fishing boat floats. The work was created with dark room manipulation to echo the traditional chines ink painting that showcase a surreal ambience. The photograph is housed in the original artist's archive metal frame with an old print of the artist's bio and copyright mark on the back. It was purchased directly from the artist's studio. Sight Approximately 13.625" w x 10.125" h. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin-San and his technique of layering negatives for ideal composition, by taking three negatives, foreground, middle ground, and far ground, and selecting a subject from each negative. The photographs of Don Hong-Oai are made in a unique style, which can be considered Asian pictorialism. This method of adapting a Western art for Eastern purposes probably originated in the 1940s in Hong Kong. One of its best-known practitioners was the great master Long Chin-San (who died in the 1990s at the age of 104) with whom Don Hong-Oai studied. With the delicate beauty and traditional motifs of Chinese painting (birds, boats, mountains, etc.) in mind, photographers of this school used more than one negative to create a beautiful picture, often using visual allegories. Realism was not a goal. Don Hong-Oai was one of the last photographers to work in this manner. He is also arguably the best. He has won hundreds...