Paper Still-life Drawings and Watercolors
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Medium: Paper
Coral dreams Watercolor rose boutique
Located in Zofingen, AG
The watercolor painting with roses is a delicate, refined watercolor, made in a charismatic technique without the use of clear graphic lines. Sophisticated roses and peonies in water...
Category
2010s Realist Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Rambling Rose, Jo Haran, Contemporary Floral Artwork, Original Work On Paper
By Jo Haran
Located in Deddington, GB
Rambling Rose by Jo Haran [2020]
original
Gouache, watercolour ink and gesso.
Image size: H:72.5 cm x W:52.5 cm
Complete Size of Unframed Work: H:76 cm ...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Gesso, Paper, Watercolor, Gouache
British Modernist Vibrant Watercolor Painting of Flowers
Located in Surfside, FL
Sir Jacob Epstein KBE (10 November 1880 – 19 August 1959) was an American British sculptor who helped pioneer modern sculpture. He was born in the United States, and moved to Europe in 1902, becoming a British subject in 1911. He often produced controversial works which challenged ideas on what was appropriate subject matter for public artworks. He also made paintings and drawings, and often exhibited his work.
Epstein's parents were Polish Jewish refugees, living on New York's Lower East Side. He studied art in his native New York as a teenager, sketching the city, and joined the Art Students League of New York in 1900. For his livelihood, he worked in a bronze foundry by day, studying drawing and sculptural modelling at night. Epstein's first major commission was to illustrate Hutchins Hapgood's 1902 book Spirit of the Ghetto. Epstein used the money from the commission to move to Paris.
Moving to Europe in 1902, he studied in Paris at the Académie Julian and the École des Beaux-Arts. He settled in London in 1905 and married Margaret Dunlop in 1906. Epstein became a British subject on 4 January 1911. Many of Epstein's works were sculpted at his two cottages in Loughton, Essex, where he lived first at number 49 then 50, Baldwin's Hill (there is a blue plaque on number 50). He served briefly in the 38th Battalion of the Royal Fusiliers, known as the Jewish Legion during World War I; following a breakdown, he was discharged in 1918 without having left England.
In London, Epstein involved himself with a bohemian and artistic crowd. Revolting against ornate, pretty art, he made bold, often harsh and massive forms of bronze or stone. His sculpture is distinguished by its vigorous rough-hewn realism. Avant-garde in concept and style, his works often shocked his audience. This was not only a result of their (often explicit) sexual content, but also because they deliberately abandoned the conventions of classical Greek sculpture favoured by European Academic sculptors to experiment instead with the aesthetics of art traditions as diverse as those of India, West Africa, and the Pacific Islands.
Between 1913 and 1915, Epstein was associated with the short-lived Vorticism movement and produced one of his best known sculptures The Rock Drill.
Between the late 1930s and the mid-1950s, numerous works by Epstein were exhibited in Blackpool. Adam, Consummatum Est, Jacob and the Angel and Genesis, and other works, were initially displayed in an old drapery shop surrounded by red velvet curtains. The crowds were ushered in at the cost of a shilling by a barker on the street. After a small tour of American fun fairs, the works were returned to Blackpool and were exhibited in the anatomical curiosities section of Louis Tussaud's waxworks.
Bronze portrait sculpture formed one of Epstein's staple products, and perhaps the best known. These sculptures were often executed with roughly textured surfaces, expressively manipulating small surface planes and facial details. Some fine examples are in the National Portrait Gallery. He completed a bust of Winston Churchill...
Category
1930s Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Poppies and Daisies, 1951 - A Rare Scandinavian Floral Impression
Located in Stockholm, SE
A delicate and poetic floral study by Olle Hjortzberg, where the vivid red of the poppies contrasts beautifully with the soft whites and yellows of the daisies. With masterful lightn...
Category
1950s Romantic Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
French Gouache & Watercolour, Still-Life of Roses in a Confit Jarre.
Located in Cotignac, FR
A beautiful fresh and lively original French gouache and watercolour of a still-life of roses in a Provençal 'confit jarre'. Signed Jocelyn to the lower right. The work is currently ...
Category
Mid-20th Century Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Andy Warhol original offset drawing inscribed 'Pecan Varieties' (in reverse)
By Andy Warhol
Located in Petworth, West Sussex
Andy Warhol (American, 1928 – 1987)
Pecans, circa 1956
Ink offset drawing with some pencil detail
Inscribed in the reverse ‘Pecan varieties’ (mirror image)
Unsigned.
Estate of Andy ...
Category
20th Century Pop Art Paper Still-life Drawings and Watercolors
Materials
Paper, Pencil
Elsa Peretti goes out for a drink. From the Art, culture & society series
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him.
The worlds of fashion, society and pop cu...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Gouache, Ink
Contemporary impressionist expressive oil painting on paper "Just oranges"
Located in VÉNISSIEUX, FR
French artist Natalya Mougenot presents a new series of small oil paintings inspired by the quiet beauty of everyday life. "Just Oranges" is one of the pieces from this collection—a ...
Category
2010s Impressionist Paper Still-life Drawings and Watercolors
Materials
Oil, Paper
Contemporary impressionist expressive acrylic floral bouquet vase painting
Located in VÉNISSIEUX, FR
This captivating floral artwork "Summer blooming flowers in a blue vase" is an exuberant portrayal of a bouquet, radiating vibrancy and textural complexity. The piece commands attention with its vigorous brushstrokes, creating a sense of movement and depth.
The bouquet is composed of blooming flowers in a rich palette of colors ranging from various shades of pinks and purples to luminous whites. Each flower is rendered with bold, gestural layers of paint, creating a tactile surface that invites the viewer to appreciate the artist’s dynamic technique.
The background, with its harmonious blend of cool blues and popping greens, forms a vivid contrast against the warm tones of the flowers, enhancing their visual impact.
Noteworthy is the blue-checkered vase...
Category
2010s Expressionist Paper Still-life Drawings and Watercolors
Materials
Paper, Acrylic, Watercolor
The Terrace
Located in London, GB
'The Terrace', watercolour on art paper, by Maurice Savin (circa 1950s). An inviting scene from the South of France depicts a quiet sun terrace on a balmy day with azure skies. The v...
Category
1950s Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Wisteria
Located in Burlingame, CA
'Wisteria' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size.
Internatio...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Coral dreams Watercolor rose boutique
Located in Zofingen, AG
The watercolor painting with roses is a delicate, refined watercolor, made in a charismatic technique without the use of clear graphic lines. Sophisticated roses and peonies in water...
Category
2010s Realist Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Spring Compositions
Located in Burlingame, CA
'Spring Compositions' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size.
...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
"Some far away speech" Still life, Ink and watercolor
By Brian Spolans
Located in Philadelphia, PA
"Some far away speech" is an original ink and watercolor work on paper by Brian Spolans. The piece ships framed as pictured and measures 20.5in x 28.5in. Alternative custom framing...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Ink, Watercolor, Archival Paper
Sweetie Pie, Cyanotype, Flowers, Floral, Blue, Botanical, Work on Paper
Located in Riverdale, NY
Sweetie Pie is a Cyanotype by Cynthia MacCollum. It is 30x22 on archival paper. It is currently unframed. It is a beautiful botanical artwork filled with a range of blues. MacColl...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Photographic Paper, Archival Paper
Poppies and Daisies, 1951 - A Rare Scandinavian Floral Impression
Located in Stockholm, SE
A delicate and poetic floral study by Olle Hjortzberg, where the vivid red of the poppies contrasts beautifully with the soft whites and yellows of the daisies. With masterful lightn...
Category
1950s Romantic Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design.
Dimensions:
Framed: 19.5"x19.5"
Unframed: 12"x12"
Provenance:
Private collection of works by Raoul Dufy for Bianchini Ferier
Bianchini Ferrier Collection - Christie's London - July 2001
SF Fall Show
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Fauvist Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Feeling of spring. Paper, pastel 21x23 cm
Located in Riga, LV
Feeling of spring. Paper, pastel 21x23 cm
Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painte...
Category
1990s Realist Paper Still-life Drawings and Watercolors
Materials
Paper, Pastel
Tulips and lilacs 1992, paper, watercolor, 64x73 cm
Located in Riga, LV
Dzidra Bauma (1930)
Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...
Category
1990s Realist Paper Still-life Drawings and Watercolors
Materials
Paper, Pastel, Watercolor
Interiors of a Hotel in Como, Italy. Ink and watercolor on paper
Located in Miami Beach, FL
A new series inspired by architecture, décor and stylish personalities of the world of interior design.
The worlds of fashion, society and pop culture are captured in the illustrati...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Ink, Watercolor, Archival Paper
Still Life
Located in Edinburgh, GB
This drawing by Johann Rudolf Feyerabend, known as Lelong, is a finely executed still life that captures a rustic yet elegant composition. The detailed rendering of objects—such as t...
Category
Late 18th Century Old Masters Paper Still-life Drawings and Watercolors
Materials
Paper, Gouache
'Water Lilies', California Watercolor Society, SWA, Woman Artist, Zoltan Szabo
Located in Santa Cruz, CA
Signed lower right, 'Beverly Fields' (American, 20th century) and dated 1988.
Accompanied by a copy of the artist's poster from the same series.
This listed California artist has exhibited widely and with success and is the recipient of numerous medals and juried awards. Beverly Fields first studied with Zoltan Szabo and later with Charles Reid...
Category
1980s Post-Impressionist Paper Still-life Drawings and Watercolors
Materials
Watercolor, Laid Paper
Orchids and Hydrangeas, Diptych. Watercolor on paper
Located in Miami Beach, FL
A new series inspired by architecture, décor and stylish personalities of the world of interior design.
The worlds of fashion, society and pop culture are captured in the illustrati...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Ink, Watercolor, Pen, Paper
"Oysters, lemons and fish" ( contemporary figurative food painting on paper )
Located in VÉNISSIEUX, FR
This modern colorful expressive artwork "Oysters , lemons and fish" is full of expressionism and vivid colors.
This contemporary piece depcitng food is done with acrylic paints on ...
Category
2010s Impressionist Paper Still-life Drawings and Watercolors
Materials
Paper, Acrylic
Still life. Paper, watercolor, 72.5x89 cm
Located in Riga, LV
Still life. Paper, watercolor, 72.5x89 cm
Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued her stu...
Category
1970s Post-Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
"Happiness vase with pink flowers " ( expressive contemporary floral painting)
Located in VÉNISSIEUX, FR
This modern colorful expressive artwork "Happiness vase with pink flowers" belongs to my “Floral” series which is full of expressionism and vivid colors where I could fully experienc...
Category
2010s Expressionist Paper Still-life Drawings and Watercolors
Materials
Paper, Acrylic
Bluebells - Blue Abstract Floral Painting on Paper
Located in Los Angeles, CA
Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Flower Vase, Yellow Watercolor painting on paper
Located in Miami Beach, FL
A new series inspired by architecture, décor and stylish personalities of the world of interior design.
The worlds of fashion, society and pop culture are captured in the illustrati...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Archival Paper
Jo Haran, Jewel Heads in Darkness, Contemporary Floral Art, Mixed Media Art
By Jo Haran
Located in Deddington, GB
Jewel Heads in Darkness [2021]
Original
Flowers
Gouache, watercolour ink and gesso.
Image size: H:53 cm x W:64 cm
Paper Size: H:56 cm x W:67.5 cm x D:0.01cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
'Jewel Heads in Darkness' is an original painting by Jo Haran. "I wanted to try and capture the frailty of anemones nestled in darkness. I used jewel colours....strong pink, yellow, hints of ultramarine and neon green as a contrast to the moody foliage backdrop."
'There are always flowers for those who want to see them" - Henri Matisse. "I have been painting flowers for over 20 years as an artist and as a senior textile designer selling prints to clients internationally including Valentino, Leonard, Paul and Joe and high street brands such as Topshop and Marks and Spencer...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Gesso, Paper, Mixed Media, Watercolor, Gouache
White And Grey, Jo Haran, Contemporary Floral Artwork, Original Work On Paper
By Jo Haran
Located in Deddington, GB
White and Grey By Jo Haran [2020]
original
Watercolour, gouache and gesso
Image size: H:63.5 cm x W:51 cm
Complete Size of Unframed Work: H:66 cm x W:64 cm x D:0.001cm
Sold Unframed...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Gesso, Paper, Watercolor, Gouache
Fleurs et Papillons - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design.
Dimensions:
Framed: 17"x27"
Unframed: 10"x20"
Provenance:
Private collection of works by Raoul Dufy for Bianchini Ferier
Bianchini Ferrier Collection - Christie's London - July 2001
SF Fall Show
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Fauvist Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Projet de Fleurs - Fauvist Flowers Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background.
Dimensions:
Framed: 25"x20"
Unframed: 18"x13"
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Fauvist Paper Still-life Drawings and Watercolors
Materials
Paper, Gouache
Watercolor painting Winter berries
Located in Zofingen, AG
A watercolor painting with bright viburnum berries under snow caps. Saturated tones, multifaceted composition, large format (38x56cm) - the watercolor painting with berries under the...
Category
2010s Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Botanical Studies, Pair of Watercolours on Silk on Handmade Paper, Anemones
Located in Cotignac, FR
A pair of fine hand painted botanical watercolour studies on silk of anemones by La Roche Laffitte. The works are signed bottom right. Both are titled. The silk has been mounted on h...
Category
Late 20th Century Paper Still-life Drawings and Watercolors
Materials
Silk, Watercolor, Handmade Paper, Gouache
Blooming rhododendron Watercolor painting
Located in Zofingen, AG
Watercolor painting with blooming rhododendron. This watercolor is about a gentle expression of feelings conveyed through the delicate flowering of a rhododendron. This painting is ...
Category
2010s Impressionist Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Orchids, 2021 Ink pen, and watercolor on paper
Located in Miami Beach, FL
A new series inspired by architecture, décor and stylish personalities of the world of interior design.
The worlds of fashion, society and pop culture are captured in the illustrati...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Ink, Watercolor, Pen
Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design.
Dimensions:
Framed: 19.5"x19.5"
Unframed: 12"x12"
Provenance:
Private collection of works by Raoul Dufy for Bianchini Ferier
Bianchini Ferrier Collection - Christie's London - July 2001
SF Fall Show
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Fauvist Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
"Orange hydrangea in a vase" ( contemporary colorful floral art)
Located in VÉNISSIEUX, FR
This contemporary colorful florla artpiece features a bouquet of blooming vibrant orange hydrangea in a vase.
This artwork belongs to my “Floral” series which is full of expressiv...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Acrylic
Andy Warhol Soup Can Drawing
By Andy Warhol
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Andy Warhol (American, 1928-1987)
Marking(s); notes: signed; 1975
Materials: marker on paper
Dimensions (H, W, D): 7.5"h, 5"w; 15.5"h, 13"w mat
Additional Information: Signed drawing is done on a half title from Andy Warhol's book, "The Philosophy of Andy Warhol: From A to B and Back Again."
Andy Warhol’s Soup...
Category
1970s Pop Art Paper Still-life Drawings and Watercolors
Materials
Paper
“Roses in a Porcelain Vase”
Located in Southampton, NY
Here for your consideration is a very well executed oil pastel on archival paper by the well known French artist, Marcel Vertes. Signed lower right. Condition is excellent. Circa 1...
Category
1930s Post-Impressionist Paper Still-life Drawings and Watercolors
Materials
Oil Pastel, Archival Paper
"Burst of spring colors " (Contemporary semi-abstract expressive floral art)
Located in VÉNISSIEUX, FR
This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...
Category
20th Century Expressionist Paper Still-life Drawings and Watercolors
Materials
Paper, Acrylic
Rick Owens Hollywood show. From the Fashion series
Located in Miami Beach, FL
The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Pencil, Gouache
Contemporary impressionist still-life fruits watercolor painting on paper
Located in VÉNISSIEUX, FR
This still life painting "One green apple and two red apples" features a blue jar with lid, a blue cup, two red apples, and a green apple on an orange-red surface.
This piece eman...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
"Roses in flower" (contemporary floral expressive acrylic painting on paper)
Located in VÉNISSIEUX, FR
This art piece features a bouquet of red roses in a bleu vase. This piece belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral th...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Acrylic
French Impressionist Interior Scene with Desk, Doll, & Sunflowers
Located in Soquel, CA
Charming and brightly colored French Impressionist watercolor, depicting an interior scene in great detail with an antique desk full of books, a bouquet of sunflowers, and a doll by ...
Category
Late 20th Century American Realist Paper Still-life Drawings and Watercolors
Materials
Paper, Gouache
Skull and Ornament - Vanitas, Still Life, Color Pencil Drawing, Framed
By John Hrehov
Located in Chicago, IL
Drawings of skulls are often called vanitas, which often contain collections of objects symbolic of the inevitability of death and the transience and vanity of earthly achievements and pleasures; it exhorts the viewer to consider mortality and to repent. This still life vanitas drawing is matted with a heavy white mat and framed in a bronze toned wooden frame measuring 15.75 x 16.25 inches.
John Hrehov
Skull and Ornament
colored pencil on paper
7h x 8w in
17.78h x 20.32w cm
JHR006
John Hrehov
Education
1985 MFA-Painting, University of Illinois at Urbana-Champaign
1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH.
Solo Exhibitions
2017 John Hrehov, Paintings and Drawings. Tom Thomas...
Category
2010s Surrealist Paper Still-life Drawings and Watercolors
Materials
Archival Paper, Color Pencil
Figures in the Countryside - Drawing by Augustus Koopman - Early 20th century
Located in Roma, IT
Figures in the Countryside is an original artwork realized by Augustus Koopman (1869-1914) during the early 20th century.
Good condition apart some tear on the edge.
Pencil drawing.
Category
Early 20th Century Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Pencil
Jordaan, large interior work on paper, still life with plants
Located in New York, NY
Home / Couple / Pair / Domestic / Still Life
A’Court begins each painting with a broad, color plane—red, blue, pink or yellow—which acts as a table for the artist’s still life vocab...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Pastel
Still life. Paper, watercolor, 72.5x89 cm
Located in Riga, LV
Still life. Paper, watercolor, 72.5x89 cm
Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued her stu...
Category
1970s Post-Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Floral Still Life Monoprint on Paper
Located in Soquel, CA
Vibrant and dynamic monoprint by David Stephens (American, 20th Century). Several white and purple flowers sit in a vase with a few other plant cuttings. The background is filled with vibrant blue...
Category
1990s American Impressionist Paper Still-life Drawings and Watercolors
Materials
Paper, Acrylic
Untitled Floral Still Life
Located in Wilton Manors, FL
Beautiful floral still life by American artist Jane Piper (1916-1991) .
Untitled. 1980.
Pastel, oil crayon and pencil on tracing paper. Image measuring 9 x 12 inches in original ...
Category
1980s Abstract Paper Still-life Drawings and Watercolors
Materials
Parchment Paper, Crayon, Pastel, Pencil
Hydrangeas, 2021 Ink pen, and watercolor on paper
Located in Miami Beach, FL
A new series inspired by architecture, décor and stylish personalities of the world of interior design.
The worlds of fashion, society and pop culture are captured in the illustrati...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Ink, Watercolor, Pen, Paper
"Dahlias" Chiura Obata, Japanese American, Red and Blue Delicate Floral Work
By Chiura Obata
Located in New York, NY
Chiura Obata
Dahlias, 1940
Signed, dated and stamped lower right
Watercolor on paper
15 x 9 5/8 inches
Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto.
In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism.
He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928.
Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...
Category
1940s Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Still Life
By Earl Horter
Located in Bryn Mawr, PA
Best known as an impassioned supporter and avid collector of modern art, Earl Horter was also an artist himself. Largely self-taught, Horter was a highly skilled draftsman and engrav...
Category
1930s American Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Pastel
André Lhote Cubist Composition Pen Drawing Painting, circa 1910
By André Lhote
Located in Atlanta, GA
This cubist black ink pen drawing by André Lhote (1885 - 1962), circa 1910, features a still-life composition, a bowl with fruits on a table with a cubist geometric design.
We added ...
Category
1910s Cubist Paper Still-life Drawings and Watercolors
Materials
Paper, Pen
French Impressionist Tablescape Still Life Watercolour
Located in Cotignac, FR
French Impressionist watercolour on paper view of a colourful tablescape still life by Henri Clamen. The painting is not signed but was acquired form the atelier of the artist with o...
Category
Early 20th Century Impressionist Paper Still-life Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Abstract Geometric Terracotta Jugs, Mid Century Modern Abstracted Still Life
Located in Soquel, CA
Bold mid century modern abstracted pastel on paper still life of several terra cotta jugs and vessels distilled down to their most basic shapes and ar...
Category
1960s Abstract Geometric Paper Still-life Drawings and Watercolors
Materials
Paper, Pastel
Magnolia - Vibrant Floral Painting on Paper
Located in Los Angeles, CA
Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Powder Coating, Watercolor
Projet de Fleurs - Fauvist Flowers Gouache by Raoul Dufy
By Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background.
Dimensions:
Framed: 25"x20"
Unframed: 18"x13"
Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'.
And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF).
Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez.
Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category
1920s Fauvist Paper Still-life Drawings and Watercolors
Materials
Paper, Gouache
Secret Garden 18 - Contemporary, Drawing, Flower, White, Black, Figurative
By Alina Aldea
Located in Baden-Baden, DE
Secret Garden 18, 2021
black ink on paper
27 9/16 H x 39 3/8 W in.
70 H x 100 W cm
The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic observati...
Category
2010s Post-Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Ink
'The Holy Grail', Last Supper, Egyptian Iconography, Seattle Art Museum, Surreal
By Leo Kenney
Located in Santa Cruz, CA
Signed lower center, 'Leo Kenney' (American, 1925-2001) and dated 1947.
A seminal figure in the second generation of Northwest School artists, Leo Kenney was, like many of his conte...
Category
1940s Surrealist Paper Still-life Drawings and Watercolors
Materials
Paper, India Ink, Watercolor
"Sunkist Sherbert" 2025 oil on Yupo paper 38 x 25 in.
Located in New York, NY
Tess Michalik
Sunkist Sherbert, 2025
oil on Yupo paper
38 x 25 in.
(mic029)
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Oil
Spring Whispers
Located in THOMERY, FR
Spring Whispers captures the fleeting magic of a blooming garden in motion. Painted from life in a moment of deep connection with nature, this expressive watercolour evokes the joyfu...
Category
21st Century and Contemporary Abstract Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Muted Cascade, Contemporary Floral Artwork, Original Work On Paper
By Jo Haran
Located in Deddington, GB
Muted Cascade by Jo Haran [2021]
original
Gouache, watercolour ink and gesso.
Image size: H:53.5 cm x W:38.4 cm
Complete Size of Unframed Work: H:40.5 cm x W:56 cm x D:0.01cm
Sold U...
Category
21st Century and Contemporary Naturalistic Paper Still-life Drawings and Watercolors
Materials
Gesso, Paper, Watercolor, Gouache
Red Tulips in a Tall Vase / watercolor
Located in Burlingame, CA
'Red Tulips in a Tall Vase' original watercolor painted in 2018. in mainly red and green with blue and yellow from Cleveland-born and educated Gary Bukovnik who has lived in Californ...
Category
21st Century and Contemporary Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Study of Apples - Still Life French Surrealism Pointillism Picasso
By Dora Maar
Located in London, GB
This watercolour is hand signed in black ink ‘Dora Maar’ in the upper left corner of the sheet.
Note: The artist has playfully applied the pointillist style to her signature to ref...
Category
1960s Pointillist Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Sea Shells – Blue & Gold
Located in Los Angeles, CA
Sea Shells – Blue & Gold, c. 1940s, watercolor on paper, signed upper left, 15 x 19 ¼ inches (image); title and artist’s name and address inscribed verso, presented in a newer glazed...
Category
1940s American Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Botanical Studies, Watercolours on Silk on Handmade Paper, Set of Three Tulips.
Located in Cotignac, FR
A set of three fine hand painted botanical watercolour studies on silk of tulips by La Roche Laffitte. The works are signed bottom right. Some are titled and numbered (see photos) Th...
Category
Late 20th Century Paper Still-life Drawings and Watercolors
Materials
Watercolor, Gouache, Handmade Paper, Silk
Botanical Study Autumn Grape Leaves #2
By Les Anderson
Located in Soquel, CA
Colorful study of grape leaves in autumn with abstracted elements and a pink/magenta background by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From the est...
Category
Late 20th Century American Impressionist Paper Still-life Drawings and Watercolors
Materials
Watercolor, Laid Paper
Botanical Cyanotype, Blue Flower Bouquet, Large Wild Roses Cyanotype, Watercolor
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet.
Details:
+ Title: Blue Flower Bouquet
+ Year: 2024
+ Edition Size: 100
+ Medium: Acrylic Pain...
Category
2010s Baroque Paper Still-life Drawings and Watercolors
Materials
Emulsion, Watercolor, Photographic Paper, Monoprint, Monotype
Grapes on the Vine
Located in Soquel, CA
Vibrant still life of grapes on the vine by an unknown artist (20th Century). A bunch of bright purple and red grapes peek out from behind lush green vines an...
Category
Late 20th Century American Impressionist Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
"Nasturtiums" Chiura Obata, Japanese American, Red and Blue Delicate Flowers
By Chiura Obata
Located in New York, NY
Chiura Obata
Nasturtiums, circa 1940
Signed and stamped lower left
Watercolor on paper
15 x 9 5/8 inches
Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto.
In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism.
He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928.
Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...
Category
1940s Modern Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Rainbowland Bruguiera - Vibrant Colorful Still Life Painting on Paper
Located in Los Angeles, CA
Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...
Category
2010s Contemporary Paper Still-life Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Paper still-life drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Paper still-life drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Gary Bukovnik, David Morrison, Deborah Eddy, and Les Anderson. Frequently made by artists working in the Contemporary, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper still-life drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for still-life drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $1,450,000, while the average work can sell for $982.