Jean Nerfin

Abstract Post-Impressionist Townscape Oil Painting by Jean Nerfin, Framed

circa 1990

"House, and Flowers, and Moonlight," an original oil on canvas by Ralph Rosenborg, is a piece for the true collector. In 1988, Louise Nevelson wrote: "Ralph Rosenborg was the first recognized pioneer whose experimental art announced the coming of Abstract Expressionism in the United States during the mid-1930s. Rosenborg was the first to introduce and instruct Jackson Pollock on Abstract Expressionism while at the Non-Objective Painting Museum in the early 1940s, which became the Guggenheim Museum. Ralph Rosenborg is The American Artist. Rosenborg produced daring artworks and explored the possibilities of movements that are expressive of ideas, sensations and passions intended to provoke pure emotions." Both the technical talent of Rosenborg and his choice of subject matter pair perfectly with custom wood frame. This masterful work is perfect for those who have an affinity for abstracts, abstract expressionism, landscapes, and color-rich works. This Rosenborg painting has an important history, with the rare provenance of moving through both Sothebys and Christies auction houses, as well as two notable dealers including Nat Halper and H. Marc Moyens. Full provenance details are outlined below. Artist: RALPH ROSENBORG (1913-1992) Title: HOUSE, AND FLOWERS, AND MOONLIGHT Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT AND ON VERSO Year Created: 1957 Country of Creation: UNITED STATES Canvas Dimensions: 22.25 x 28.25 INCHES Frame Dimensions:* 33.25 x 39.25 x 1.875 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY RALPH ROSENBORG IN GREAT CONDITION AND FEATURING ITS BEAUTIFUL CUSTOM WOOD FRAME. ORIGINAL ARTIST LABEL IS AFFIXED TO VERSO, AS WELL AS SOTHEBY'S AND CHRISTIE'S LABELS. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED Provenance: CHRISTIE’S, NEW YORK, JAN 12, 2010 COLLECTION OF H. MARC MOYENS SOTHEBY’S, NEW YORK, APRIL 1, 1998 COLLECTION OF NATHAN (1907-1983) & HELEN HALPER (1908-1996), MA HCE GALLERY, PROVINCETOWN, MA (OWNED BY NATHAN HALPER) About the Artist: Ralph Rosenborg, an American painter, was known for his abstract paintings that inclined not toward geometric form, but rather the interpretation of nature. Rosenborg was born in New York in 1913, his talent for the fine art appearing early. While still in high school, he won a scholarship to classes at the American Museum of Natural History, meeting Henriette Reiss, who he continued to study under privately well after the classes ended. Reiss had worked with Wassily Kandinsky earlier in her career, and as such introduced Rosenborg to the vast arena of vanguard European ideas, as well as provided him a broad-based instruction in music, literature, and art history. After four years, Rosenborg was ready to exhibit. He did so initially in group exhibitions at ACA Galleries, and later in Mayor La Guardia’s 1934 Mile of Art at Radio City. He quickly gained notoriety, and began to show frequently throughout the 1930s, leading up to his first solo exhibition at the Eighth Street Theater...

"Early [Newspaper] Edition," an original mixed media on canvas by Linnea Pergola, is a piece for the true collector. Pergola's style is whimsical and she is most well-known for her cityscapes, landscapes, and vivid works on silk. Many artists have copied her cityscape style, but she has been creating these works since the 1980s and was one of Martin Lawrence Galleries...

Untitled Landscape, an original oil on canvas by Gary Kremen, is a piece for the true collector. Kremen's fine attention to detail is evident here, depicting a desert landscape set beneath vast mountains, complete with cactus and wildlife in the middle ground. The sky with its range of light to deep blues fills the top of the painting. This example showcases Kremen's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with the frameless style of hanging. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, desert scenery, realism, and nature. Artist: GARY KREMEN (1949-2001) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1995 Country of Creation: UNITED STATES Image Area Dimensions: 36 x 60 INCHES Canvas Frameless Dimensions:* 42 x 66 x 2.25 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY GARY KREMEN IN GREAT CONDITION. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Gary Kremen, an American painter, became nationally renowned for his massive landscapes...

Untitled [Seascape], an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of blues, blue-greens, and bro...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

Artist/ School: E.Johnson, British mid 20th century, signed and inscribed verso Title: 'Cumberland', a fine Post-Impressionist oil depicting this rugged mountain face bathed in vary...

This captivating artwork, titled "Tree by the Seine," is a celebration of the natural beauty found along the banks of the Seine, near Champagne-sur-Seine....

Fluffy Clouds over the landscape signed oil on board, unframed board: 9.75 x 13 inches inscribed verso dated 1958 provenance: private collection, France condition: very good and soun...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Oil on canvas Hand signed lower right Artist Signed, Abstract Oil on Canvas. Figure in the distance. Approx: 30" x 27 1/2" framed, 26 1/2" x 23 1/2" canvas. TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. He was included in the show Abstraction: 1950-1970 at Taylor Graham, Greenwich CT. A survey of post-war abstract art movements including Abstract Expressionism, Color Field, Hard Edge, Minimalism and Op-Art. Adolph Gottlieb, André Cottavoz, Carl Robert Holty, Cleve Gray, Friedel Dzubas, Ilya Bolotowsky, James Hiroshi Suzuki, Norman Bluhm, Ralph Della-Volpe, Theodore Appleby...

Abstract landscape, oil painting This is hand signed lower right dated 1947 There is also a hand written inscription in french lower left. Moussia Toulman ( 1903-1997), Artist and poet, was born in Uman Ukraine (famed as the tomb site of Chassidic Rebbe Nachman of Breslov) and came to Israel (British mandate Palestine) when she was 19 years old. Just a few months after her arrival she married, settled in Metula however, she didn’t forgo her ambition to study art. In 1923 she enrolled to study at the Bezalel Art Institute in Jerusalem and completed her studies there in 1926. Like Ziona Tagar, who preceded her a few years earlier, Moussia Toulmann chose to become an artist-woman in the full significance of the term. She wasn’t satisfied with the local studies framework that was available and chose to continue her studies in Paris, France which at that time was considered the art capital. From 1929 onwards Musia lived in Paris, studied art and joined the ‘Independent Salon’ society. She made contacts with artists and writers and exhibited during the 1930’s in a number of select group exhibitions. In 1936 Tolman visited Israel and forged bonds with artists she studied with at Betzalel, among them Aharon Avni, Gliksberg and Avigdor Stematsky. She exhibited at the Tel Aviv Museum of Art in 1936 in a group exhibition with Aharon Avni, Arie Aroch, Yosef Zaritsky, Mordechai Levanon, Eliyahu Sigad, Chaya Schwartz, and Yehezkel Streichman. She painted landscapes and portraits and presented one of the works she painted in Paris to the Tel Aviv museum. It was a portrait of the poet and art critic Gustave Kahn who had died the same year. Moussia returned to Paris and exhibited a one-man show just before the outbreak of the Second World War. During the war all the works she exhibited in this exhibition were lost without a trace and Moussia Toulman herself wandered around France moving from one hiding place to another. After the war, in 1946 Moussia Toulman continued painting but was reluctant to exhibit her works. She became a well-known public figure and volunteered for aid programmes for Holocaust survivors, especially orphans. Later on she founded together with Mane Katz, Jacques Atlan and other artists the ‘Art’ organization with the object of developing cultural ties with Israel and to aid Israeli artists during their stay in Paris. In addition to painting Moussia Toulman wrote poetry, published articles and was involved in art criticism. She was included in the rare publication of 'Association des artistes, peintres et sculpteurs juifs de France' in French and Yiddish. The School of Paris Jewish artists included Edmond Kayser, Abram Krol, Meyer Lazar, David Lan-Bar, Jacques Lipchitz, Jacques Loutchansky, Lubitch, Rene Mendes-France, Adolphe Milich, Lea Nikel, Jules Pascin, David Peretz, Camille Pissarro, Nathan Rapoport, Moussia Toulman, Roger Worms...

Jean Helleu (French, 1894-1985) A painter, watercolorist and designer born in Paris, France. The son of Paul-César Helleu. (a French oil painter, pastel artist, drypoint etcher, an...