Pastel Figurative Paintings

Prakash Karmakar - Untitled - 20 x 29 inches ( unframed size ) Pastel on Board Inclusive of shipment in roll form This work is amongst the more rarer work by the artist executed. ...

This layered paper and drawing collage titled "House Studies Series II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...

If there ever were a perfect work in the canon of art history, this masterpiece study by Dean Cornwell would be it. Every line has meaning and not a line out of place, as Cornwell d...

Medium: Charcoal, Pastel Dimensions: 40.00" x 30.00" Signature: Signed Lower Right

Jogen Chowdhury - Bakasur-VII - 29 x 21 Inches (unframed without mount) Black Ink with Brush & Colour Pastel Inclusive of shipment in roll form. In the Hindu epic Mahabharata, Bak...

Noah Harrison (2001- ) Blanco Artist Image Size: 23.5 x 17.5 Frame Size: 30.5 x 24.5 Medium: Pastel "The Song" Noah comes from a long line of famous Texas Artists. His Great Great Grandmother Myrtle Harrison (Deceased 1968) was an artist painting in San Antonio and Wiberley Texas. His Grandfather Robert Harrison...

This pastel on paper, depicts a topless female figure wearing black leggings in a squatting position. She is holding a bouquet of red flowers in one hand. Her head and hair are a c...

Portrait of Woman is an original artwork realized by François Chapuis in 1971. Colored pastel on paper. Hand-signed in pencil by the artist on the low...

Medium: Oil and Pastel Painting on Canvas Dimensions: 14.00" x 22.00" Signature: Unsigned

Prakash Karmakar - Untitled - 29 x 19 inches ( unframed size ) Pastel on Board Inclusive of shipment in roll form. This Painting of a Blatantly Nude and Somewhat Sensous Woman wra...

A sensitively drawn pastel study of a young woman with red hair shown wearing a blue dress and gazing to the viewers right. Signed lower left, 'Sarah H. Hobson' and painted circa 19...

This pastel, ink, oil and gouache on paper, depicts a female figure looking back at us wearing a yellow lime green mask and cape. She's wearing a pink and black flower in her green ...

A rare, early original self portrait by American artist Robert McIntosh(1916-2010) Robert McIntosh was extremely prolific and exhibited throughout his lifetime, including first pr...

Pastel and graphite on paper, 1930 by Adolf Richard Hoelzel ( 1853-1934 ), Germany. Estate stamp verso. Height: 5.71 in ( 14,5 cm ), Width: 4.53 in ( 11,5 cm ). Framed: 13.39 x 12.2...

Ramanando Bandopadhayay - 8 x 10 inches ( Unframed ) Mixed media on paper We shall include shipping in frame form all across the world. Just hang and relish the work. Style : Lyrical and romantic, his work is typical of the Bengal School and reminiscent of Nandalal Bose...

Date: 1944 Medium: Oil, Pastel, and Ink on Board Dimensions: 26.50" x 17.00" Signature: Unsigned original movie poster art design, for the 1944 film ...

Jogen Chowdhury - Bakasur - 21 x 29 Inches (unframed without mount) Black Ink with Brush & Coloured Pastel Inclusive of shipment in roll form. In the Hindu epic Mahabharata, Bakas...

This pastel and spray paint on paper, depicts two white abstract figures. One person lays on her back, and the other figure is on top. Their arms are stretched out towards each oth...

Follower of Rosalba Carriera (Venice 1673 - there 1757) - Portrait of a lady. 51 x 42 cm without frame, 79 x 67 cm with frame. Antique pastel painting on paper, in a carved, perfor...

This pastel on paper by Paul P. is offered by CLAMP in New York City. Signed, verso

Still life

A crayon and chalk drawing of a band by French artist Jean Arène. The work is signed and dated top left. Presented in plain metal frame under glass. A charming coloured drawing of a Provencal musical band. The French equivalent of a 'mariachi band'. Two trumpet players, a tuba and a drum. The musicians are all wearing straw 'boater' hats and striped blazers. In the background is the terrace of a café with its green tables. Arene has captured, with a lightness of touch, all the excitement and animation of the scene. Jean Arène was a student of August Chabaud, a highly sought after French artist in Provence who in turn took his inspiration from Cezanne. After a stint in 1949 at the School of Fine Arts in Marseille, then a year in Paris in 1950 with the poster artist Paul Colin, Jean Arène returned to Marseille the following year where he founded the "Group of under 30' with Trofimoff, Trabuc, Zutter and Mela and began painting as an autodidact, while earning a living in advertising and decoration. His first exhibition dates from 1956. Then, from 1957, Jean Arène left the city for the countryside, which served as his base for many trips, often hitchhiking and backpacking, but always accompanied by a pencil and a sketchbook: Spain, Morocco in 1957, West Africa in 1960, (followed by an exhibition in Dakar), Northern Europe (Germany, Denmark, Sweden, Norway, Lapland , Lofoten, Netherlands and Belgium) In 1963 a trip to Tunisia. Then in 1966 his first retrospective in Toulon. In 1970 Arène left for the United States and Mexico, followed two years later by West Africa again: Tassili, the Sahara and Algeria. He exhibited extensively in Provence and the Gard: Aix-en-Provence, Uzès, Avignon, La Ciotat...

Signed Barbizon figures in landscape pastel on paper circa 1885 by French painter Leon Augustin Lhermitte. The piece depicts a first communion ceremony, with girls in white dresses and headscarves walking through a village as elder women look on. A wonderful piece in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 27"x31" Unframed: 20"x24" Provenance: Arthur Tooth & Sons - London (label verso) Léon Augustin Lhermitte was the son of a school teacher. He painted from a very early age and settled in Paris in 1863, enrolling in the École Impériale de Dessin. His teacher was Lecocq de Boisboudran. In the early days of his career he earned a living doing illustrations for boxes of sweets and the catalogues of the cabinet-makers of the Faubourg St-Antoine, as well as publishing houses. In 1879 he went to Great Britain, to which he returned frequently. The same year he met the art dealer Paul Durant-Ruel who exhibited his works. He was one of the founders of the Société Nationale des Beaux-Arts, of which he became vice-president. Lhermitte initially produced charcoal drawings which revealed his deep feeling for nature. His first attempt, Banks of the Marne near Alfort, caused a sensation. Following this he executed canvases, showing himself to be a fine landscape artist and a skilful draughtsman. He painted scenes from rural life almost exclusively and benefited from exceptional interest generated by the prizes awarded to the works of J. F. Millet. But although he was very much affected by the work of the painter of Angelus, he himself sought only the pictorial element and not a synthetic translation. Many other French masters of the period share his completely objective vision, for example Bastien Lepage, Roll, J. C. Cazin and Rafaelli. Like them, he put into practice very early on the technique of 'clear painting' made fashionable by the pursuit of Impressionism. But this group of artists borrowed from this method only those elements which appealed to public taste, and ignored chromatic elements. Lhermitte also paid the price for the easy success of those early days. His peasants, which found general favour with the public at the time, nowadays seem rather feeble alongside Camille Pissarro's renderings of the same subject. However, in order to pass judgement on an artist such as Lhermitte, it is necessary to understand the era in which he worked, the era in which Realism was the only acceptable approach. It was in the atmosphere of the 'Théâtre Libre' of Antoine and the novels of Maupassant, Zola and their imitators that this type of art developed. In this context, Lhermitte is recognised as having painted the life of the peasants with great powers of objective observation and great insight into types and physiognomies. Nothing escaped his implacable eye and his bold and vigorous hand was guided by a lucid mind. The simplest elements of nature take on an air of true grandeur in his painting, despite their romantic and sentimental aspects. He is highly regarded both in France and in other countries by art lovers who look for nothing more than an attractive subject expertly painted. Among his most noteworthy works, outside those in museums, are: Les Halles, Washing the Sheep, Haymaking Time, and his large decorative panel...

A French drawing and watercolour portrait of a Breton Girl by Renée Béja noted pupil of Fernand leger. The work is signed on the right margin and presented in a gilt frame with a fine cut card mount. A wonderful character portrait of a girl in traditional Breton costume and head dress. Beja has completed a pencil drawing and then used washes, watercolour and gouache to give the composition life. Lifelike flesh tones and the blue of the subjects eyes give the whole a charming intimacy. Renée Anne Béja was a French painter and theatre decorator of Greek origin born in Thessaloniki (Ottoman Empire, today in Greece) on July 4, 1905 Renée Béja was still a young child when the family moved to Solliès-Pont in France, where her father worked as a flour miller at the Crédit Agricole. In the 1930s, Renée Béja was a pupil of Fernand Léger. Between 1935 and 1938, she exhibited at the Salon des Tuileries, presenting mainly Views of the Périgord, she also participated in 1938 in the Salon d'Automne and the Salon des Indépendants. During the Second World War, Renée Béja, her husband and some of her family were saved by being hidden by Eugène Viès, executive of the SNCF in Solliès-Pont, the industrialist Étienne Arnaud and the secretary of the town hall registering them under a false name on the register of inhabitants, so as to entitle them to food tickets. A Gestapo raid, however, meant that the Béja family had to leave Solliès-Pont for Saint-Paul-Trois-Châteaux, always with the help of Eugène Viès and his wife Walda, to whom the Yad Vashem Institute has since awarded the title of Righteous Among the Nations. Based at 41, rue Blomet in Paris, Renée Béja then also worked as a decorator for the theatre. She created the sets, costumes and masks for the play Les Choéphores by Aeschylus, performed in the great amphitheatre of the Sorbonne in June 1949, then at the Palais des Papes as part of the Avignon Festival in July 1950. The works of René Béjà, including portraits, nudes, still lifes, landscapes of Provence, Brittany and Paris, were presented at the Salon du Gemmail in Tours, stylistically, as with her colleague Andrée Bordeaux-Le Pecq, post-cubist and abstract experiments, but also classifying it, with Germaine Lacaze, Marguerite Bermond, Geneviève Gavrel and Guillemette Morand...

Dancers at the Barre Moses Soyer, American (1899–1974) Date: circa 1950 Pastel on paper, signed lower right Size: 22 x 28 in. (55.88 x 71.12 cm) Frame Size: 30.5 x 36 inches ACA Galleries...

"Door #1 (Reanimator)" (2017) by Francesca Reyes Original oil and pastel on wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she has photog...

Presenting a just discovered original pastel by American artist Hans Burkhardt. Trio, is an original pastel on paper, signed, dated 1976, good original condition, with an image dim...

Presenting a just discovered original pastel by American artist Hans Burkhardt. The Model, is an original pastel on paper, signed, dated 1967, fair original condition with some fol...

ANDRE LHOTE "LA PLAGE" PASTEL, SIGNED FRANCE, C.1927 17.75 X 24 INCHES André Lhote 1885-1962 Lhote was born in Bordeaux, France in 1885. H...

Jirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to...