Pastel Figurative Paintings

Abstracted Figure in Nature in Ink and Pastel on Paper Beautiful and unique abstract piece of a figure in nature by Frank Rowland (American, 1927-2012). The graceful and simplifie...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

Early 20th Century Portrait of Woman Illuminated by Moonlight by Everett Shinn This is a pastel on canvas portrait by Everett Shinn ((1876 - 1953), circa early 20th Century. A softl...

Three's a Crowd, whimsical colorful pastel on toned paper A Brooklyn native, much of Basso's wildly imaginative artwork was inspired by travel to Jamaica, Puerto Rico, and especiall...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Signed figures in landscape pastel on canvas circa 1910 by French Barbizon painter Leon Augustin Lhermitte. The piece depicts a rural landscape with two women in traditional Breton c...

Title: Mid-20th Century Post-Impressionist Pastel Landscape of La Bourboule France by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: ...

Ramananda Bandopadhayay - Untitled Pastel & Ink on Paper, 15 x 11 inches ( unframed size ) ( Unframed & Delivered ) A beautiful rendition of the Bengal Maestro adept in making work...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size ) Ink with Brush & Dry Pastel on Paper, 2014 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist & his works : Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background: His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education: 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience: 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions: 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi . 1979: The Sao Paolo Biennale . 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale 1989: 'Festival of India', in Geneva 2002: Saffron art...

Oil paint and pastel on paper Signed by the artist

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Modern pastel drawing of a sumo wrestler resting after a match with a kimono or blanket draped over his shoulders. Signed by the artist in the front lower right corner. Currently hun...

The work is in excellent condition. Very good provenance

Modern pastel drawing of a sumo wrestler wearing a mawashi as he prepares for a match. Signed by the artist in the front lower right corner. Currently hung in a black frame with a li...

Modern pastel drawing of a pair of sumo wrestlers in the middle of a match wearing green and blue mawashi set against an orange floor. Signed by the artist in the front lower right c...

Original Soft Pastel on Sandpaper

Uday Mondal - Untitled, 20 x 14 inches (unframed size) Acrylic & Pastel on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society in a responsible, lucid and coherent fashion. They are thought-provoking and give a new perspective to art. The most interesting things about his artworks are that they transcend politics, religion, and gender striking a chord with the viewers. About the Artist and his work : Born : 1976. Education : 1999 : BFA in Painting from the Indian Art College, Rabindra Bharati University, Kolkata 2002 : MFA in Painting from MS University, Baroda. Solo Shows : 2006 : Gallery Beyond, Mumbai 2005 : Jehangir Art Gallery, Mumbai 2001 : Solo Show at Baroda. Group Shows : 2010 : IMA Foundation, London & Jehangir Art Gallery by Pink Ginger Arts, Mumbai 2009 : ‘Art Expo’ Mumbai ; ‘Cutting Chai’ curated by Sandhya Bordewekar, Sarjan Art Gallery, Baroda & Online show ‘IMA foundation’ London. 2008 & 09 : ‘Spandan IV’ Gallery Articulate, Yash Birla Group, Mumbai 2006,07 & 08 : ‘Summer Show’ CIMA Art Gallery, Kolkata 2008 : ‘Emerging India’ Henry Moore Gallery, London by Art Alive Gallery 2007 : ‘Singapore Art Fest’, Singapore ; “Synchrome 4’ Tao Art Gallery, Mumbai & Akar Prakar, Kolkata & ‘Reality Bytes’ three men show...

Jogen Chowdhury - Untitled - 7.5 x 5.5 inches (unframed size) Ink & Pastel on Paper, 2013 Signed in Bengali ( All in Door Delivered framed and ready to hang ) Style : He has immen...

Acrylic, pastel & paper on cardboard

Title: French Mid 20th Century Pastel of Hilltop Village with Château and Tiled Roofs by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Siz...

Title: French Coastal Scene with Fishing Boat and Lighthouse in Pastel By Fanch Lel (French b. 1930) Size: 5.5 x 6.75 inches (height x width) Paste...

Prakash Karmakar - Untitled - 20 x 29 inches ( unframed size ) Pastel on Board Inclusive of shipment in roll form This work is amongst the more rarer work by the artist executed. ...

Title: Mid-20th Century Post-Impressionist Pastel of Fishing Boats and Harbour Crowd by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 15.75 inc...

"Nurturing" Pastel on Paper Painting 13" x 19" inch (1964) by Ragheb Ayad signed & dated Ragheb Ayad was born in Cairo on the 10th of March 1892 and insc...

Daggi Wallace's "Silence Of The Lambs XI" is an original, handmade mixed media painting that depicts a female's model face overlaid with circular shapes. Born and raised in Berlin,...

Title: Mid-Century French Watercolour Portrait of Blonde Girl With Green Bow and Dress by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor and pastel on unframed paper...

Graceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...

Kim Lordier's "Evening Comes" (2023), a beautiful pastel painting on archival board, depicts an autumn landscape cast over by the warm evening sunset. Artist Statement and Bio: “I ...

Figure & Horse by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 12 x 9 inches provenance: the artists estate, France Superb origina...

A fine impressionist pastel painting of a ballerina by American artist Louis Kronberg (1872-1965). The painter, dealer and art advisor Louis Kronberg was born in Boston, Massachusetts. He studied at the Arts Student League in New York and at the Boston Museum of Fine Arts School, where he was influenced by Edmund Tarbell...

Title: Mid-20th Century Post-Impressionist Pastel Drawing of Colourful Marina Scene by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 10.5 inches...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. We often speak of a "brain drain," but in this case we are truly happy to be able to say that this is a "return," and an important one: an artist of international caliber who has decided to entrust her return to her homeland to Almach Art...

Graceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...

Sunrise over Meadows by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 9 x 12 inches provenance: the artists estate, France Superb or...

Title: Mid 20th Century Post Impressionist Pastel of Pink and Red Roses in a Vase by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 17 inches (height) x 20.75 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This elegant still life by French artist Anne Marie Migette Perard presents a classic arrangement of red, blush pink, and pale cream roses nestled within a delicate white porcelain vase. Executed in pastel, the artwork radiates softness and charm, with the velvety texture of each bloom beautifully rendered through Perard’s masterful hand. Set against a warm ochre and soft blue gradient background, the composition balances light and depth, allowing the florals to take center stage. The roses are painted in full bloom, with lush green foliage providing contrast and structure to the overall bouquet. A pale cloth lies beneath the vase, subtly anchoring the piece and enhancing its sense of domestic stillness and refinement. This piece evokes the timeless appeal of French floral still life painting...

Title: French Mid-Century Surrealist Portrait of Dual Faces and Symbolic Landscape by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Mixed ...

If there ever were a perfect work in the canon of art history, this masterpiece study by Dean Cornwell would be it. Every line has meaning and not a line out of place, as Cornwell d...

Colourful Meadows by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 9 x 12 inches provenance: the artists estate, France Superb origi...

Cubist influence mixed with soft warm colors is on full display in this charming work. Signed twice. 6 Gallery Tags on verso Sotheby's Kennedy Galleries Barbara Mathes Gallery Sid Deutsch Gallery The Downtown Gallery University of Arizona Art...

Title: Soft Pastel Colour Harbour Scene with Boats and Church Tower France by Fanch Lel (French b. 1930) Size: 15 inches (height) x 9.75 inches (width) Gouache painting on card, unfr...

Original Pastel Drawing of River Mountain in the English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 22 x 14 inches Frame me...

Struggle teaches you a lot of things, and I am happy that I witnessed a roller coaster ride. The journey has improved me as a person and made me more mature. Life is like a roller co...

Title: Mid-20th Century Post-Impressionist Pastel Still Life of Wildflowers in Vase by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size:...

Title: Mid-20th Century French Pastel Harbour Scene With Boats and Pier and Figures by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size:...

Domingo Álvarez was born on June 29 in 1942, in Barcelona. Signature si- com with its name of background and as Domingo has to be. Since childhood shows his interest in drawing and p...

La Place Carnot Sous la Neige (Lyon) by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanie...

Title: Mid-20th Century Post-Impressionist Pastel of Colourful Docked Boats by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 10.75 inches (heigh...

No. 217 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, acrylic, pastel and engraving on grey cardboard mounted on canvas, dimensions ...

No. 200 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, charcoal, pastels and acrylic on canvas, dimensions are 150 × 100 cm (59.1 × 3...

Title: Mid-20th Century Pastel of Street Festival with Crowd in Mediterranean Village by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 9 inches ...

Title: French Mid-Century Mixed Media Painting of Bride and Groom in Dreamlike Forest by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Mixed media and watercolour ...

Title: French Mid-Century Portrait of Woman with White Veil in Dreamlike Setting by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Mixed media and watercolour on u...

Title: Mid-20th Century Post-Impressionist Pastel Landscape with River and Castle by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: ...

Title: Mid-20th Century Post-Impressionist Pastel of Le Pouliguen Lighthouse France by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size:...

Title: French Mid 20th Century Gouache Painting of Roosters and Rural Church Scene by Anne Marie Migette Perard (French 1902-1977) Me...

Title: Mid-20th Century Post-Impressionist Pastel Village Scene with Cypress Trees by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 18 inches (height) x 12.75 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This expressive Mid-20th Century Post-Impressionist pastel by Anne Marie Migette Perard presents a sun-soaked village scene surrounded by slender cypress trees and rustic Mediterranean architecture. The warm pastel tones—terracotta, peach, ochre, and soft pink—combine with splashes of green foliage and vibrant orange fruit to evoke a summery, southern European atmosphere. While the lower right inscription appears to read "Gzenote," the specific location remains unclear. Nevertheless, the composition strongly suggests a Provençal or Italian hill town...

Title: Mid-20th Century Post-Impressionist Pastel of Segesta Temple Landscape by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on paper with paper mounting ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...