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Ian Houston
Ian Houston, Impressionist view of Norfolk landscape

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  • Hugh Boycott Brown, Impressionist view of boats at Pin Mill. Suffolk
    Located in Harkstead, GB
    A fluidly painted impression of this well known sailors' haven at Pin Mill on the River Orwell, Suffolk. Hugh Boycott Brown (1909-1990) Thames Bar...
    Category

    Late 20th Century Impressionist Landscape Paintings

    Materials

    Oil, Board, Canvas

  • Franklin White, British Australian Impressionist view of English country cottage
    By Franklin White
    Located in Harkstead, GB
    A wonderful image of an English country cottage set in a meadow with cattle grazing. Franklin White (1892-1975) A cottage in the countryside Signed with initials and dated (19)32 Oi...
    Category

    Mid-20th Century Impressionist Landscape Paintings

    Materials

    Canvas, Oil, Board

  • Owen Waters, Impressionist landscape, circle of Edward Seago
    Located in Harkstead, GB
    A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Norfolk pastures Signed, inscribed to the reverse Oil on boar...
    Category

    Late 20th Century Impressionist Landscape Paintings

    Materials

    Oil, Board

  • British impressionist en plein air scene of Windmill on the Norfolk Broads
    Located in Harkstead, GB
    A very attractive impressionist scene of a windmill on the Norfolk Broads painted with wonderful bold brushworks giving the image a lovely impasto effect. Campbell Archibald Mellon (1876-1955) Hunsett Mill on the River Ant, Norfolk Signed Oil on board 11 x 9 inches without frame 17 x 15 inches with frame Painter in oil, especially of East Anglian beach and coastal scenes. Having studied painting privately with Carl Brennir...
    Category

    Early 20th Century Impressionist Animal Paintings

    Materials

    Board, Oil

  • Circle of Paul Maitland, British impressionist, Figure walking in a London park
    Located in Harkstead, GB
    A very atmospheric sketch of a figuring hurrying through a park. The red figure drawn into focus against a green background. Circle of Paul Fordyce Maitland (1863-1909) A figure in ...
    Category

    20th Century Impressionist Landscape Paintings

    Materials

    Oil, Board, Canvas

  • Stanley Orchart, Impressionist landscape, circle of Edward Seago
    Located in Harkstead, GB
    A really tranquil image of a backwater on the Cambridgeshire Fens Stanley Orchart ( 1920-2005) Wicken Fen, Cambridgeshire Signed on label to the reverse Oil on canvasboard 20 x 24 i...
    Category

    Late 20th Century Impressionist Landscape Paintings

    Materials

    Oil, Board

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  • Home Safe
    By James Gale Tyler
    Located in Greenville, DE
    Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...
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    Late 19th Century Impressionist Landscape Paintings

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  • Tonalist Landscape painting by Robert Cairns Dobson, American
    Located in Rochester, NY
    Tonalist landscape oil painting by Robert Cairns Dobson, American oil painting on academy board. In a well matched original frame. Signed and monogrammed lower left, early 20th centu...
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    Early 20th Century Impressionist Landscape Paintings

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  • Ralph R. Stubbs - Low tide at Sunset - English 19th Century Marine Oil Painting
    By Ralph Reuben / Ruben Stubbs
    Located in Meinisberg, CH
    Ralph Reuben/Ruben Stubbs (English, 1824-1879) Low Tide at Sunset • 19thC Oil on artist board (card) ca. 21 x 36.5 cm • Signed bottom right and verso Biografie: Stubbs Ralph Reu...
    Category

    1860s Impressionist Landscape Paintings

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  • Vermillion at Lee's Ferry ( Plein Air Landscape painting sky blue terracotta)
    By Jane Chapin
    Located in Cody, WY
    This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...
    Category

    2010s American Impressionist Landscape Paintings

    Materials

    Linen, Oil, Board

  • Pecos Temple (Plein Air landscape Painting - beige neutral colors)
    By Jane Chapin
    Located in Cody, WY
    This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...
    Category

    2010s American Impressionist Landscape Paintings

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  • Coming In & Going Out ( Plein Air Landscape painting green yellow colors)
    By Jane Chapin
    Located in Cody, WY
    This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...
    Category

    2010s American Impressionist Landscape Paintings

    Materials

    Linen, Oil, Board

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