"Nude Female" 1875, 19th Century Oil on Canvas by José García y Ramos
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José García y Ramos"Nude Female" 1875, 19th Century Oil on Canvas by José García y Ramos1875
1875
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View AllFaust
Located in Madrid, ES
JOSÉ GARCÍA Y RAMOS
Spanish, 1852 - 1912
FAUST
signed "J. García y Ramos" (lower right)
oil on canvas
21-1/2 x 24-5/8 inches (54.5 x 62.5 cm.)
framed: 24-5/8 x 27-3/4 (62.5 x 70.5 cm.)
PROVENANCE
Private Collection, France
José García y Ramos (Seville, 1852-ibídem, 1912) was a Spanish painter and illustrator.
He was a student of the Provincial School of Fine Arts of Seville from a young age, completing his training in the workshop of José Jiménez Aranda...
Category
1880s Realist Figurative Paintings
Materials
Oil, Canvas
“An Orientalist Scene with Musicians and Dancer”, 19th C. Oil/Canvas by M. Rabes
By Max Rabes
Located in Madrid, ES
MAX RABES
German, 1868 - 1944
AN ORIENTALIST SCENE WITH MUSICIANS AND DANCER
signed "Max Rabes" (lower right)
oil on canvas
65 x 77-1/2 inches (164.5 x 197 cm.)
framed: 70-2/3 x 8...
Category
1910s Realist Figurative Paintings
Materials
Canvas, Oil
"The Barber of Seville", Early 20th Century Oil on Canvas by José Villegas
Located in Madrid, ES
JOSÉ VILLEGAS CORDERO
Spanish, 1844 - 1921
THE BARBER OF SEVILLE
signed & dated "J. Villegas. / Junio 1913." (lower left)
oil on canvas
19-3/8 x 28-3/4 inches (49 x 73 cm.)
framed: 27-1/2 x 36-3/4 inches (69.5 x 93 cm.)
PROVENANCE
Private Collector, Seville, Spain
José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918.
He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano.
In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny.
He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique.
Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco.
At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...
Category
1910s Realist Figurative Paintings
Materials
Canvas, Oil
"Far Away Thoughts", 19th Century Oil on Canvas by Daniel Hernández
Located in Madrid, ES
DANIEL HERNÁNDEZ
Peruvian, 1856 - 1932
FAR AWAY THOUGHTS
signed "Daniel Hernandez" (lower right)
oil on canvas
27-1/2 x 19-1/4 inches (70 x 49 cm.)
framed: 39-3/8 x 31-1/8 inches (100 x 79 cm.)
Daniel Hernández Morillo...
Category
Early 1900s Realist Figurative Paintings
Materials
Canvas, Oil
Feria de Sevilla
Located in Madrid, ES
JOSÉ CAÑAVERAL
Spanish, 1833 - 1894
FERIA DE SEVILLA
signed "JCañaveral / Sevilla 1881." (lower right)
oil on canvas
29-1/3 x 19-1/2 inches (74.5 x 49.5 cm.)
framed: 38-1/2 x 29-1/2 inches (98 x 75 cm.)
PROVENANCE
Privated Collection, Lille, France
José Cañaveral y Pérez (Seville, 1833-Madrid, 1894) was a Spanish painter, brother of the artist Alfonso Cañaveral y Pérez. Born in Seville, he trained artistically at the School of Fine Arts in his city, later he moved to Madrid where he was a disciple of Federico...
Category
1880s Realist Figurative Paintings
Materials
Canvas, Oil
The Cardinal's Visit
Located in Madrid, ES
SALVADOR SÁNCHEZ BARBUDO
Spanish, 1857 - 1917
THE CARDINAL'S VISIT
signed, located and dated "Barbudo / ROMA 1902" (lower right)
oil on canvas
22 x 33-2/3 inches (55.5 x 85.5 cm.)
framed: 36-1/2 x 48-1/4 inches (92.5 x 122.5 cm.)
PROVENANCE
Private Collection, Munich
LITERATURE
Visita con el cardenal combines the two most salient characteristics of Sánchez-Barbudo's work: the search for novelty of theme and narrative content, and the use of minutely detailed brushwork and luminosity. Sánchez-Barbudo specialised in elaborate 'costume pictures', delighting the viewer with impressive details finely rendered with dazzling technical virtuosity.
Here, Sánchez-Barbudo depicts a well-to-do bourgeois family receiving a cardinal in their home. The interior, sumptuously furnished in the rococo style, along with the rich costumes and fabrics, are beautifully observed. Yet beyond the high technique lavished upon the composition, the treatment is comic and full of character and suffused with a gently satirising anti-clericalism.
The cardinal, far from getting the attention he expects, is, literally, sidelined, his expression and body language showing his pique. There is no doubt that contemporary collectors and spectators took pleasure in the sight of noble self-respecting figureheads of the church being brought back down to earth. The comedy was appealing, and the message suited the prevailing political mood of an increasingly secular middle-class buying public.
Salvador Sánchez Barbudo was born on March 14, 1857 in Jerez de la Frontera (Cádiz). He was one of the most important Spanish artists of the "casacón" genre, who followed the Fortuny tradition in Rome. During his childhood he was under the protection of the Marquis del Castillo and in 1875 he moved to Seville where he attended the School of Fine Arts, becoming a disciple of José Villegas...
Category
Early 1900s Realist Figurative Paintings
Materials
Canvas, Oil
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