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George Sidney Hunt
George Sidney Hunt After Edwin Long RA, In the Wilderness, Engraving

1892

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Richard Earlom After Jan Van Huysum, Still Life With Flowers
By Richard Earlom
Located in Cheltenham, GB
This beautiful early 20th-century aquatint is after an 18th-century engraving by Richard Earlom (1743-1822) of a work by the Dutch master, Jan Van Huysum (1682-1749). In the late 18...
Category

1910s Dutch School Still-life Prints

Materials

Paper, Aquatint

Franz Xaver Petter (Circle), Still Life With Alpine Flora
Located in Cheltenham, GB
This beautiful mid-19th-century Austrian oil painting depicts a still life with a decorous abundance of alpine flora and lively blooms. It’s sign...
Category

1850s Naturalistic Still-life Paintings

Materials

Canvas, Paper, Oil

Amos Green, Near Ingleton, Yorkshire
Located in Cheltenham, GB
This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire. On either side of a shallow river, trees clin...
Category

Early 1800s English School Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Ink

Girolamo Tubino After Raffaello, Sanzio Da Urbino La Velata
Located in Cheltenham, GB
This fine mid-19th-century watercolour by Italian artist Girolamo Tubino (1805-1879) is after ‘La Velata’ (Woman with a Veil) by Raphael (1483-1520),...
Category

1840s Old Masters Portrait Drawings and Watercolors

Materials

Paper, Watercolor

Thomas Sidney Cooper RA, Cow & Sheep In A Landscape
By Thomas Sidney Cooper
Located in Cheltenham, GB
This charming mid-19th-century watercolour by British artist Thomas Sidney Cooper RA (1803-1902) depicts two sheep and a cow in a landscape. Cooper was a distinguished British painte...
Category

1850s English School Animal Drawings and Watercolors

Materials

Paper, Watercolor

K & K Hof Atelier Pietzner, Family Portrait In A Garden Setting
Located in Cheltenham, GB
This early 20th-century mixed media by K & K Hof Atelier Pietzner of Vienna depicts a respectable family within a neoclassical garden setting. With the advent of photography, afflue...
Category

Early 1900s Art Nouveau Mixed Media

Materials

Paper, Watercolor, Gouache, Photographic Paper

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“Innocent Captivation Amusement Pastorale”
By Anthony Cardon
Located in Southampton, NY
Original stipple engraving on a verge type of hand laid paper. The overall size of the engraving is 15.75 inches by 12.75 inches The image size of the engraving is 14 inches by 12 i...
Category

Early 1800s Academic Figurative Prints

Materials

Engraving, Laid Paper

“Scene in Union Square, New York on a March Day
By Winslow Homer
Located in Southampton, NY
Original wood engraving on paper. Taken from Harper’s Weekly, April 7, 1860. Signed “Homer” in the plate. Condition is good. Slight staining lower left. Very slight tear to the l...
Category

1860s Academic Figurative Prints

Materials

Archival Paper, Engraving

A set of Biblical prints after the Dutch painter and engraver Gerard Hoet
By Gerard Hoet
Located in London, GB
The present collection is a set of 131 prints after Gerard Hoet, the Dutch golden age painter and engraver, depicting various biblical scenes. Hoet was a leading artist in the Classicizing Dutch Academic style, and his work is defined by history paintings, with a particular interest in mythological, classical, historical, and biblical scene, in particular Old testament scenes...
Category

Early 1700s Academic Figurative Prints

Materials

Paper, Ink, Black and White, Engraving

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Still-life Prints

Materials

Engraving

Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
Category

1640s Academic Still-life Prints

Materials

Engraving

Flowering Hyacinth & Calla Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyacinthus Comosus Spurius" (Hyacinth), "Hyacinthus Anglicus" (Blue Hyacinth), "Palma ...
Category

Early 18th Century Academic Still-life Prints

Materials

Engraving

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