James RosenquistBrighter than the Sun, James Rosenquist: colorful abstract pop art rainbow1972
1972
About the Item
- Creator:James Rosenquist (1933, American)
- Creation Year:1972
- Dimensions:Height: 28 in (71.12 cm)Width: 38 in (96.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This print is not previously owned and has been stored in the Petersburg Press archives since its publication. There are four small pieces of tape on the back, which has produced five small darkened areas of the paper on the front. See photos.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU121124340401
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Study for Sculpture in the Form of an Inverted Q Above & Below Ground OldenburgBy Claes OldenburgLocated in New York, NYStudy for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975 Lithograph, soft-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in. / 35.2 × 28 cm Signed and dated in pencil, lower right, numbered in pencil, lower left. Edition of 100 with 20 AP. Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press...Category
1970s Pop Art Abstract Prints
MaterialsEtching, Aquatint, Lithograph
- Tube James Rosenquist Black and white abstract Pop art chrome based on paintingBy James RosenquistLocated in New York, NYPrinted in the same scale as the original James Rosenquist painting, this black and white, abstract pop art composition features a car door collaged over a gleaming, metallic chrome circle. The shining metal and automobile imagery is characteristic of Rosenquist’s work. Bold, minimalist and monochrome, with a hint of yellow and cobalt blue, Tube's circular composition became a recurring motif for Rosenquist. Circles appear in the artist’s prints from the late 60s – he was interested in the “circles of confusion”, or the phenomenon of a camera lens being pointed directly at the sun. Lithograph based on Rosenquist’s 1963 painting...Category
Late 20th Century Pop Art Abstract Prints
MaterialsLithograph
- Bunraku, James Rosenquist, abstract Japanese puppetry monochrome Pop ArtBy James RosenquistLocated in New York, NYThis abstract monochrome print portrays large, shiny dark purple bubbles that cascade over a scribbled, dense background. The sense of moveme...Category
Late 20th Century Pop Art Abstract Prints
MaterialsLithograph
- Vintage Frank Stella poster Democratic Convention 1980 colorful Pop politicalBy Frank StellaLocated in New York, NYColorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press in 1980, and features Frank Stella’s Polar...Category
1980s Pop Art Abstract Prints
MaterialsLithograph
- SIGNED Frank Stella poster 1980 Democratic Convention colorful vintage PopBy Frank StellaLocated in New York, NYColorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” SIGNED by the artist lower right with pen. It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press...Category
1980s Pop Art Abstract Prints
MaterialsLithograph
- Tumbleweed, James RosenquistBy James RosenquistLocated in New York, NYLithograph on Black Fabriano paper. Signed by the artist and dated 1970 lower right in pencil; numbered 59/68 lower left in pencil. This electric blue image of a neon sculpture was d...Category
Late 20th Century Pop Art Figurative Prints
MaterialsLithograph
- Reflections on CrashBy Roy LichtensteinLocated in New York, NY1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower marginCategory
1990s Pop Art Abstract Prints
MaterialsPaper, Lithograph, Screen
- Flag I /// Pop Art Jasper Johns Abstract Lithograph Black Modern American ULAEBy (After) Jasper JohnsLocated in Saint Augustine, FLArtist: (after) Jasper Johns (American, 1930-) Title: "Flag I" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsigned Year: 1975 Mediu...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Offset
- Repeated Design /// Pop Art Roy Lichtenstein Abstract Geometric Yellow Black NYBy Roy LichtensteinLocated in Saint Augustine, FLArtist: Roy Lichtenstein (American, 1923-1997) Title: "Repeated Design" *Signed, dated, and numbered by Lichtenstein in pencil lower right Year: 1969 Medium: Original Lithograph on Arches paper Limited edition: HC, (a rare hors commerce impression aside from the standard edition of 100) Printer: Atelier Mourlot, New York, NY Publisher: The artist Lichtenstein himself, New York, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948-1997" - Corlett No. 90, page 110; Bianchini (1971), Cat. No. 36; Zerner (1975), Cat No. 31 Framing: Framed in a contemporary silver metal frame with archival matting and plexiglass Frame size: 21.25" x 45.25" Sheet size: 16.82" x 40.75" Image size: 12.07" x 35.94" Condition: In mint condition Notes: Provenance: private collection - Detroit, MI, acquired from an art gallery in New York, NY; likely private collection - New York, NY, acquired from DeLind Fine Art Gallery, Milwaukee, WI retaining their original gallery label on verso. Printed in 2 colors: yellow and black. Collaboration: Michel Tabard (printing); Paul Valette (proofing). As Henri Zerner ((1975), 15) has indicated, this print is also known as "Modern Triptych...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Plexiglass
- Echo Pale, From Mirrors of the Mind Portfolio, 1975By James RosenquistLocated in Brecon, PowysJames Rosenquist (American 1933-2017) Echo Pale, From Mirrors of the Mind Portfolio, 1975 signed and dated 'Rosenquist 1975' (lower right); titled and numbered 74/100 lithograph, un...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- The Fan and its Surroundings, from the Global Editions SeriesBy Ed RuschaLocated in London, GBLithograph on Rives BFK paper, torn and deckle edgesCategory
Late 20th Century Pop Art Abstract Prints
MaterialsLithograph
- Abstract Minimalist Color Silkscreen Print Richard Smith On The Bowery Pop ArtBy Richard SmithLocated in Surfside, FLRichard Smith On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen