Agustín Fernández Art

Joan Miró (Spanish, 1893-1983) La Boite Alerte, 1959 Color lithograph Signed lower right, numbered 98/200 lower left 9.75 x 6.75 inches Joan Miró Ferra was born April 20, 1893, in B...

Bernar Venet Acute Uneven Angles (A), 2016 Direct gravure, aquatint, burnishing and drypoint. Pencil signed and numbered 42 from the limited edition of 75 by the artist on the front ...

Violet composition is an original artwork realized in 1975 by Oscar Piattella. Hand signed, dated on the lower right margin. Numbered on the lower left. Edition of 54/100 prints. ...

Myron Stout Untitled (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Buckeye Paper 8 × 8 inches Limited Edition of 1000 Stamped with a...

Untitled Abstract Lithograph By Jekon Park. Signed By Artist. Numbered 174/199. Framed. Measures 23.5 x 32 x 1 in. In Excellent Condition

Donald Judd (American 1928-1994) Untitled, 1978-79. Aquatint on etching paper Signed and numbered 18/175 in pencil (there were also 15 artist's proofs) Published by the artist, with ...

"Voices XXI" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Joel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Bears label from T...

FRANCISCO TOLEDO 1940-2019 Juchitán de Zaragoza 1940-2019 Oaxaca (Mexican) Title: Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88 Portfolio, 1988 Technique: Original Hand Signed and Numbered Lithograph in Colours on Arches Wove Paper Paper size: 56 x 38 cm. / 22 x 14.9 in. Additional Information: This original lithograph in colours is hand signed in pencil by the artist “Toledo” in the centre right of the image. It is also hand numbered in pencil from the edition of 100, next to the signature. There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. The paper bears a partial Arches watermark in the upper right corner. Note: The contributing artists were: Sergi Aguilar, Frederic Amat...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Frank Stella The Dayton's Bag, 1984 Two (2) separate offset lithographs: one on each side of a mixed media paper shopping bag 18 1/2 × 16 × 4 inches Plate signed "Frank Stella '84" twice: once on each side of the bag (see photos) This paper shopping bag with two different color offset lithographs (one on each side) was created by Frank Stella along with his longtime publisher Tyler Graphics. The work is plate signed Frank Stella on the top of each side, and each side bears the printed text, "Dayton's Salutes the Opening of Walker Art Center's New Galleries. Premiere Exhibition Selections from Tyler Graphics, 23 September '84 to 17 May '85." This elegant work, produced with the highest quality lithography by Frank Stella at Tyler Graphics, was created in a limited quantity solely for VIP collectors at that one day's event as it was a true one-off creation. Not too many of them have survived a quarter century on, and rarely in such good condition. Not too many people you know can boast that they possess a Frank Stella shopping bag. Note that this listing is for one two sided shopping bag, each side with a different color lithograph - so it's actually two Frank Stella lithographs...

A very good impression of this lithograph, from an edition of 250. Signed in pencil by Covarrubias. Published by Associated American Artists, New York.