Antoine Babuty Desgodetz Art

Robert Smith (United States, 1944) 'Open wide', 1972 lithograph in color on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-001-075 Hand-signed by author

Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

"El Exilio de Los Sentidos", 2005 Poem by Alberto Blanco, and works by Manuel Felguérez, Helen Escobedo, Perla Krauze, Francisco Castro Leñero, and Boris Viskin...

Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...

"Roberto Fabelo (Cuba, 1950) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: FAB-301"

Javier Areán (Mexico, 1969) "Mujer desnuda (estudio)" (Study of nude woman), 2007 dry point on paper Fabriano 300 g. 16 x 13.6 in. (40.5 x 34.5 cm.) Edition of 20 ID: ARA-101

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

"Sergio Hernández (Mexico, 1957) 'Untitled', 2015 engraving on paper Velin Arches 300 g. 29 x 33.9 in. (73.5 x 86 cm.) Edition of 30 ID: HER-189"

Figurative surreal dypoint print with ink and crayons by Polish artist Leszek Rozga. Artwork depicts several portraits in different styles. There is also a landscape on the bottom pa...

"Carlos Garcia De La Nuez (Cuba, 1959) 'Caracoles nocturnos', 2006 silkscreen on paper 19.7 x 23.7 in. (50 x 60 cm.) Edition of 104 ID: GAR1649-007-104" ____________________________________________ "Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...

Eduardo Chillida (Spain, 1924-2002) 'Bidegin', 1972 etching, chine colle on paper Velin Arches 250 g. Image size: 12.75 x 9.25 in. (32.5 x 23.5 cm.) Sheet size: 29.8 x 21.9 in. (75.5 x 55.5 cm.) Edition: 67. 50 numbered, 7 P/A (Artist Proofs), and 7 H.C. Unframed ID: CHI1038-011 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P.I 1959-1972. Chorus – Verlag. pp 314 – 315. Nr 72015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew...