Emanuel Schulze Art

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Artist about his work: BLOBS. THE CHARM OF DRIPPING PAINT Flowing peacefully in the slow current of a narrow trickle between the feeling of senselessness and some deeply hidden hope or – rather – the need for sense, my painting is closing a subsequent circle. It is one more effort to reach the core, the essence of the nature of light and colour which actually is the essence of the substance ascribed to the job to which the painter is doomed. What I have in mind is the paint flowing across the canvas – its liquid structure which, shaped sparingly by the will of a noble tool, as well as the force of gravity, sometimes happens to become a universal message. One can recognise this message by its sound, accompanied by one’s being particularly moved. Every very tiny particle, which has for years been made sensitive, begins to resonate in accordance with the harmony now appearing, while the seductive sound which accompanies it is capable of leading one into ecstatic vibration. Grzegorz Radecki...

A Vast Sky by Michael Sanders [2021] Original Oil paint on canvas Image size: H:91.8 cm x W:91.4 cm Complete Size of Unframed Work: H:91.8 cm x W:91.4 cm x D:3.6cm Sold Unframed Plea...

New York Sunshine Golden Glow Cityscape Painting by British Urban Landscape Artist Angela Wakefield. This original is part of the New York Series, a ...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

This oil on canvas painting is an example of the artist's fascination with the moments just before something unexpected happens. The painting gives a scene often enacted in Northeast...

Large-scale abstract with neon green brains layered on a textured grey and black background by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a co...

Winter Shadows 23 By Eleanor Woolley [2021] Original Oil paint Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:3.5cm Sold Unframed Please note tha...

Malvern Sunset by Eleanor Woolley [June 2021] original and hand signed by the artist Oil Paint on Canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Works from the series Alians Of Signs were created from 2010 to 2020. The works consist of 20 parts. The composition s...

Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Let Her Go oil on canvas 48h x 60w in 121.92h x 152.40w cm VWG011 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...