Enrico Marone Cinzano Furniture

Part of the popular Glo-Ball Series, the Glo-Ball F was created in 1998 by artist Jasper Morrison to invoke the radiant calm of a full moon. This contemporary floor lamp fits natural...

Inspired by the iconic Bishop’s hook cast-iron street lamps that illuminate New York City’s Williamsburg Bridge, this elegant floor lamp is comprised of a blackened-steel hand-spun s...

A great classic of the "wild", which fits perfectly in a cabin decor as well as in a modern attic. This natural red-gold fox cushion has been made by carefully selecting the materia...

Custom design by Studio Variously, AZURE throw / blanket is handwoven by master weavers in Nepal and dip dyed entirely with eco-friendly certified Swiss dyes. A sustainable design br...

Real fur you can feel good about. Front is finished in 100% upcycled Toscana sheep fur from Spain, made from "leave behind" pieces from an Italian glove ...

Floor lamp made of rough steel which is patinated. inside covered with white chalk paint. Transparent led lamps inside.

Embracing the purpose to take a break, LISBOA chair invites you to just sit and relax. Combining many observations from different cultures of how people use chairs...

Used as a throw on a sofa and king bed or as a luxury queen bedspread, its exquisite softness and light appearance will bring warmth and refinement to ...

Add luxe and comfort textures to your interiors by draping this limited edition genuine cashmere fur throw blanket over a chair, sofa or bed. For those cooler evenings, the petite size rust pink fur throw is a great leg warmer whilst indulging in the supreme softness and warmth of this decedent and timeless piece. Fashion dyed in a contemporary rustic pink color the real fur blanket...

Large fox throw. Full skins. Backed with cashmere / wool. Fox skins from Sweden. Delivery time 4-5 weeks.

Large Vittorio Dassi Credenza in Wood, Glass and Brass from Italy, ca the 1950s. This is a true eye-catcher. It has five doors with shelves behind it and three original keys availabl...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...