Ernest Crichlow Art

Yue Minjun, Fighting Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Signed and numbered, accompanied by C...

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

Moix, Santi (Spanish, b. 1960), Figural Abstraction, hybrid print with etching and aquatint, 23.5 x 16.75 inches, pencil signed and numbered 2/3. Santi Moix (Barcelona, 1960) lives ...

Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...

Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bay...

Jane Dickson (b. 1952) Lithograph printed in colors, 1987, Dimensions: 24 X 18 Hand signed and dated in pencil, verso, numbered 12/84 verso, Embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Jane Dickson has been exhibiting her oil stick painting, watercolor drawing, and prints in museums and galleries domestically and internationally for two decades. She frequently works with unusual surfaces such as Astroturf, sandpaper, vinyl, or carpet to exploit the implicit references and the textural possibilities these materials offer. She was part of an eclectic East Village (Greenwich village) scene that included Keith Haring, John Crash Matos, Jenny Holzer, Jeff Koons, Kenny Scharf, David Wojnarowicz, Robert Crumb and Richard Hambleton. After moving to the city in 1977, Dickson worked as a programmer for the iconic Times Square billboard project and with collectives Fashion Moda (with Jenny Holzer) and Collaborative Projects Inc. As a participant in the iconic Colab DIY “Times Square Show” and “Real Estate Show” of 1980, her work was seen alongside artists like Jean-Michel Basquiat, Fab 5 Freddy, Kenny Scharf, and Kiki Smith. Dickson’s paintings explore subjects such as peep shows, carnivals, and demolition derbies with dark irony. Widely exhibited, Dickson’s work has been shown in the 1985 Whitney Biennial Solo exhibitions of her work have been shown at The Whitney Museum of American Art at Philip Morris, Creative Time, and The Metropolitan Museum of Art. In 2008 she completed a mosaic for MTA in the 42nd street station. In 2010 she was invited to paint a leather jacket for the Andy Warhol Museum. In the early eighties, Warhol collected leather jackets, including one painted with his portrait and that of Jean-Michel Basquiat by the new wave artist Stefano Castronovo. Artists commissioned for this project include Castronovo, Rita Ackermann, Frederick “Fab Five Freddy” Brathwaite, Dan Colen, Ronnie Cutrone, Jane Dickson, Duncan Hannah, Lee Quinones, Tom Sachs, Kenny Scharf, Walter Steding and Ouattara Watts. Her images have appeared extensively in books and periodicals. She received awards from the National Academy of Arts & Science, the Joan Mitchell Foundation and was the recipient of the Bau Residency in Cassis, France. Museum Collections The National Portrait Gallery, Washington, DC The Bronx Museum, New York Yale University, CT Philadelphia Academy of Fine Art. PA The Art Institute of Chicago, Illinois The Brooklyn Museum, New York The Katzen Art Center at American University, Washington DC Library of Congress, Washington, D.C. Huntington Art Gallery, University of Texas, Austin Illinois State University Gallery, Normal The Jewish Museum, NYC Kings College, Cambridge, England The Long Beach Museum of Art, Long Beach, CA Minneapolis Museum of Art, MN The McNay Museum of Art, San Antonio, TX The Metropolitan Museum of Art, New York Mt. Holyoke College, South Hadley, Massachusetts The Museum of the City of New York The Museum of Modern Art, New York The National Museum of Women in the Arts, Washington D.C. The New School for Social Research, New York Toledo Museum of Art, Ohio The San Francisco Museum of Art, CA Victoria and Albert Museum, London Wake Forest University, Winston-Salem, North Carolina Walker Art Center, Minneapolis, Minnesota Whitney Museum of American Art, New York Select Group Exhibitions 2019 New York Underground: East Village in the 80s , Wuhan, China Basquiat: The Artist and His New York Scene, Schunck Museum of Art, Heerlen, Netherlands 2018 New York Underground: East Village in the 80s, Seoul Museum of Art, Seoul, Korea We Dissent: Design of the Women’s Movement in New York, Cooper Union Gallery, NYC Shoot the Pump, Bullet Space, NYC Zeitgeist: The Art Scene of Teenage Jean Michel Basquiat, Howl Happening and Maier Museum of Art, May China 2018 Art Expo Tour, Beijing Painter’s Academy, Beijing, China and Urumqi Painter’s Academy, Artist Multiples, curated by Jeffrey Deitch, Uniqlo Soho, NYC 2015 The Annual 2015: The Depth of the Surface, National Academy, New York, NY KIEV Biennial, Kiev Ukraine, Sept. "Mistakes Were Made" curated by John Miller Coney Art Walls Curated by Jeffrey Deitch, Coney Island, NYC 2010 Down by Law Eric Firestone...

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.In 1991, Alice Asmar was chosen for prestigious Honorary Membership in the National League of American Pen Women. Only three such honors are given each year. This recognition reaches back to her childhood, Alice Asmar was considered a child prodigy, winning awards and recognition for her artwork before the age of 10. Her education from 1946 through 1959 included a BA magna cum laude, from Lewis and Clark College, Portland; an MFA from the University of Washington, Seattle; and a one-year fellowship to study at L'Ecole Nationale Superieure des Beaux-Arts, Paris, France. Born in Flint, Michigan of Lebanese and Greek descent. Her parents moved to Portland, Oregon when she was just a baby. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists. She Graduated magna cum laude from Lewis and Clark College in Portland and Obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawing for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child. After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. A master of many media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books,American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes. Prints including lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is recognized internationally. Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, Security Pacific International Bank of New York, The Public Art Museum of Gabrova, Bulgaria, kaiser-Permanente, and the Dr. Nicholas Townell collection in Angus, Scotland. Studied with Edward Melcarth...

Bright colorful abstract circus scene with balloons. Born in 1941 in Sanandaj, Iran and immigrated to Israel at the age of 17. Elie Abrahami began his study of art at the Avni School...

The Couple is a beautiful colored lithograph realized by Stefania Guidi in 1993. Hand-signed in pencil on the lower right margin. Dated on the lower right. Numbered on the lower left. Edition of 150. Very Good conditions. Stefania Guid i (Rome, 1929) belongs to the Marche family of the Marquises Guidi Giovanissima. In 1958, she had her first personal exhibition of sculptures and drawings at the Giosi gallery in Via del Babbuino in Rome. She married the musician and composer Michele Paradiso on 1 July 1978 in Campidoglio. From 1956 to 2014, the work of Stefania Guidi was expressed in various techniques and materials with great craftsmanship. She made 192 etchings on copper and zinc; 40 lithographs on stone...

Author: Red Grooms (United States, 1937) Title: 'On your mark, get set, go!', 2002 Medium: Limited Edition Print. Technique: Lithograph on paper Image size: 76 x 56.5 cm. (30 x 22 in...