Finn Juhl Benches

Danish modern so called Jupiter sofa model 218 designed by Finn Juhl and manufactured by France and Son, Denmark 1965. The sofa has a solid rosewood frame...

Finn Juhl Jupiter 3 seat brown leather sofa. Shows beautiful Patina and wear! One seat cushion has tear in leather in front as seen in photos, everyt...

Amazing Finn Juhl sofa Model 137 in teak for France & Son, Denmark 1950s. This three-seater 'Japan' sofa has the elegance and round shapes that are so recognizable for Finn Juhl and ...

Stunning ‘minerva’ sofa by Peter Hvidt & Orla Mølgaard-Nielsen for France & Søn from the 1960s. Peter Hvidt and Orla Mølgaard-Nielsen have played a significant role in the internatio...

Finn Juhl lounge highback chair with original black leather upholstery with a wonderful patina. Frame of solid teak. Model 218 from the Jupiter Series, made by France & Daverkosen.

Finn Juhl for France & Søn, 'Japan' sofa, model ‘137/3’, teak, brass, reupholstered in leather "Anilin H cognac by Hans Renke", Denmark, designed in 1957 In the 'Japan' series by Fi...

This armchair was designed in 1946 by Finn Juhl and manufactured in a slight version in 1956 by Bovirke/Niels Vodder. It is made of solid teak wood, original ocher colored synthetic ...

Finn Juhl early "Japan" sofa produced by France & Daverkosen in 1957. This example in solid teak with luxurious sheepskin upholstery and original brass accents. The piece has been fu...

A prized piece for any Danish modern enthusiast, this Finn Juhl for Bovirke BO64 3 seater sofa is absolutely stunning. Designed in the late 1940's this piece still has its original straps and hand tied springs (repaired and reinforced on the bottom by our restoration specialists). This sofa has been reupholstered in a luxurious creamy white Belgian boucle...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Teak Japan chair by Finn Juhl for France & Son, 1957. Simple, elegant frame inspired by Japanese temple doors. Tapered legs, brass hardware and horizontal back rest with recessed cir...

"Japan" series sofa by Finn Juhl, designed in 1957 made by France & Son Denmark. Immaculate condition solid teak frame with brass brackets and details. The sublime simplicity of ...