Japanese Two-Panel Screen, Autumn Colored Canyon in the Mist

Chinese School landscape ink painting on gilded silk by Yukimatsu Shunpo, signed and dated 1924. Yukimatsu Shunpo was born in Oita in 1897 and studied under Himejima Chikugai in Osak...

Ink (Sumi) on paper. Signature and Seal read: Kishi Ganku It is backed with paper covered in gold and silver flake. Kishi Ganku (1749 or 1756-1839) was the...

Japanese two panel screen: Chrysanthemums Through the Mist Obara Paper Art Screen. Surreal and masterful rendering of chrysanthemums cloaked in mist that varies in opacity made entirely of carefully arranged mulberry paper fibers in a Japanese art practice called Obara. Accented with gold leaf. Unique in terms of both execution and dreamlike mood. Made by Yamauchi Issei (b. 1929), stamped in the corner. Issei is well known throughout Japan as the leading artist in Obara Paper Art. Starting in 1948, he apprenticed with Fuji Tatsukichi, a leading proponent of the arts and crafts movement in Japan who worked to revive many cultural traditions on the brink of extinction. Issei started exhibiting in the Nitten in 1953, won the gold medal in 1963, and eventually became a juror. His artwork was given as a gift to the Showa Emperor of Japan, as well as dignitaries such as General Douglas MacArthur...

Japanese Two Panel Screen: Peonies In the Mist. Showa period (1926 - 1945) painting in oil on canvas of peonies with gold and silver dust clouds. Signature reads, Seishu.

A masterful landscape made entirely of carefully arranged mulberry paper fibers in a Japanese art practice called Obara. Accented with gold leaf. Incredible craftsmanship and a wonderful rendering of bare trees. Made by Yamauchi Issei (b. 1929), stamped in the corner. Issei is well known throughout Japan as the leading artist in Obara Paper Art. Starting in 1948, he apprenticed with Fuji Tatsukichi, a leading proponent of the arts and crafts movement in Japan who worked to Revive many cultural traditions on the brink of extinction. Issei started exhibiting in the Nitten in 1953, won the Gold Medal in 1963, and eventually became a juror. His artwork was given as a gift to the Showa Emperor of Japan, as well as dignitaries such as General Douglas MacArthur...

Signature reads: Konishi Fukunen. Mineral pigments on gold silk. Excellent condition. Notes about Artist: Konishi Fukunen (1887-1959) was born the second son of the Paper mounting specialist Konishi Uhei in Takeo, Fukui prefecture in the mid Meiji period. In 1902 he was sent to Kyoto to study painting under Suzuki Shonen...

Impressive early 19th century Japanese Edo period two-panel screen featuring flowering plants and grasses of autumn. Painted in the Tosa School style Bunka Bunsei period or Ogosho pe...

Dramatic Showa period two panel folding byobu screen depicting a large white goose in flight in an evening snow covered winter landscape. Made in the American school style watercolor...

Serene Japanese Showa period two-panel folding byobu screen depicting a large spring blossoming prunus tree or plum tree. Beautifully painted with ink and natural color pigments on m...

Magnificent Japanese four-panel 19th century Meiji screen. Made in the Rimpa School style depicting a serene floral autumn landscape. Beautifully painted sumi ink and color pigments ...

Exceptional Japanese Meiji period two-panel screen, circa 1900. Featuring songbirds amid sakura cherry trees and flowering peony. Made in the Nihonga School style on handcrafted mulb...

Fantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...