Four Early 19th Century English Porcelain Gravy or Sauce Boats

A Paris porcelain urn with swan’s head handles; beautifully painted frolicking cupids to the front, and matte and burnished framed musical motifs to the back. Some rubbing consistent...

A set of three rare early 19 Century porcelain plates all in orange red gold and white hues. The plate shown on the left is a Chamberlains Worcestor, the middle plate is a Coalport...

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...

A Classic Pembroke table made of flame mahogany with satinwood and tulip wood banding; single drawer to one side with lock and flaps on either side that can be raised by brackets on...

A Paris porcelain ewer; (finial repaired) and matching basin, having brightly painted flowers to both; some rubbing to the ewer.  

A pair of English candlesticks in gilded bronze and imitation blue lapis lazuli scagliola; the circular gilt bronze bases sit on four lion’s paw feet; the stem is also of scagliola w...

A fine pair of 18th century Viennese "Wiener" porcelain two handled sauceboats from the Maria Theresa period. With polychrome 'Streublumen' decoration throughout and an Osier rim ...

A garniture of Minton or Coalport vases, circa 1830, in the C18 Meissen style with appliqué handmade ceramic flowers encrusted all-over.  

A fine Meissen gravy or sauce boat. By the Meissen Porcelain Manufactory. Having tin handles, two spouts, and an integral undertray. In the Neu Brandenstein...

Empire Paris Porcelain sauce boat ; bearutiful 19th century production enhanced with fine gold, decorated with hand-painted polychromatic flowers, antique-style masks on the sides, a...

A gravy boat by Herend offers porcelain construction with painted flowers, gilt highlights, double handles and underplate, maker mark on base as photographed, 20th century Measures-...

Pair early 19th Century Worcester English porcelain griffins decorated with a simulated bronze effect, on a shaped flat base decorated with gilding, a gilt & candle sconce on it’s ba...