Kandissa Mirror by Alessandro Mendini for Gruppo Alchimia, Italy

Freccia table in lacquered wood and silkscreened metal base designed by Alessandro Mendini for Gruppo Alchimia, about 2000. Exhibited at the show Alchimismo, Frigoriferi Milanesi, Mi...

Infinito table in laminated wood by Gruppo Alchimia, circa 2000. Exhibited at the show Alchimismo, Frigoriferi Milanesi, Milan 2011. Biography: In 1976 Alessandro and Adriana Gu...

"Spiritello" plexiglass sculpture designed by Alessandro Guerriero for Alchimia, circa 1990. Signed Alchimia, A. Guerriero. Biography In 1976 Alessandro and Adriana Guerriero establ...

Cabinet Ollo Collection, glossy polyester lacquered wood panels, glossy white and black lacquered top and bottom discs, matte black lacquered interior, crystal shelves. Publication: A. Mendini e A. Guerriero, "Collezione Ollo", Catalogo Museo Alchimia 1988; Raffaella Poletti, Atelier Mendini "Una utopia visiva", Fabbri Editori 1992. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Original Credenzas from the Redesign Collection designed by Alessandro Guerriero for the Alchimia Group, 1990. Vintage furniture decorated with acrylic. Hand painted. Exhibited at the show "Alessandro Guerriero: al diavolo Alchimia!", Must, 2017 Lecce. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mind-set of architects. Visual Alphabets, Redesign, Trivial Design, cosmetics and sentimental robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Bookcase Totem Ollo collection, Alchimia, 2019, in lacquered wood black and metallic yellow. In 1976 Alessandro and Adriana Guerriero established Alchi...

Made in Italy, 1990s. This is a limited edition. The mirror was designed by Alessandro Mending with Sanchita Ajjampur, a famous Indian fashion designe...

A wismical multi colored mirror designed by Alessandro Mendini and produced by Glas Italia.

Shapes, decorations, colors: 3 omnipresent statements in Alessandro Mendini’s work. This is a fun cloud shaped modern design mirror for Glas Italia with a transfer see-through polychrome postmodern...

Mirror with chrome-plated metal frame. Very high quality. Design by Giorgio Cattelan for Cidue. Italy circa 1970

Stunning real gilt wood mirror made in Italy by Padillo for Kindel Furniture. Beautiful mirror! This well designed piece by Palladio is made of hand carved wood with a gold gilt fin...

Vivian is a contemporary Beauty Desk, it can be a Makeup Table, a Writing Table, and even a mirror. Vivian mirror is a mirror with a jewelry shelf. An elegant and precious complement that can highlight an entrance hall, a bedroom or a bathroom. Vivian mirror is ideal for home environments or elegant hotel rooms...