Edward Wormley Model 6329 Janus Sofa, Jack Lenor Larsen Flamestitch Velvet 1960s
View Similar Items
Edward Wormley Model 6329 Janus Sofa, Jack Lenor Larsen Flamestitch Velvet 1960s
About the Item
- Creator:
- Dimensions:Height: 35.44 in (90 cm)Width: 102.37 in (260 cm)Depth: 31.5 in (80 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960
- Condition:Wear consistent with age and use. Minor fading. Very good vintage condition. All original. A few scattered scattered nicks and fine scratches to feet. Light area of fading on back. See photos. No apparent stains or repairs to upholstery; foam is soft. Exceptional, museum worthy piece.
- Seller Location:Brooklyn, NY
- Reference Number:1stDibs: LU4190326399802
Jack Lenor Larsen
Jack Lenor Larsen was a celebrated American mid-century modern textile designer born in Seattle. He fostered connections throughout the design and architecture industries beginning in 1950, and today, his influential eponymous design company is widely recognized for its muted hand-spun textured textiles. Larsen manufactured fabrics all over the world for more than six decades, using both traditional and modern weaving techniques.
Larsen initially studied in the architecture program at the University of Washington before he quickly realized he was instead interested in furniture design and interiors. He earned his MFA in 1949 from the Cranbrook Academy of Art — the go-to art school for design stars of the mid-20th century. The following year he moved and opened a studio in New York City where he launched his career.
For one of his first commissions, which was to design curtains for the Lever House — a New York City icon designed by Gordon Bunshaft and Natalie de Blois — Larsen created a linen and gold metal-themed weave to complement the building’s famed glass walls. He designed similarly magnificent textiles for the Phoenix Opera House, the Wolf Trap Theater and more.
Nowhere is Larsen’s profound impact on textile design more evident than at LongHouse Reserve, his house in East Hampton, New York. Modeled after a seventh-century Shinto Shrine, the home and its surrounding sculpture gardens opened to the public in 1992.
Larsen built LongHouse Reserve in collaboration with Charles Forberg. The property features sliding panels that showcase the revered artisan’s fabrics as well as works by Lucie Rie, Wharton Esherick, and Edward Wormley. The gardens feature sculptures by Willem de Kooning, Sol LeWitt and Yoko Ono.
Larsen had a solo exhibit at the Louvre in 1981. His work is held in the permanent collections of the Museum of Modern Art in New York, the Art Institute of Chicago and the Victoria and Albert Museum in London.
Find vintage Jack Lenor Larsen lounge chairs, sofas, and dining room chairs on 1stDibs.
Edward Wormley
As the longtime director of design for the Dunbar furniture company, Edward Wormley was, along with such peers as George Nelson at Herman Miller Inc., and Florence Knoll of Knoll Inc., one of the leading forces in bringing modern design into American homes in the mid-20th century. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently his vintage seating, storage cabinets, bar carts and other work has an understated warmth and a timeless quality that sets it apart from other furnishings of the era.
Wormley was born in rural Illinois and as a teenager took correspondence courses from the New York School of Interior Design. He later attended the Art Institute of Chicago but ran out of money for tuition before he could graduate. Marshall Field hired Wormley in 1930 to design a line of reproduction 18th-century English furniture; the following year he was hired by the Indiana-based Dunbar, where he quickly distinguished himself. It was a good match.
Dunbar was an unusual firm: it did not use automated production systems; its pieces were mostly hand-constructed. For his part, Wormley did not use metal as a major component of furniture; he liked craft elements such as caned seatbacks, tambour drawers, or the woven-wood cabinet fronts seen on his Model 5666 sideboard of 1956. He designed two lines for Dunbar each year — one traditional, one modern — until 1944, by which time the contemporary pieces had become the clear best sellers.
Many of Wormley’s signature pieces — chairs, sofas, tables and more — are modern interpretations of traditional forms. His 1946 Riemerschmid Chair — an example is in the collection of the Museum of Modern Art — recapitulates a late 19th-century German design. The long, slender finials of his Model 5580 dining chairs are based on those of Louis XVI chairs; his Listen-to-Me Chaise (1948) has a gentle Rococo curve; the “Precedent” line that Wormley designed for Drexel Furniture in 1947 is a simplified, pared-down take on muscular Georgian furniture. But he could invent new forms, as his Magazine table of 1953, with its bent wood pockets, and his tiered Magazine Tree (1947), both show. And Wormley kept his eye on design currents, creating a series of tables with tops that incorporate tiles and roundels by the great modern ceramicists Otto and Gertrud Natzler.
As the vintage items on 1stDibs demonstrate, Edward Wormley conceived of a subdued sort of modernism, designing furniture that fits into any decorating scheme and does not shout for attention.
- Edward Wormley Black Leather Janus Lounge Chair, Model 5701, Dunbar, 1957By Dunbar Furniture, Edward WormleyLocated in Brooklyn, NYEdward Wormley black leather Janus lounge ch air, Model 5701, Dunbar, 1957 ash, leather; 33.75 H × 30.5 W × 34 D in; Stitched manufacturer's mark to decking ...Category
Mid-20th Century American Mid-Century Modern Lounge Chairs
MaterialsLeather, Ash
$6,700 Sale Price50% Off - Harvey Probber & Jack Lenor Larsen Happiness Sectional Sofa, Lacquer Red 1968By Jack Lenor Larsen, Harvey ProbberLocated in Brooklyn, NYHarvey Probber & Jack Lenor Larsen Happiness corner sectional sofa, lacquer red, 1968-1972. Gorgeous low slung modern sectional seating set of three. This is a truly extraordinary, museum-worthy set. Certain Larsen designs have captured the public’s imagination and are recognized as “signature” pieces. According to company records, the Happiness design was inspired by a Chinese robe and Ming Dynasty embroideries in the collection of the Henry Art Gallery of the University of Washington, where Larsen did his undergraduate work. It was introduced with four colorways – amethyst quartz, Ming gold...Category
Mid-20th Century American Mid-Century Modern Sectional Sofas
MaterialsTextile, Wool, Mohair
$5,968 Sale Price / set79% Off - Christian Liaigre for Holly Hunt, Tan Mohair Velvet Mousson 3-Seat Sofa, FranceBy HOLLY HUNT, Christian LiaigreLocated in Brooklyn, NYChristian Liaigre for Holly Hunt, Tan Mohair Velvet Mousson 3-seat sofa, France. Designed circa 2011. Produced circa 2016. Gorgeous golden tan mohair velvet. Labelled. See photos. Liaigre was born in the Vendée region of France where he grew up on his parent’s farm. Christian’s parents bred horses, a detail that has had a substantial influence in his work which has been described as having “strong equestrian flavor.” As a young man he attended the Ecole des Beaux-Arts in Paris, where he studied painting. By the early 60’s he returned to Vendée where he worked on his parent’s farm – perhaps re-opening his eyes to the beauty of country living. In the early 1970’s, Liaigre returned to Paris where he worked as a design director at Nobilis Fontan. Eventually, he left Nobilis, as they wouldn’t allow him to show his own furniture. The joke was on them when he opened his own Parisian design studio in the late 80’s. In 1985, he opened his first store, and he designed the Hôtel Montalembert in 1990. In 1997, he designed The Mercer Hotel in New York City. His clients included Larry Gagosian, Marina Abramovic, Bryan...Category
2010s French Minimalist Sofas
MaterialsTextile, Mohair, Velvet, Wood
$8,200 Sale Price50% Off - Zanotta, Jonathan de Pas, Cento Sectional Sofa, Brown Leather, 1973, ItalyBy Gionathan de Pas & Donato D’Urbino & Paolo Lomazzi, ZanottaLocated in Brooklyn, NYZanotta Jonathan de Pas Cento sectional sofa, brown leather, 1973, Italy. Four-piece sectional sofa. Very rare. Italy, 1990s. Brown leather. 'Zanotta' fabric labels and decking fabri...Category
Late 20th Century Italian Mid-Century Modern Sectional Sofas
MaterialsLeather
$7,670 Sale Price35% Off - Paul McCobb for Directional Two-Piece Cream White Sectional Sofa, 1958, BrassBy Paul McCobbLocated in Brooklyn, NYPaul McCobb for Directional, two piece sectional sofa, c 1958. Cream on cream minimal Jacobean floral textile and solid brass. Two parts can be used together as one long sofa or as separate pieces. Gorgeous lines and minimal modern design. Single cushions for seat and back delineate each part but come together to form a sleek, neatly symmetrical (yet one-armed) sofa, comprised of a armless. Vintage Scalamandre pillows in main photo are for display only and NOT included with sofa. Settee and one arm loveseat...Category
Mid-20th Century American Mid-Century Modern Sectional Sofas
MaterialsBrass
$3,450 Sale Price / set75% Off - Florence Knoll for Knoll Original Tufted 3-Seat Sofa Cream White, USA 1954-2000sBy Florence Knoll, KnollLocated in Brooklyn, NYFlorence Knoll for Knoll Original Tufted 3-Seat Sofa Cream White, USA 1954-2000s. Warmed through color and texture, the Florence Knoll Sofa is a scale...Category
Mid-20th Century American Mid-Century Modern Sofas
MaterialsTextile
- Janus Sofa #6329 by Edward Wormley for DunbarBy Edward Wormley, Dunbar FurnitureLocated in Pasadena, TXJanus sofa #6329 by Edward Wormley for Dunbar Stunning sofa recently restored in champagne velvet with tufting. Mahogany base.Category
Late 20th Century American Mid-Century Modern Sofas
MaterialsMahogany
$11,200 Sale Price20% Off - Harvey Probber Tuxedo Sofa in Jack Lenor Larsen VelvetBy Jack Lenor Larsen, Harvey ProbberLocated in Chicago, ILHarvey Probber tuxedo style sofa in original Jack Lenor Larsen green velvet floral upholstery. This sofa is in incredible original condition showing very minimal wear for its age and sits very comfortably with good cushions and spring support. It was displayed in a North shore Chicago...Category
Vintage 1960s American Mid-Century Modern Sofas
MaterialsVelvet, Wood
- Edward Wormley Elegant Sofa Day Bed with Walnut Legs, 1953By Edward Wormley, Dunbar FurnitureLocated in New York, NYElegant sofa daybed model no. 5334 with separated back and arm with walnut legs designed by Edward Wormley for Dunbar, American, 1953.Category
Vintage 1950s American Mid-Century Modern Daybeds
MaterialsFabric, Foam, Walnut
- Exceptional Jack Lenor Larsen ~Primavera~ Velvet Playpen Sofa and OttomansBy Jack Lenor LarsenLocated in Las Vegas, NVGorgeous down filled sofa upholstered in Jack Lenor Larsen Primavera velvet with a pair of oversize matching ottomans. This is a huge livi...Category
Mid-20th Century American Mid-Century Modern Sofas
MaterialsUpholstery
- Clean Lined Tuxedo Sofa in the manner of Edward Wormley for DunbarBy Dunbar Furniture, Edward WormleyLocated in Atlanta, GAClean Lined Tuxedo Sofa, in the manner of Edward Wormley for Dunbar, unsigned, American, circa 1960s. This sofa is being completely restored and can be completed in your choice of wo...Category
Vintage 1960s American Mid-Century Modern Sofas
MaterialsUpholstery, Wood
- Party Sofa in Original Jack Lenor Larson Fabric by Edward Wormley for DunbarBy Edward Wormley, Dunbar FurnitureLocated in Philadelphia, PAA Classic Dunbar sofa by Edward Wormley that has been ensconced in plastic since leaving the showroom. Thereby preserving the spectacular and timeless fabric of Jack Lenor Larson...Category
Mid-20th Century North American Mid-Century Modern Sofas
MaterialsUpholstery
Recently Viewed
View AllRead More
How the Anglepoise Lamp Went from Desktop Companion to Hollywood Icon
Since its 1934 debut, the ingenious task light has become one of the most celebrated examples of industrial design.
Kaleidoscopic Upholstery Makes This Edward Wormley Chair a Showstopper
What at first glance seems an unusual choice jibes perfectly with the designer's aesthetic.