Late 19th Century Signed San Giorgio Venice Painting by Ida Rettig von Clesius

An important painting by one of the most representative Italian artists of the 19th century, Enrico Coleman. It depicts a village most probably from Lazio, perhaps a glimpse of Anticoli Corrado, the town famous for the attractiveness of its models, or rather Subiaco, his mother's birthplace. The atmosphere here is typical of the XXVs of the Roman Campagna of which Enrico Coleman was probably the most important exponent. The reason for this can also be seen in this small masterpiece that captures the washerwomen in their occupation immersed in a poetically bucolic atmosphere; a sky of unparalleled blue stands out in the background. Signed below on the right This painting, never before on the market, comes from an important Italian private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Oil painting on paper Enrico Coleman (21 or 25 June 1846 – 14 February 1911) was an Italian painter of British nationality. He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman. He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese. Enrico Coleman was born in Rome in June 1846. He was the fourth child of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and of a famous artist's model from Subiaco, Fortunata Segadori (or Segatori), whom he had married in 1836. Coleman was initially taught by his father, did study at the Accademia di San Luca in Rome. Following the mocking reception of Una mandria di bufali nelle paludi pontine, a naturalistic painting of a herd of buffaloes in the Pontine marshes, at the International Artist's Club in 1872,he reportedly began to paint genre subjects in the manner of the then-fashionable Mariano Fortuny, although no works showing the influence of the Spanish painter are known. At the instigation of Nino Costa, he soon returned to the depiction of the people, animals and landscapes of the Campagna Romana and the Agro Pontino. Coleman was lover of orchids, which he painted, collected and cultivated. An 1894 watercolour of orchids is in the Galleria Comunale d'Arte Moderna e Contemporanea in Rome. Coleman had a remarkable collection of indigenous orchids, which he cultivated himself in his house at 6 via Valenziana and the botanist Fabrizio Cortesi named the hybrid Orchis x colemanii Cortesi in his honour. In 1875, Coleman was among the founding members of the Società degli Acquarellisti, the Roman society of watercolourists; he participated in the society's first exhibition in 1876, and continued to exhibit with them until 1907. In 1878 he was elected an honorary member of the Société Royale Belge des Aquarellistes, the Belgian royal society of watercolourists, with which he participated in the Salon de Paris in 1879 and to the 4th Esposizione Nazionale di Belle Arti, or national fine art show, of Turin in 1880, and to that of Milan in the following year; he showed works in London in 1882 and in Rome in 1883. In 1885, Coleman was among the founding members of the group In Arte Libertas, of which Nino Costa was the leading force and the other founding members were Vincenzo Cabianca...

An important oil on panel painting by the great Tuscan artist Ruggero Panerai. It depicts one of his favourite and most successful subjects, wild horse...

Important painting "Still life" oil on canvas of the second half of the 800 by the great artist Aémile-Auguste Vivier-Deslandes called "Baron Deslandes". Of rare intensity and beauty...

Beautiful and important painting by the great Dutch artist Karel Klinkenberg who lived at the turn of the 19th and 20th centuries. It depicts a canal in Utrecht depicted with his usual precision attentive to every detail. Another characteristic of our painter, is the evocative power of the romantic and gentle atmosphere he always manages to convey. Signed at lower left and signed and inscribed on the reverse. Johannes Christiaan Karel Klinkenberg (1852, The Hague – 1924, The Hague), was a 19th-century Dutch painter specialized in views of the town especially Amsterdam and Utrecht as our painting. Biography According to the RKD he was a pupil of Christoffel Bisschop (1828-1904) and Louis Meijer, and became a member of the Pulchri studio who later won many prizes. A street is named after him in the neighborhood of streets named after 19th and 20th century Dutch painters in Overtoomse Veld-Noord, Amsterdam. This painting, never before on the market, comes from a private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. This artwork is shipped from Rome. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died can requires a license for export regardless of the work’s market price...

Lake landscape with noble figures by lush plant life, early 20th century, signed and dated Swoboda 1912. Rudolf Swoboda the Younger was a great Viennese artist who lived between the 19th and 20th centuries. Coming from a family of artists, he learned painting techniques in the atelier of his uncle Leopold Carl Müller...

Very rare painting oil on canvas by the artist William Langley Title “View of Menton Cap Martin” It depicts a beautiful view of the French Riviera, in particular Cap Martin-Menton O...

Artist: Jean Carolus Painted: 1862 Medium: Oil on board Interior Scene Period: Romanticism Signed & Dated: Lower left J. Carolus 1862 Dimensions: H: 24 3/4 / 62.8 cm W: 18 3/4...

Charles Lebayle (Paris 1856 - 1898) View of Campo San Zanipolo in Venice Measures: Oil on canvas, 62 x 36 cm With frame, cm 71 x 45 signed at the bottom right This suggestive Venetian view represents one of the most famous equestrian statues of the Renaissance, the Bartolomeo Colleoni executed by Andrea del Verrocchio, and the imposing church of Santi Giovanni e Paolo (also called San Zanipolo in Venetian dialect) located in Campo dei Santi Giovanni e Paolo also known as Campo San Zanipolo. It is one of the largest fields of Venice, located in the Castello district, on the border with that of Cannaregio, where in addition to the two mentioned monuments there is also the Scuola Grande di San Marco, ancient and precious place that before the dispersion housed paintings such as The miracle of San Marco ( Gallerie dell'accademia), the Discovery of the body of San Marco ( Brera) the theft of the body of San Marco ( Gallerie dell'Accademia) by Tintoretto but also paintings by Gentile and Giovanni Bellini...

Late 19th century oil painting "Peeling Apples" by Crisson circa 1899 Original oil on canvas. A woman peels apples while her friend ...

English orientalist school; late 19th - early 20th century. "Slave market". Oil on canvas. Presents stamps on the back. Measurements: 26,5 x 36 cm; 27 x 37 cm (frame). The orien...

A beautiful pair of late 19th-early 20th century kitten paintings. By F. Krantz (German). Oil on canvas, with curious kittens. One painting with four kittens and a mouse trap...

This oil painting shows a daily 18th century scene of the Grand Canal in the city of Venice, with the Campanile in the background. The soft colors and warm gold tones are accented by the calm water and sky. The painting is signed, and the strokes...