Pair of 18th Century Colonial Oil Paintings Husband Wife American Oval Portrait

Antique pair of 19th century oil painting on canvas featuirng a man and woman (husband and wife) in formal Victorian attire. The man holds a document, while the woman sits delicate...

"19th century Victorian oil on canvas portrait painting of Great, Great Grandmother (Elizabeth Craford 1798-1865) by Laura Birge, circa 1870, signed middle left. Laura C Birge (b.1846 - 1928), was born in Seneca Falls, New York. As a young girl she learned, for several years, to draw with Clara Soule (1834 - 1902). She then went to New York City and studied under William Rimmer...

A unique modern portrait painting on burlap of Ludwig von Beethoven, with a white wash finish / overlay. Signed and dated by artist on verso. Measures: 32.5” x 1.875” x 40.5” / Sa...

A unique modern portrait painting on burlap of Vincent van Gogh, with a white wash finish / overlay. Signed and dated by artist on verso. Measures: 32.5” x 1.75” x 40.5” / Sans Fr...

"An impressive early 18th century Dutch School portrait of Carolina Cornelia De Wille, circa 1714. The oval oil painting is on canvas and feat...

Fine antique oil painting on tin. A portrait painting of an elderly woman in black with a lace fichu bonnet seated at a table with her hand...

Pair of 19th century English miniature portrait paintings. On the back can be read: Joseph Storr of Ouswick, born 6 of February 1755 and died 10 of December 1831. Married with Ann...

An attractive pair of colonial American mid-18th century oil on canvas portraits. The detail and rendering of the paintings is of extremely fine quality. Highly contrasted figures against the dark backgrounds references the earlier work of Caravaggio and Rembrandt. One such American artist who particularly employed this technique in the late 1760s and early 1770s was John Singleton Copley...

Magnificent 18th century oval painting representing a lovely milk girl.

Antonio Bertoli (active between 1829 - 1842) Portraits of women (2) Oil on canvas, 41.5 x 31 cm With frame 52 x 42.5 cm Signed below A. Bertoli The two portraits examined here are by the hand of the artist Antonio Bertoli, a painter active in Florence between 1829 - 1842. He trained at the Florentine Academy, where in 1832 he obtained the prize for the nude in drawing. At the academic exhibitions of the following years he exhibited mainly portraits, including a representation of Nicolò Macchiavelli executed in 1837. An eclectic artist, he experimented with different genres: for the Villa Puccini di Scornio in Pistoia, in 1838, he was commissioned to create a history picture, The death of Francesco Ferrucci (Pistoia, Civic Museum), inspired by an episode of the novel Siege of Florence by Francesco Domenico Guerrazzi. Instead, two religious paintings date back to the 1840s: Christ chasing the merchants from the Temple and a Virgin Mary, In the portraits analyzed Bertoli depicts two half-length women taken from a foreshortening and a frontal in close pose, characterized by very similar Mediterranean features. In the first painting the woman, taken from the front, looks directly at the viewer. The wavy hair is decorated with a colorful violet and is partially covered by a white veil...

17th century Portrait of Saint Paul Measures: Oil on oval canvas, 67 x 50 cm - with frame 81 x 64 cm The portrait examined here depicts the Apostl...

Fantastic pair of late 20th century paintings by Ira Yeager (1938-2022). "Unseigneur Francois" and "La Duchesse de Modena" oil on canvas paintings measurin...