"The Three Tenors" by Fred Aris

"And is not the popular sausage very rich in fat?" by James M Grainger With a title like that, there is very little left for us to add...

"Morris Dancers" by James M Grainger. We loved this quintessentially English, yet slightly surreal take on traditional Morris dancing.

"Elvis" photograph by David Scheinmann, England, 2010. Edition Pigment print on Hanemuehle Baryta Paper, Non Reflective Matt Acrylic Face Mount. Signed and numbered on verso, 1/7 (...

Tintin and Cow by Antonio De Felipe, Spain, 2003. Acrylic on Canvass. Antonio de Felipe (born Valencia 1965). Even from a young age, this multi-talented young man had artistic tend...

(1935 - ) Oil on canvas; 24" x 36". Fellows grew up in California where he worked as a cowboy and was an apprentice for four years to a saddle maker. He roped calves and steers on the rodeo circuit. Without formal art training he spent 10 years as a commercial artist and as an art director, later moving to Big Fork, MT to devote himself full time to painting. His studio contains a serious collection of early western guns, Plains Indian artifacts...

A 1930s futurist watercolor painting of a motorbike race by Italian futurist artist Aris Bacci. Mounted in original geometric cream mottled frame, with stun...

Original California Post-Impressionist oil painting titled by Fred Korburg. Titled "Boat Yard" China Beach, Monterey, California. Nautical theme with docs, boat, beach, figures and building. Signed lower left corner and titled on verso. Painted on reverse masonite. Original frame. Painting without frame measures 20" H x 24" W. Born in Grenaa, Denmark on Nov. 22, 1896. Frederic Korburg studied at the Graphic Art Center in Copenhagen and at the Academy of Fine Arts in Hamburg, Germany under Max Lieberman. After coming to California in 1920, he further studied with Armin Hansen...

Inscribed Cecilia Josuan, Colegio de N. S. del Huerto, Buenos Aires, 1896 A rare “fixé sous verre” painting using a combined technique of chromolithography for the faces and hands, and silk embroidery for the clothes and background drape. Representing three women holding each other’s hands. Chromolithography technique uses thin paper motifs glued and varnished to integrate its support. Along from the rich Spanish legacy, Argentina is also very influenced since 19th century by European culture, notably Italian. Traces of American Indian culture are harder to find than in the other Latin America countries. During 19th century, with the National pride appears Argentina specific cultural themes. The Gaucho character, keeping the cattle in the Pampas, is recurrent in literature and particularly in poetry: Fausto (1866), by Estanilaslao del Campo, or Martin Fierro (1872), by José Hernandez, often considered to be an hymn to the Pampa. Painting also celebrates this genre with the works of painter Prilidiano Pueyrredon (1823-1870). At the beginning of 19th century, painters in Latin America and particularly in Argentina are foreigners (French, Germans and British) named Costumbristas, painting folkloric landscapes and portraits much appreciated in Europe. During second part of 19th century, a national painting appears with internationally renowned painters such as Prilidiano Pueyrredon, Angel de La Valle...