Michael McMillen 11 Color Silkscreen Print, 1991

Harveys on Beverly is pleased to present a limited edition, signed and numbered silkscreen print on 100% rag paper by world-renowned Santa Monica artist Michael McMillen. McMillen ...

John Luke Eastman artwork serigraph titled, "One Mind," fitted to matte board.    

The book shows an image “Women That Lunch” typical of the painting that DJ Hall was doing during this period. This is a lithograph with a silkscreen on top to ...

Collage art emerged in the early 20th century in Cubist circles. Pablo Picasso and Georges Braque pioneered this method in the context of their Cubist experiments. It was an early fo...

Vintage Wood Framed pastel print by artist Bala. This painting with reminiscencies of a Picasso style signed by artist Bala depicts a man playing what i...

Original post-war midcentury tropical print featuring a group of cranes in a tropical lagoon. This print comes in its original white painted frame. Size: 26" tall x 32" wide.

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Selection of color modern lithographs and silkscreens, circa 1930s-2000s. They have been framed in clean lined black lacquer gallery frames under UV resistant glass. They are: Top row, left to right: 1) Black and white abstract lithograph by Eduardo Chillida, circa 1960s. It measures: 21.25" H x 23.25" W. 2) Color silkscreen New Order "Singles" poster, signed by three members of the band, circa 2005. It measures: 30.25" H x 20.25" W. Bottom row, left to right: 3) Switzerland Ski Travel Color Silkscreen Poster, circa 1930s. It measures: 43" H x 27.75" W. 4) Abstract color lithograph, entitled "Spectral" by John...

A 2016 silkscreen print made on the occasion of the Rio Olympics titled "Road To Rio" by Howard Hodgkin. Numbered 88/350 signed H.H. and dated 2016 in pen...

A72 color silkscreen on paper. Published by Pace Editions, Inc., New York 2017. Edition of 50. Signed, numbered and dated by the artist. Newly framed in a 23-karat yellow gold leaf f...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...

A wonderfully composed, abstract designed limited edition silkscreen serigraph print by American artist Dean Meeker. This work is titled "Portofino" and is one of his more elusive/rare and hard-to-find images. The print is hand-pencil signed, titled, and numbered (Edition of 50) by the artist. Dean Jackson Meeker (born in Madison, Wisconsin, 1920-2002) was an internationally recognized sculptor, painter, and printmaker. He studied at the Art Institute of Chicago, Northwestern University, and the University of Wisconsin. In 1958, Meeker was awarded a Guggenheim Fellowship for 1959 and 1960 to study printmaking in Europe. In Paris, he worked at Hayter's printmaking workshop, Atelier 17, and with printmaker Kaiko Moti while also studying in museums in Spain and Italy. Meeker's works are in collections worldwide including the Metropolitan Museum of Art (New York), Museum of Modern Art, Whitney Museum of American Art, National Gallery of Art, Smithsonian, Milwaukee Art...