American Prints

"Nothern Point" signed in print color collotype print by Andrew Wyeth, circa 1950s. The piece is in very good vintage condition and comes unframed mounted on board. This wonderful pi...

Circa 1970's abstract color portrait etching on paper by Tony Bass ( b.1943) Texas. Signed, titled Maureen and numbered 3/30 in pencil along lower margin. Unframed, age toning.

Hand signed oil and color silkscreen on canvas with handpainted embellishments entitled "$100 Dollar Bill" by Steve Kaufman, circa 1990s. The print is in very good vintage condition ...

Excellent vintage postmodern framed and signed lithograph titles “Shell”. Displays a brilliant blue and light brown design centering a conch shell.

This vintage wall print of a woman, "Blue Wind," is eligibly signed and dated 1970. It boasts a bohemian-inspired aesthetic in a sleek gold metal ...

A fine figurative lithograph by Jorge Fernando Castillo depicting a matador. Fernando Castillo (1882 - 1940) was active/lived in Mexico and New York City. Fernando Castillo is known for Naive figure, landscape painting...

Vintage Abstract hand-colored block artwork print , Acrylic Mounted, and Matted by Beato P. Set of 4. This set of 4 abstract block prints depicts different scenes, all of which fe...

Dive into the realm of modern artistic innovation with the captivating "X Form" serigraph by the esteemed American artist W. Dean Gillette (1930-2008), created circa 1971. A true exe...

Querelle A27 (white) screen print by Andy Warhol, circa 1982. The print is in very good vintage condition and measures 27.5"W x 39.25"H. Very impressive piece in person, sorry about the glare in the photos. #2631 This rare print of two young men in a rather provocative pose, Andy Warhol used a photograph taken in preparation of his poster for Rainer Werner Fassbinder’s film Querelle. In 1982, Warhol was commissioned by the German film director Rainer Fassbinder, to design a poster for his adaptation of Jean Genet’s classic novel, ‘Querelle’. The story of a sailor’s journey into the sexual underworld of a French port appealed to Warhol’s cinematic sensibilities and could easily have been one of his own productions (he had started making films in the 1960s). This design is based on a photograph by Warhol of two young men with bare shoulders. It is characteristic of his work in the 1980s, incorporating elements of both hand-drawn and photographic screen printing. He focuses attention on the suggestively licking tongue by splashing it with a vibrant red. The film is based on Jean Genet’s scandalous novel Querelle de Brest, written in 1947 and published only six years later. It is not difficult to imagine that both Fassbinder and Warhol where fascinated by Genet’s violent and explicitly homoerotic story of the sailor, opium dealer and murderer Georges Querelle. The film’s notoriety was further heightened by Fassbinder’s death of drug overdose and its posthumous release in 1982. Warhol’s screen prints...

Pop Art Robert Indiana Yield Brother 1971 Screenprint Edition 230 Red Blue “Yield Brother”, from the “Decade” suite. Screenprint on heavy wove-paper, 1971. An impactful work where Indiana made use of military signage, stenciled letters and a palette of strong colours creating tension between it’s call for peace and the visual language of military posters. Signed and dated and numbered (46/200) in pencil by the artist. The print also bears the artist’s copyright ink stamp. Part of an edition of 230 total: 30 artist’s proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Professionally framed in a brushed aluminium frame. Museum-glass was used to minimize reflection. Ready to hang. About the artist Robert Indiana (pseudonym of Robert Clark) ( New Castle, USA 1928 – Vinalhaven, USA 2018) was an American painter, sculptor and poet. He was a leading representative of pop art and created the internationally famous LOVE symbol in 1964. A self-described American painter of signs”, Robert Indiana’s works explore visual culture, national identity and personal history through symbols and colours inspired by signage and graphic design. Indiana had his first solo exhibition in 1962 at Eleanor Ward’s Stable Gallery, which at that time also represented Cy Twombly and Robert Rauschenberg. In 1962 he participated with the work The Black American Dream #2 in the exhibition New Realists, organized in the gallery of Sidney Janis. It was here that pop art first announced itself as a new movement in visual art. In the following years, Indiana would participate in all the important group exhibitions of this movement. Although the Pop Art movement made Indiana famous, he was never fully comfortable with the consumerist nature of Pop Art as his work often was very politically outspoken. In 1978 Robert Indiana left New York City for good, moving to the remote island of Vinalhaven in Maine, close to where his hero, the painter Marsden Hartley had lived. Since then he rarely gave interviews or engaged in the art world, yet he continued to align himself with political causes, designing the official poster for Barack Obama’s Presidential campaign in 2008. During his lifetime Indiana had countless exhibitions all over the world, and his work is included in the collections of numerous international museums: among others Metropolitan Museum New York, Museum of Modern Art New York, Tate Modern London, Stedelijk Museum Amsterdam and Hara Museum of Contemporary Art, Tokyo. Signed Signed and numbered (46/200) by the artist in pencil. Condition Overall good condition. Full margins. Slight undulation on right side of the print. Slight moisture damage in upper left margin. Edition Part of an edition of 230 total: 30 artist's proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Literature Robert Indiana Prints...

Beautiful print designed by German artist Ludwig Hohlwein. This advertisement poster for Wilhelm Mozer's delikatessen store in Munich was originally released in 1909. This is a 1985 ...

A complete set of “Three Aquatints” prints by Robert Mangold. Published by Parasol Press Ltd., on Rives BFK paper. Each signed, numbered and annotated A, B, C in pencil. Framed using...

Purchased at la modern around 20 years ago. Size is of the visible picture inside passe-partout.

Serigraph on paper by Jessie Collins (20th Century) American. Signed, dated 1962, titled Mourning Dove and numbered 2/8 in pencil along lower margin. Displayed under glass and mat in...

Excellent serigraph by American Op Art artist Roy Ahlgren (1927 - 2011). This piece named "Stratification" is signed, dated (1980) and numbered (74/145) by the artist in pencil. O...

Stunning color in this Girard Print DAC NY 1969 Kelly Green and Blues make this classic subject a current whimsy! …

Pair of "Chinois Plaques", models 101 and 102, in patinated and engraved bronze and pewter with hand-painted enamels by Philip & Kelvin LaVerne, American 1960's (signed). The delica...

Vintage 1980s Patrick Nagel posters in black frames. The larger vintage poster is actually mounted to foam core. The original poster is housed in a newer black poster frame with acry...

Group of sixteen black-and-white prints after Sol LeWitt, from the limited edition folio "Black Gouaches," published by Stephan Natkin/Galerie Digital Arts, France, circa 1992. They ...

Woodblock Engraving “La Calle II" Signed, Numbered 10/75, 1987 Offered for sale is a graphic vintage woodblock engraving print titled La Calle. Th...

Mid Century Modern Blue Kimono Custom Framed Lithograph. Circa 1970s. Features an abstract light blue and silver kimono image over a geometric backgroun...

Contemporary Etching by George Segal signed, dated, and numbered.Girl in Violet Shirt: Front View , 1975

Artist print by Los Angeles based artist, K'era Morgan. Moonrise 11in x 14in fine art print K’era is a Los Angeles-based mixed media painter who’s had a long term love affair with ...

Chant D'un Oiseau Sourd, Lithograph by Adja Yunkers in fine original condition, circa 1970's, signed and numbered 62/90. Adja Yunkers (1900–1983) was an American abstract painter and...

A mesmerizing abstract by artist Jim Dine from 1970 that incorporates elements of pop art and abstract expressionism. Offset lithograph on metallic paper. “Hearts'' shows off a patt...

Antique map of Long Island, Southold, Shelter Island, Orient, Great details, Names of homes, Roads and Businesses in 1870. Unframed. This is...

Double hand signed limited edition serigraph entitled "Johnny Bench - The Catcher" by Leroy Neiman, circa 1989. The print is in very good vintage conditio...

Bay Area artist Robert McChenesy figurative abstract linocut titled "Jubilee" circa 1947. Abstract figures interacting with each other within the rect...

Artist print by Los Angeles based artist, K'era Morgan. Untitled (Teal, Orange, Lilac) 11in x 14in fine art print K’era is a Los Angeles-based mixed media painter who’s had a long ...

Excellent serigraph by American Op Art artist Roy Ahlgren (1927 - 2011). This piece named "Big Sur" is signed, dated (1981) and numbered (22/150) by the artist in pencil. Overall ...

A mind-bending colored pencil drawing with gesso/photo on paper titled “Altered States: The Consequence of Imperialism” by American artist Don Eddy. Hand signed and dated 1988 in red...

Contemporary artist Jennifer Printz "As Within l, ll and lll" is part of a series of three monoprints that blend photography, relief print with chine colle (epson ultrachrome inks on...

Contemporary artist Jennifer Printz "Tracing the Mysteries l, ll and lll" is part of a series of three monoprints that blend photography, relief print with chine colle (epson ultrach...

Contemporary artist Jennifer Printz "Lifetimes Alone l and ll" is part of a series of two monoprints that blend photography, relief print with chine colle (epson ultrachrome inks on ...

Edna Hibel: 1917-2015. Well listed important American artist. Mostly associated with Florida and Massachusetts. There is a Hibel Museum in Florida. Some called her the latter 20th century Cassatt for her favorite subject of mother and child. This beautiful piece is marked lithograph and oil. It appears to be embellished with oil on silk...

This lithograph by Dave Fox from 1991 features the artist's signature, lithograph number (1/70), and title "Intermission". Dave Fox's intention in the artwork is evident. It employs a subtler form of satire. The composition depicts an ordinary society event, infused with a pervasive sense of tedium among its participants, where nothing extraordinary unfolds. In the backdrop, a bar and its bartender serve as the setting, while in the foreground, two women engage in conversation, accompanied by a man holding a glass. He appears either poised to interject by social conditioning or already teetering on the precipice of profound ennui, displaying visible disinterest in the superficiality of their dialogue. The artist's meticulous attention to detail is particularly evident in the precise rendering of clothing, but their true mastery lies in portraying the women's eyes and lips, establishing the prevailing mood of the composition: a boredom beyond reality. Adding to the artistic finesse, the lithograph employs a creative use of light, with a left window serving as the primary light source. This illumination skillfully highlights the three characters in the foreground, while the figures in the background subtly blend into a darker environment. The carefully chosen shades of soft pastel pink and gray lend an elegant touch to the ensemble, enhancing the overall impact of the artwork. The artwork sits in a simple black woodframe. Dave Fox was born in Vienna, Austria in 1920, where he lived until shortly after the annexation of Austria in late 1938. Dave escaped via the German-Belgium border, seeking refuge in Belgium. From there he came to the United States in December 1939 and settled in Los Angeles. Dave was inducted into and served with the U.S. Army in the Philippines and Japan. Returning to the US, Dave studied at some of the first art schools in Los Angeles. He studied with artists, such as Rico Lebrun, Frances de Erderly, and Emil Bistrim at the Bistrim School of Fine Art. At the Jepson Art Institute, Guy Maccoy, a noted pioneer in the art of serigraphy introduced Dave to printmaking. After completing his studies, Dave was employed by an electronics firm as an artist and graphic designer. Dave went on to earn his BFA, MA, and MFA in drawing and painting with a special emphasis in printmaking from California State University Fullerton. Dave’s work included printmaking, painting, drawing, ceramics, and computer graphics. Dave Fox was an observer of life and translated all that he saw, heard, or experienced into his artwork. Growing up in Austria, the countryside was his playground. From early on Dave belonged to hiking groups and honed his observation skills, which he transferred to his new life in Los Angeles. In Los Angeles, Dave found new playgrounds – the LA Farmers Market, Melrose Ave., and the streets of Los Angeles at a time of growth and change. It was through his association with Jewish Federation in Los Angeles that he met his wife, Senta. Shortly after their marriage, they moved to Orange County, where they raised their two children. Dave divided his artwork equally between landscapes and people. He perfected his skills at drawing the human form and giving it personality and life. Throughout his long career, he always returned to themes that reflected his Jewish upbringing. His sketchpad, always with him, became his vehicle for capturing the world he saw. His interest in Jewish subjects was reflected in the people walking on Melrose Avenue; in the people enjoying Farmer’s Market in LA; in the chestnut vendor and the fish seller; in the Shabbat series, and in the abstract series reflecting a return to Jerusalem. Finally, when Dave turned his attention to ceramics he created a series of Jewish ceremonial objects – seder plates, Kiddush cups, and Havdalah sets...

Contemporary artist Jennifer Printz "Without Ceasing l, ll and lll" is part of a series of three monoprints that blend photography, relief print with chine colle (epson ultrachrome i...

Large Antique Maxfield Parrish Art Deco Edison Mazda Print "Lamp Seller Of Baghdad" circa 1920 Measures - 35.75" x 24" x 1".

The “objects” of American artist Man Ray’s affection were small, limited-edition sculptures. Although influenced by French artist Marcel Duchamp, Ray eschewed the Duchampian term readymade, preferring a lyrical title based on a popular song, “The object of my affection is to change your complexion from white to rosy red” (Rosalind Krauss...

Contemporary artist Jennifer Printz "Beset" and "Mourning" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare Plexiglass glazing. It'...

Andy Warhol, Joe Dellasandro, ‘Trash’, 1968 (1978), Black & White Photograph. Large silver gelatin print. Printed in 1978. Provenance: Archive of After Dark Magazine, New York. This ...

Set of 4 Striking Decorative Neoclassical Framed Panels from the 1980's. Triangular shaped frames under glass with Neoclassical prints encased. Wood frame...

Contemporary artist Jennifer Printz "Walking on Water" and "Drowning" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare Plexiglass g...

Contemporary artist Jennifer Printz "As In The Heavens and And On The Earth Below" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare...

Showing hull 397, the fifty eight foot auxiliary schooner yacht "Teragram" (Margaret spelled backwards) was built for George W. Mixter, New York. Mixter was the author of "Primer of ...

A minimal geometric serigraph on paper titled “Diamond Drill (Yellow, Black, & White)” by Larry Zox. Hand signed in pencil bottom right and annotated AP. Published in 1969; purchased in 1972. Original gallery tag from The J L Hudson Gallery on verso and COA included (see photos for reference). Larry Zox (1937-2006) was an American painter and printmaker who is classified as an Abstract expressionist, Color Field painter and a Lyrical Abstractionist. His work has been exhibited in many one-person and group shows including the Whitney Museum of American Art (New York City); the Museum of Modern Art (NY); Albright-Knox Art Gallery (Buffalo, New York); Art Institute of Chicago; Museum of Fine Arts, Boston; and Solomon R. Guggenheim Museum (NY). In recent years his work has been exhibited at the Stephen Haller Gallery and the Berry Campbell...

Highly collectible vintage lithograph print of original painting by American artist Charles Bosseron Chambers, circa 1930s. The iconic image ...

An abstract surrealist triptych by California artist Neal Doty. Hand signed in pencil bottom right with an annotation of 93/99 bottom left. Published circa 1970s. Inspired by artists...

An introspective embossed etching with aquatint on paper titled “Man Without Structure” by Michigan artist Marilyn Levin Schecter. Hand signed in pencil on the bottom right, titled mid-bottom, and annotated 12/30 on the bottom left. A unique sun or moon like shape mends with a central figure. Schecter used photographic...

Charming brown and white aviary print on linen having "The Aviary Bird Fancyers Recreation" prominently written in the lower center, and lovely birds wit...

Sensational image by Frederick Simpson Coburn In the style of one of my favourite artists, Goya Photogravure Limited edition of 300. This is No. 84 From The Complete Works of Edgar Allen Poe...

An expressive abstract screenprint on paper titled “Sticks #2” by Catherine Kernan. Hand signed in pencil on the bottom right and titled with an annotation 15/61 on the bottom left. ...

An expressive graphic contemporary 7 color screenprint on paper titled “Head to Head” by Michigan based artist Norm Stewart. Hand signed in the pencil on the bottom right and titled with an annotation on the bottom left. Stewart & Stewart gallery...

A large folio hand colored lithograph by Nathaniel Currier (1813-1888) and James Merritt Ives (1824-1895) titled "Camping Out Some of the Right Sort" published by Currier and Ives, New York, 1856. A charming and evocative composition depicting a group of mid-19th century men...

TAKESHI KAWASHIMA (Japanese/American b. 1930) - Untitled No. 68 - 75/80 - Mid Century original lithograph on paper - featuring a gridded pattern with semi abstract shapes - unframed ...

This is a wood print that is very vivid and colorful.

Original signed abstract screenprint, entitled "Seclusion" by Josef Albers for the limited edition "Washburn College Bible", 1979. Albers created this work as a frontispiece for Volu...

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing finds the entire constellation shifting into its reverse.” Gerald Nordland, in his essay for the “White Embossings on Gray” catalogue For sale, one print from Albers’ late in life exploration of color and perception, the “White Embossings on Gray” Series. For this series, renowned California print...