Photography on Sale

From the "Lost series". An aerial photography that was not manipulated or color corrected.

Mini book postcard sized shows Street Art from all over the world. Published by Pictures on Walls (POW) in 2005. 80 pages printed in colors. RELATED ARTISTS: Invader, KAWS, Ban...

This is a black and white photograph of American Wild Mustangs by Shane Russeck. Printed on Archival Paper Using Archival ink Shane Russeck has built a reputation for capturing Am...

Another amazing pocket sized book by Banksy. Released in 2002. This is Banksy's second book in the series. He released 3 books in this mini black book format in the 2000's (Banging Y...

This is a contemporary photograph of an African Lion. 36x48 Edition of 12. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates. ...

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 38x37cm each, 38x208cm installed including gaps. 5 Analog C-Prints, hand-printed by the artist on Archive Fuji Chrystal Pa...

An underwater photograph of a young naked woman in a pool. Original gallery quality archival pigment print signed by the author. Limited edition of 24 Paper size: 36"x29" Image ...

This photo was taken a few minutes before the Stones appeared on 'Thank Your Lucky Stars' at ATV studios in Birmingham in 1963. This was their first TV appearance and Phillip caught ...

This is a contemporary photograph of an American Bison. 50x60 Unsigned Print Printed on archival paper and using archival inks Framing available. Inquire for rates. Shane Russe...

Vintage darkroom Cowboy photograph In the style of Richard Prince circa late 1980s: A superbly rendered vintage darkroom photograph, surrealistically exploring the mythology of the American cowboy set amidst blazing skies. Rendered much in the manner of Richard Prince cowboys...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Caroline 2 ‘ An original signed archi...

"Roxy Burlesk" Times Square Photograph, Manhattan, 1978: In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd...

This is a contemporary black and white photograph of an African Lion by Shane Russeck. 36x48 edition of 12 Signed and numbered Printed on archival paper and using archival inks Fra...

This is a contemporary black and white photograph of Wild Mustangs 24x 40 Edition of 12. Signed by artist. Printed on archival paper using only archival ink. Framing available. Inq...

Contemporary photograph of an American Bison. 24x36 Edition of 50. Signed and numbered. Printed on archival paper and using archival inks Framing available. Inquire for rates. ...

This is a contemporary photograph of a North American Wild Mustang 36x48 Unsigned print Archival pigment paper Framing available. Inquire for rates. Shane Russeck has built a repu...

An underwater black and white photograph of a young naked woman in a pool. Original gallery quality archival pigment print signed by the author. Limited edition of 24 Paper size...

This is a black and white photograph of an African Lion. 40x60 Unsigned Test Print Printed on archival paper and using archival inks Framing available. Inquire for rates. Sha...

This is a contemporary photograph of a American Wild Mustangs. "They represent the ultimate expression of American freedom" Printed in Photo Rag using only archival ink. 40x90 Edi...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

This is a contemporary photograph on archival paper. Shane Russeck is know worldwide for his wild horse imagery. This is one of only 3 color images he created in this series. Edi...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

An underwater black and white photograph of a young naked woman in a pool. Original digital print on aluminum plate signed by the artist. Limited edition of 12. Print #2 The artwo...

“Exquisite Ghost” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of ...

An underwater photograph of a young naked dark hair woman in the pool. A transparent silk scarf slid off her shoulders opening the breasts and partially covering the hips and pubis....

This is a contemporary photograph of an African Lion shot by Shane Russeck 36x48 edition of 12 Signed and numbered Printed on archival luster paper. Shane Russeck has built a re...

Super cool and collectible Banksy Cut It Out Mini Book. Released in 2004. Must have for the Banksy collector. Last in the series of 3 books released in mini black book format in the ...

An underwater black and white photograph of two naked young women in the pool. Original gallery quality archival pigment print on archival paper signed by the artist. Limited editio...

An underwater black and white nude photograph of a female dancer performing in a swimming pool. Original gallery quality print signed by the artist. Digital archival pigment print ...

Wild Mustangs just Carson Nevada 40x55 Printed on archival paper using archival inks Unsigned print Framing available. Inquire for rates. Shane Russeck is a modern day photograp...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

An underwater black and white photograph of a young naked woman in a pool. Original gallery quality archival pigment print signed by the author. Limited edition of 24 Paper size...

An underwater black and white photograph of a young topless woman in a pool. Original gallery quality archival pigment print signed by the author. Limited edition of 24 Paper si...

“Prophetess” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of maste...

This is a contemporary photograph of American Wild Mustangs. Edition of 50. Signed and numbered Printed on archival paper and using archival inks Framing available. Inquire for rat...

Very cool and collectible book, Banksy’s Banging Your Head Against a Brick Wall. Released in 2001. This is Banksy's first book. He released 3 books in this mini black book format in ...

Image title: "Locals Only" This is a contemporary photograph of 2 North American Mountain Lions. 40x60 Printed on archival paper using archival ink Framing available. Inquire for...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

Image title: "Charlie, the Lonesome Cougar" This is a contemporary photograph of North American Mountain Lion. "They represent the ultimate expression of American freedom" 40x60 Ed...

This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 36x48 Edition of 12 Archival pigment paper Archival Inks Signed and numbered by the ar...

This is a contemporary photograph of a Northern California Wild Mustang. 60x40 Archival pigment paper Unsigned test print Framing available. Inquire for rates. Shane Russeck has ...

“Alice” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

Volume 2 of Banksy Captured by Banksy’s ex-manager Steve Lazarides. Features images from his show in Los Angeles, Crude Oils and many other locations. Has ...

The book “Mermaids” has the best of Alex Sher’s underwater photography for eight years (2010-2017). It blends human erotics with the beauty of the ocean wildlife - transforming the c...

An underwater photo of a naked young woman wrapped in air bubbles. The photograph depicts only her body, the face is not visible. A very bright eye catching artwork. The pool was f...

Kate Moss Street Art Photo: A rare Mr. Brainwash Kate Moss mural photographed in New York's famed Soho area in 2014 by celebrated downtown photographer Fernando Natalici. Digital C...

“Astrologist” is a part of Alex Sher’s series "Reflections" - underwater photographs that could be mistaken for paintings as they bring up recollections of masterpieces by Picasso, D...

An underwater photograph of a two naked young women on neutral black background. Porcelain, aside from being an exquisite material, is the name of an exquisite photo series. The se...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Jimmy Carter photograph Detroit, 1976: This timeless, silhouette-like photograph of President Jimmy Carter was captured by the legendary Detroit photo-journalist & counter cultural ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Marie Craig’s “New York Skyline” is a pen and ink drawing of the skyline of New York City on a unique cyanotype photograph of leaves and blossoms which has been toned to fade away ar...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" These iconic figures hav...

Image title: "Ghost of the Mountain" 40x60 Printed on archival paper Framing available. Inquire for rates. Shane Russeck is a modern day photographer, adventurer, and explorer. H...