17th Century Japanese Oribe Censor

17th century southeast Asian Rare Medieval tobacco pipe. Unearthed in the Central Highlands of Viet Nam near the Cambodian Border Tay Nguyen Plateau, Montagnard, Jarai Tribe Est, 17t...

17th century arrowheads excavated from central highlands, Vietnam. Beautiful patina on the arrowheads. Mounted $1,400 each.   8.5" H x 5.5" W x 2" D   

17th Century Ming Dynasty carved marble garden seat with Foo Dog handles, floral reliefs and bat wing decoration. The Chinese symbol for bat and fo...

- Sold individually or as a pair - 17th Century Ming Dynasty carved stone barrel, with Foo Dog handles, floral reliefs and bat wing decoration. The Chinese symbol for bat and for go...

16-17th century bronze opium pipe heads excavated from the central highlands in Vietnam. The patina is exquisite. Sold as a collection. 1 - 5.5" x .75" x 3" (4.25" H on stand). 1...

19th century or older - Sanskrit Prayer Book Pages Beautiful patina to the worn pages with very dark black background with Sanskrit. Black has subtle shee...

A fine and rare Japanese ao-oribe glazed minoyaki stoneware dish, late Momoyama or early Edo period, 17th century, Japan. The circular dish of wheel thrown stoneware, glazed in the ...

This product is a white porcelain bottle from the Joseon Dynasty. People in those days used bottles like this to make soap from waste oil. With use, the porcelain frayed and curle...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a Celadon three-legged incense burner with peony arabesque design. Since the 14th century, Dwarf sedge was planted in this pot to decorate the tea room, so in Japan it is ...

Japanese ceramic jar. Age: Japan, Meiji Period, 19th century Size: Height 33.6 C.M. / width 40 C.M. Condition: Nice condition overall. 100% satisfaction and authenticity guaranteed...