17th Century Antiquities

Name: Under the Hazy Moon Contemporary style Japanese Washi Japanese traditional paper shade floor lamp. Washi shade is famous as Isamu Noguchi Akari lightings. Base is made of brass...

It features a complex design with a central circular motif surrounded by eight petal-like sections, each intricately adorned with various botanical and geometric patterns, creating a symmetrical arrangement. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 12.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

An old tool for making textiles in Japan. It's a very rare object. The light and shadow that pass through the even holes are very beautiful. A nice art ob...

Absolute top Quality vase with superb decoration of flowers Cloisonné is a way of enamelling an object, (typically made of copper) whereby fine wires are used to delineate the dec...

The baluster shaped vase rising from a splayed foot to a short waisted neck, decorated in underglaze blue with flower blooms borne on leafy stems. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

This censer is characterized by its tripod form, which means it stands on three feet. Incense burners from the Ming dynasty are often highly regarded for their craftsmanship and the quality of the glaze texture and coloration. This piece features finely carved patterns that likely draw inspiration from traditional Chinese motifs. Such items were commonly used for burning incense and sometimes served as significant decorative pieces in ceremonial spaces or the homes of the elite. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Stoneware - Celadon glazed Type: Tripod censer Size : 24.2 cm(Diameter) , 10.8cm(Height) Provenance : Acquired in 1999, Hongkong Reference : Sotheby's Newyork 26 September 2023 - CHINA / 5000 YEARS - Lot1135 * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

The Kendi is decorated with cobalt blue underglaze depicting flowers and a mythical bird, reflecting the artistic finesse and symbolic expressions of the era. These designs often carry symbolic meanings, with birds sometimes representing immortality or spiritual transcendence in Chinese mythology. The Kendi's form, with a bulbous body and spout for drinking, is a traditional vessel style in Asia, valued for both its functionality and aesthetic appeal. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

Han Dynasty green-glazed tripods are comparatively rare, especially ones that have retained their structural integrity and glaze over millennia. Pieces in good condition are scarce b...

The painting features a typical Kangxi blue and white style depiction of a female figure. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

You are admiring a refined Japanese Porcelain plate made by Japan manufacture during the end of the 19th century. This elegant decorative ...

This vase is decorated with dutch canal houses on one side and Chinese pagodas and flowers on the other side. Eastern and Western motifs were simultaneously expressed in ceramics. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...