Antique ca 1900 Japanese Satsuma Hotoda Mini Vase Richly Decorated

Description Sharing with you is this nice satsuma miniature vase decorated with birds in an mountainous landscape scene. Condition Overall Condition missing chips and restuc...

Description A Japanese Satsuma vase and cover marked base Condition Overall Condition: 1 restuck chip to rim. Size 190mm high Period 19th century Meiji Periode (1867-1912).

Description A Japanese Satsuma teapot and cover marked base, miniature Condition Overall condition restoration to rim. Size 60mm high Period 19...

Japanese Satsuma vase, Meiji period of ovoid form with slightly domed cover, decorated with monkeys in robes frolicking in a landscape beside a river. Condition Overall Conditio...

Description Sharing with you is this nice pair of Japanese Satsuma candle holders, Obiyama, Meiji/Taisho period. Absolute top quality pieces. ...

Description Japanese Satsuma vase with cover, Meiji period The first of ovoid form, the domed cover surmounted by a seated boy, decorated with scenes of noble figures in palace i...

Japanese Satsuma mini vases, ca. 1900 Meiji period (1867-1912) Japanese Satsuma vases of 9.2 cm high in a conical-cylindrical shape with measurem...

A fine diminutive, antique Japanese Satsuma pottery cabinet vase. Decorated throughout with gilding and raised enamel. There are...

A fine antique Japanese Satsuma pottery vase. In the form of a bud vase with a round base and narrow, tapered neck. Decorated throug...

An early Satsuma vase depicting a Japanese nobleman and woman on two panels front and back, with gilt decoration and painted details overall. Now mounted as a lamp.

A gorgeous pair of Japanese earthenware Satsuma vases, hand-painted, Meiji period, circa early-20th century, Japan. Vases' beautiful decoration is high-qu...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...