Antique Sumidagawa Signed Pottery Moon Flask Vase

A fine antique Japanese Satsuma pottery vase. In the form of a bud vase with a round base and narrow, tapered neck. Decorated throug...

A fine antique Japanese Satsuma pottery incense burner. With a cream ground and an extensively gilt exterior. There are numerous cartouches around the censer with each having a un...

A fine diminutive, antique Japanese Satsuma pottery cabinet vase. Decorated throughout with gilding and raised enamel. There are...

A fine vintage Japanese Kutani porcelain vase. By Mitsui Tamekichi the 3rd (?????3?). Born Mitsui Eiichi in 1935. He met his wife while apprenticing under Kutani master Torijo...

A fine antique Japanese Nippon porcelain vase or covered urn. With green, pink, and white tones in raised moriage enamel that gives a three-dimensional effect. Decorated with 4 cartouches throughout. The main cartouche features a moriage dragon...

A fine set of 4 Japanese Imari porcelain bowls Each decorated throughout with kaikemon blue, red, and green natural scenes and extensive gilding. Marked to the base with a blue underglaze maker's mark for Kakufuku. Simply a fine set of Japanese rice bowls...

Sumidagawa ‘Monkeys’ vase, Ban-Ni, Japan, c. 1890, Meiji Period. £1,350.00 Sumidagawa pottery vase, signed Ban-Ni, Japan, c. 1890, Meiji Period. The large vase, sculpted with an amu...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

A rare pair of large 19th Century antique Islamic Multan pottery moon flasks, India, Sindh province (now Western Pakistan), circa 1850. The flasks are decorated in blue, white and tu...

A large and rare Japanese ceramic vase of exceptional quality from late Meiji period circa 1900-10s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export cer...

Chinese famille rose double moon flask shaped delicate ceramic vase with painted dragon and floral motif, Qianlong, early 20th century. In remarkable antiqu...

This is an old Japanese sake bottle. It is from the Meiji period (1860s-1900s). It is made of ceramic and covered with paper. It is slightly cracked and reinforced with paper. The pa...