Chinese Ming Dynasty Blue & White Porcelain Floral Bowl 18th Century

Chinese Kangxi Blue & White Fine Porcelain Lidded Paste Box 18th Century Good condition overall with 6 character seal mark on base From a private collection. Free international ship...

Chinese Qing Dynasty Blue & White Porcelain Blossoms Lidded Box 19th Century Good condition overall From a private collection. Free international shipping.

Chinese Qing Dynasty Blue & White Porcelain Landscape Lidded Box 19th Century Good condition overall From a private collection. Free international shipping.

Chinese Qing Dynasty Famille Rose Porcelain Lidded Box 19th Century Good condition From a private collection. Free international shipping.

A very good antique Chinese blue and white bowl for the Islamic market, late Ming dynasty, 16th century. The bowl having a flared r...

A darling small Chinese celadon glazed kendi, or pouring vessel, mid Qing Dynasty, 18th century, China, for the Southeast Asian market. The diminutive kendi of typical form, with ...

A Chinese Longquan Celadon Lotus Bowl, Ming Dynasty Diameter: 16.7 cm Height: 5.5 cm Provenance: The Collection of Dr. John Yu AC Dr. Yu was the Foundi...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...