A Japanese Satsuma plate depicting a Phoenix 鳳凰, signed Satsuma-yaki Shōzan ga

Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorne...

Satsuma ceramic plate adorned with polychrome and gold decorations within numerous reserves of unique shape and size, depicting scenes of Japanese daily life. The plate is signed un...

Satsuma ceramic lobed bowl adorned with raised enamels and fine gold details, depicting a vibrant landscape within. Characters and traditional Japanese home...

Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies...

Satsuma bowl decorated with a striking landscape that evokes the beauty and serenity of the Japanese hills, with a gently flowing river surrounded by trees and mountains. The bowl i...

Satsuma vase, with slender neck and terminal part adorned in pure gold decorated with a garden of chrysanthemums, made with enamel and gold in relief. Different varieties of chrysan...

A Magnificent Satsuma Plate. Late Meiji period, early 20th C. Signed. Very elegant Japanese satsuma plate hand painted with a magnificent floral decorations. The painting is a t...

A beautifully crafted large ceramic bowl as a centerpiece by Okumura Shozan (1842-1905) in the Kyo-yaki (kyoto ware) style. A Classic ovoid form with flatly...

A mid-20th century Japanese Satsuma vase with figures. Satsuma ware is a style of Japanese earthenware originally from the Satsuma region of what is today southern Kyushu. There are two distinct categories of this ware: The original plain dark clay early Satsuma...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

Painted with Two Snipe Amongst Iris From our Japanese collection, we are delighted to offer this Japanese Meiji Period Satsuma Plate by Kinkozan. The Satsuma Plate is extensively de...

A Magnificent Japanese Satsuma Vase. Signed. Meiji period. 19th C A Fine Japanese satsuma vase of a baluster form finely painted in Satsuma enamels enhanced with gold paint,decora...